Kamis, 30 April 2015

>> Download PDF Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David

Download PDF Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David

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Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David

Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David



Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David

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Armies of Light and Dark (Babylon 5: Legions of Fire, Book 2), by Peter David

The Drakh have assaulted Earth with deadly Shadow technology-but the worst is yet to come in this stunning continuation of the Babylon 5 epic adventure . . . Centauri Prime has been infiltrated by malevolent allies of the Shadows, creatures known as the Drakh. While Centauri citizens continue to rebuild their war-torn planet, their secret masters work feverishly toward one ultimate goal: to crush the Interstellar Alliance once and for all. As the Drakh carry out their horrific plans, Emperor Londo Mollari languishes on his throne, a puppet of the Drakh-bred keeper, an insidious creature that monitors his every thought, word, and action. While the emperor broods, the power-obsessed Lord Durla-an unwitting Drakh pawn-follows his own agenda. But Drakh control is not absolute. Vir Cotto-a most unlikely hero-has begun a resistance movement, and Alliance President John Sheridan has sent his most trusted troubleshooter, Michael Garibaldi, to investigate. Yet this move may prove costly, and though the Centauri continue to build a new military machine, the Alliance avoids any overt confrontation, hoping the problem will go away.

  • Sales Rank: #259112 in Books
  • Published on: 2000-05-02
  • Released on: 2000-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x .72" w x 4.20" l, .30 pounds
  • Binding: Mass Market Paperback
  • 272 pages

From the Inside Flap
The Drakh have assaulted Earth with deadly Shadow technology--but the worst is yet to come in this stunning continuation of the Babylon 5 epic adventure . . .

Centauri Prime has been infiltrated by malevolent allies of the Shadows, creatures known as the Drakh. While Centauri citizens continue to rebuild their war-torn planet, their secret masters work feverishly toward one ultimate goal: to crush the Interstellar Alliance once and for all.

As the Drakh carry out their horrific plans, Emperor Londo Mollari languishes on his throne, a puppet of the Drakh-bred keeper, an insidious creature that monitors his every thought, word, and action. While the emperor broods, the power-obsessed Lord Durla--an unwitting Drakh pawn--follows his own agenda.

But Drakh control is not absolute. Vir Cotto--a most unlikely hero--has begun a resistance movement, and Alliance President John Sheridan has sent his most trusted troubleshooter, Michael Garibaldi, to investigate. Yet this move may prove costly, and though the Centauri continue to build a new military machine, the Alliance avoids any overt confrontation, hoping the problem will go away.

Excerpt. © Reprinted by permission. All rights reserved.
Vir stood before the giant, crackling energy gate. The ground around him was littered with bodies. On the other side of the gate loomed something so dark, so evil, that he was paralyzed with fear, and then he remembered a time--days, even hours ago--when he had been convinced that he could never, would never, be afraid of anything ever again. He would have laughed at his arrogance were he not too terrified to laugh, and his thoughts spun back to that period a short time before--

It seems to Vir a lifetime ago that he had stood before the techno-mages and trembled. In fact, it had not even been the techno-mages themselves. Instead he had quivered as shadows in a darkened corridor had loomed around him in a most threatening manner.

Vir had been going to speak with the techno-mages on Londo's behalf. The mission had seemed fraught with peril at the time. Londo had required him to inform the techno-mages that he, Londo, wished to meet with them.

That was it. That was all. Tell them that Londo wanted to set up a meeting. Beginning, middle, end of the assignment. But oooohh, how his knees had knocked, and oooohh, how the breath had caught within his chest, all because of an assignment that had involved nothing except acting as Londo Mollari's messenger boy.

He reflected upon that incident, and found the man he was at that time to be rather amusing, even buffoonish. What a charming, amusing individual he had been. He had always acted out of concern for everyone's needs.

That person was dead.

His death had not been abrupt. Instead it had been an agonizingly slow process, as he died by degrees. The final death-blow had been when he had slain the Emperor Cartagia--

No. No, on second thought, that wasn't it at all. No, the deathblow to the man that Vir Cotto had once been had come on the day when he had waggled his fingers cheerfully at the severed head of Mr. Morden, as it adorned a pike outside the imperial residence. Oh, certainly, he had once commented how much he looked forward to such an event, but he hadn't really meant it. The truth was that it hadn't been all that long ago that seeing a bodiless head would have been enough to make him physically ill.

Yet there he had stood, reveling in the death of an enemy. Granted, Morden had been the incarnation of evil, but even so--it had been a truly hideous punishment. And the Vir of old would never have taken such personal joy and satisfaction in witnessing its aftermath.

But that was the Vir of  old.

