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In this brilliant late-career collection, John Updike revisits many of the locales of his early fiction: the small-town Pennsylvania of Olinger Stories, the sandstone farmhouse of Of the Farm, the exurban New England of Couples and Marry Me, and Henry Bech’s Manhattan of artistic ambition and taunting glamour. To a dozen short stories spanning the American Century, the author has added a novella-length coda to his quartet of novels about Harry “Rabbit” Angstrom. Several strands of the Rabbit saga come together here as, during the fall and winter holidays of 1999, Harry’s survivors fitfully entertain his memory while pursuing their own happiness up to the edge of a new millennium. Love makes Updike’s fictional world go round—married love, filial love, feathery licks of erotic love, and love for the domestic particulars of Middle American life.
- Sales Rank: #642101 in Books
- Brand: Updike, John
- Published on: 2001-11-27
- Released on: 2001-11-27
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .87" w x 5.56" l,
- Binding: Paperback
- 384 pages
Amazon.com Review
If John Updike had never published anything but short stories--if the novels, essays, verse, and reams of occasional prose vanished into thin air--he would still be a presence to reckon with in American letters. Having said that, it's only fair to point out that his 13th collection, Licks of Love, is one of the master's patchier efforts. He has lost none of his notorious fluency, and even the duds are enlivened by lovely stabs of perception. But in several tales ("The Women Who Got Away," "New York Girl," "Natural Color"), Updike seems perversely bent on proving his detractors right, serving up familiar narratives of adultery and '60s-era swinging. There's no reason why lust and rage shouldn't dance attendance on this randy genius's old age. But he's already written about the art of extracurricular canoodling at such length that these entries are bound to seem like retreads.
That's the bad news. The good news is that the rest of the collection is a sheer delight. "My Father on the Verge of Disgrace" explores some fascinating Oedipal outskirts, even as the narrator's first cigarette takes on a theological accent: "It was my way of becoming a human being, and part of being human is being on the verge of disgrace." In "How Was It, Really?" Updike unveils the real dirty secret of old age, which is not the persistence of erotic appetite but the inevitable, appalling failure of memory. Best of all, he returns to two of his longest-running franchises, with admirable results in both cases. "His Oeuvre" revives that Semitic doppelgänger Henry Bech for one more lap around the track, and finds the author making intermittent fun of his own fancy prose style. Harry Angstrom is, needless to say, beyond hope of resurrection. But in a 182-page novella, "Rabbit Remembered," Updike brings back his survivors for a superb, surprising curtain call. The author's present-tense notation of American life (whose paradoxical epicenter is, as always, Brewer, Pennsylvania) remains as mesmerizing as ever. And despite his death, the putative hero is everywhere, as his illegitimate daughter returns to the unwilling bosom of the Angstrom clan: "A whiff of Harry, a pale glow, an unsettling drift comes off this girl, this thirty-nine-year-old piece of evidence." Wallowing in this unexpected bonus, Updike fans should steel themselves for a single pang of regret: this is likely to be the last Rabbit he will pull from his hat. --James Marcus
From Publishers Weekly
Harry "Rabbit" Angstrom has been dead for a decade in Rabbit Remembered, the novella that closes this latest, richly evocative Updike collection. His widow, Janice, is married to Ronnie Harrison, the widower of Thelma, with whom Harry had a long-time liaison. His son Nelson's wife, Pru, whom Harry also briefly bedded, has left Nelson, who has kicked the coke habit and still lives in the old Springer house with Janice and Ronnie. The past surfaces unexpectedly when Annabelle Byers, Harry's illegitimate daughter, makes herself known to the family. The ramifications of Harry's legacy include a strained Thanksgiving dinner that degenerates into political argument and acrimonious insults, and a mordantly funny flashback to a scene in which Harry's cremated remains were inadvertently left on a closet shelf in a Comfort Inn. While Updike explores the dark territory of bitterness, resentment and guilt, he also includes his trademark ticker-tape of current events (Hillary's candidacy, etc.), a typically muddled millennium New Year's Eve and a surprisingly upbeat denouement. For Rabbit fans, this is a must-read. In addition, the 12 short stories collected here present a kaleidoscope of Updike settings and themes. One element is common to nearly all the tales: the protagonist is a libidinous married man, ever on the lookout for adulterous adventures. In all of them, nostalgia is pierced with insight and regret. This is a treasury of Updike's craft, each story a small gem. 60,000 first printing; first serial to the New Yorker. (Nov.)
Copyright 2000 Reed Business Information, Inc.
From Booklist
Ah yes, indeed, licks from Updike's New Yorker forays and sundry meanderings. Bonnie Smothers
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
6 of 7 people found the following review helpful.
Not his best; buy it anyway.
By D. C. Carrad
Read the novella ("Rabbit Remembered") first; it's worth the price of the book all by itself. A very interesting fictional experiment -- a piece about the lingering influence of a man ten years dead on his family and acquaintances. I have read all the earlier Rabbit Angstrom novels (several times) and enjoyed this thoroughly; I'm not sure how much you will like it if you are not familiar with the earlier works.
As to the other stories...well, bad Updike is better than most other authors' best efforts. These are not his best and are disappointing after his most recent short story collection (The Afterlife and Other Stories).
If you're new to Updike don't start here -- but if you are already a fan there is much to enjoy. As usual the prose is flawless and delightful even though some of the characters are underdone and some of the stories structurally flawed -- a rarity in Updike's work.
0 of 0 people found the following review helpful.
The short stories are also great.
By J. Collins
You have to have read 1-4 of the Rabbit series to appreciate this sequel. The short stories are also great.
13 of 13 people found the following review helpful.
Updike offers up One More Rabbit for the Fans
By Dave Deubler
When future historians try to understand the Sexual Revolution of the latter twentieth century, they will probably find no more useful documents than the fiction of John Updike, whose obsession with sex, particularly the adulterous variety, is unparalleled in modern literature. In Updike's world, pick any four couples and you've got yourself seven adulterers and one weirdo - quite a different Pennsylvania from the one this reviewer lives in.
In this mixed volume of fiction, "The Women Who Got Away", "New York Girl", "Natural Color", the Bech story "His Oeuvre" and the surprising "Scene From the Fifties" all revolve around marital infidelity and the burgeoning sexual revolution. Updike's obsession with adultery leads one to suspect that the writer suffered from post-coital remorse, and tried to come to grips with his own indiscretions by implying that they are symptomatic of the culture, and so not really his fault. The stories invariably show how tawdry these encounters are, how irresponsible he recognizes them to be, and how paranoid the perpetrators become, all to convince someone (His family? His mistress? His readers? His Maker?) that it really wasn't all that much fun. "Let me off easy," he seems to be saying, "I've already suffered enough."
"Rabbit Remembered" is the real class of this collection, and a worthy capstone to the Rabbit series, but readers unfamiliar with the four novels preceding shouldn't expect to get much out of it. Recapitulations of the events from the prior novels are often pretty brief, giving the barest review of the facts and skipping all the emotional fallout. The focus is on the late Harry "Rabbit" Angstrom's son Nelson, and the changes that take place in his life when his unbeknownst half-sister Annabelle shows up at his mother's house.
Fans of Updike's work will surely appreciate this one last entry into the Rabbit franchise, even if there isn't much else to recommend this volume. Those new to Updike should start anywhere but here; the adultery-go-round of the first dozen stories is sure to leave a bad taste in the mouths of most readers, and the redeeming qualities of "Remembered" will be wholly opaque to the uninitiated.
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