Vir had been struck by fear over many things in his life. Those huge Shadow ships, or the techo-mages, or the sight of Londo sliding toward darkness while he, Vir, could do nothing to stave off the inevitable.

However, the single most frightening thing he had ever had to contend with was pondering the future. If a few short years had turned him into the current incarnation of Vir Cotto, what in the name of the Great Maker would he be like years further down the line?

Casting aside these thoughts, the Vir-of-the-moment, however, was determined not to dwell on such things. Instead he tossed restlessly in a small vessel belonging to the every beings from whom he had cowered in fear, only a few years before.

On some level, he knew that he should be afraid of even entering a vessel belonging to techno-mages. However, in the past week alone, Vir had discovered that the new, deliriously joyful love of his life, Mariel, had actually been stringing him along. She had been playing him for a fool, using him simply to position herself so that she would have greater access to assorted diplomats and ambassadors on Babylon 5. He could guess why, although he suspected that espionage very likely had something to do with it. Then he had learned that Londo was involved with beings that were servants of the long-gone Shadows, creatures called the Drakh. One of them was named Shiv'kala, and the mere mention of the name had been enough to get Vir thrown into a Centauri Prime dungeon. If Londo had not interceded and freed him, Vir would already be dead.

He wondered just what it had cost Londo to purchase Vir's freedom. What had he promised to do in exchange? What further piece of Londo's soul--presuming there was any of it left--had been traded away so that Vir could continue on the twisted path of his own destiny?

He couldn't remember the last time he had slept soundly. Once he had entered the techno-mage vessel, however, the female named Gwynn had led him to a seat and told him in no uncertain terms to go to sleep.

"Sleep," he had said bitterly, the stink of the dungeon still heavy in his nostrils. "You can't be serious. Sleep, my dear woman, is absolutely the last thing that I'll be capable of. Thanks anyway."

Whereupon Gwynn had touched two fingers to his temple, and suddenly the room was swimming. Vir's eyelids had been unable to sustain him, and in an instant, he had passed out. It was not, however, anything remotely resembling a peaceful dream state. Images of Mariel, Londo, Timov, Durla, all tumbled one over the other, fighting for dominance in his mind. There was Londo, white-haired and tired, many years hence, with a glass of some sort of liquor clutched in his hand. He appeared to be waiting for someone.

And then someone was approaching him. It was Vir, and he had his hands out, and they were around Londo's throat, strangling him. Suddenly Vir's hands were transformed into Narn hands, and Vir was cast outside of the moment, watching as G'Kar stood over Londo with murder in his eyes--no. In his eye.

Durla was there as well, and he was dancing--yes. He was dancing with Mariel, while Chancellor Lione plucked away an aimless tune that Vir could not identify. Curiously, both Mariel and Durla were covered with blood.

There was a full-length mirror standing nearby. Vir stared into it, and he saw himself clad in the imperial white. He turned back and there was Londo, with no G'Kar in sight. He looked as he had when Vir had first met him. He looked so young. Only nine, ten years had passed since that day, but Great Maker, what a decade it had been. Londo, who had seemed so burdened with his crushed expectations of what the Centauri Republic should be, nevertheless seemed relatively carefree compared to what he would eventually become. He raised a glass to Vir and tilted it back.

Blood poured from the glass and splattered all over Londo's face. Then he placed the glass down and reached toward Vir with a blood-covered hand. Vir stepped back, back, then bumped against a wall. There was nowhere for him to go, nowhere for him to retreat. Marial and Durla waltzed past, onto a balcony, and then went over the railing and vanished from sight. Vir opened his mouth to cry out, but his voice was not his own. Instead it was the cry of millions of souls issuing from his single throat. Outside the balcony off which Mariel and Durla had just plunged, he could see Centauri Prime--and it was burning. Great tongues of flame were licking a sky thick with inky black smoke.

Most helpful customer reviews

24 of 24 people found the following review helpful.
Better Then The First Book, And It Was Great!
By Marc Marcuzzi
The Long Night Of Centauri Prime was a great continuation of the story that started during the last season of Babylon 5. The Armies Of Light And Dark continues on that story and explains some things about characters in the series. This part of the story centers around Vir Cotto and the changes that he has to go through in order to save his people. After reading this book, it easy to see why the character is so different in Sleeping In Light (the last episode of the B5). You also start to see how he could become emperor. One last thing you find out is what Galen was doing all the times he wasn't onboard the Excalibur. A must read for any Babylon 5 fan.

15 of 15 people found the following review helpful.
One of the best books that I have read this year!
By Leelan P Lampkins
This book is a gem. I recommend it - period.
This is thesecond book in a trilogy dealing with what befalls Centauri Primebetween the end of the series Babylon 5 and the forseen death of LondoMollari.
The first book tells the tale of Mollari's falling under the shadow of the Drahk, old servants of the Shadows.
This book tells the story of his one time aide, Vir Cotto, who is his foreseen heir to the throne. Others have seen this part of the story as the corruption and degradation of Vir - his transformation into a shadow of his enemies. I don't see it that way - for Vir or Londo.
Vir is put through the wringer in this book. He learns things that no one would want to know - and you feel all of his pain with him! When he learns of what has happenned to Londo, your heart breaks with his. When he learns just what he must sacrifice of himself to save his people and his world, you share in his heartache and anguish. All of this is not the story of his corruption, but of his growth and his resolve to truly save his people. He comes face to face with the fact that if his people continue as they are, that they are doomed as surely as is Londo himself. And not for such selfless reasons as Londo has, but out of blind ignorance and herd mentality. You cry with Vir as it is brought home to him that some of the very people he wants to save, must die so that more of his people will live - and some must die by his hand! Vir tranforms from the naive confused Pollyana of his youth to the determined yet sorrowful hero that his people need him to be. And as you watch him grow, you know that you would not wish his fate on your worst enemy.
Londo and Vir are to be pitied for their fates, but admired for their devotion to their people and their homeworld. Each is willing to lay down his life for love of Centauri Prime as many times as it takes. Londo through the course of the five year series lost his soul in a misguided attempt to bring Centauri Prime the respect that he felt she deserved. It took him a long time to learn his mistake and longer to regain his soul. Yet he gives it up again to save his people, knowing that they will never know, knowing - this time - exactly what he is doing and exactly why he must do it. He gives up his soul so that his people might just have a chance to live. If he had not made that sacrifice of himself, millions would have died. Vir is making the same bargain, but there is the dim hope that he may succeed and retain at least a small part of his soul. Make no mistake, Londo lost himself unknowingly the first time, doing what he thought best. But the second time he gave himself away, knowing that what he did was the best awy to save his beloved Centauri. In these two books, we are not seeing the corruption of two good men. We are seeing the sacrifice that enobles these two ordinary men who leave room for hope for their people in a future filled with hatred and doom. As for the technical side of this book, Peter David has these characters down to the smallest detail. It is frightening how I heard the voices of the actors from the show speaking his words inside my head! Londo speaks with Peter Jurassic's voice! Andreas Katsulas is there as G'kar. Jerry Doyle is thoroughly there as Michael Garibaldi. Stephen Furst is onscreen fulltime as Vir. Even a minor character like Lou Welch is there as portrayed by David Crowley! It is simply amazing. It is like watching the show in my head.
My hat is off to you, Peter! I do not miss any book that you write. BUY THIS BOOK. END

6 of 6 people found the following review helpful.
More of the Episode That Never Was...
By happydogpotatohead
Once again, as in the previous book in the series, I had absolutely no trouble seeing this played out in my mind's eye. The characters and dialogue are again very consistent with the TV series. The book moves swiftly and there are several striking scenes, impressive even if I had never seen the series. I was fascinated by the growth and the depth of Vir Cotto, who I always thought was an underused character on B5. Unlike other reviewers I thought that the treatment of Vir Cotto, and the changes he goes through here, were entirely consistent with the character and with the B5 storyline.
One of Straczynski's recurring themes (and his imprint is all over this book) is that sometimes good people must do horrible things in order to accomplish what must be done for the good of all. This book explores that theme deeply. Vir's interior dialogue and the conflict between his heart and mind, as he does what most be done to save Centauri Prime, are well written. The book is darker and more sober than the first volume in the series, but the subject matter deserves the treatment. There are parts of the book where the action seems a bit hurried, but this does no damage to the overall storyline.
As with the first book, I ripped through it; I couldn't wait to find out what was going to happen next. This book is entirely worthy of the Babylon 5 imprint, and like the first in the series, it's probably one of the best spinoff-of-a-TV-series novels I've ever read, if not the best. I highly recommend it for B5 fans, and even for those who are not familiar with the series, it's a great page-turner.

See all 47 customer reviews...

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Rabu, 29 April 2015

@ Get Free Ebook Saint Patrick's Battalion: A Novel, by JAMES ALEXANDER Thom

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Saint Patrick's Battalion: A Novel, by JAMES ALEXANDER Thom

In a monastery built by Franciscan monks on the site of an Aztec war god’s temple, a rogue battalion of cannoneers prepares to make its final stand along a strategic road to Mexico City. Reviled by its enemies and lionized by its allies, Saint Patrick’s Battalion will fight under an emerald green flag with the fury of the proud and the damned. And as James Alexander Thom’s extraordinary new novel reaches a shattering climax, the reader hurtles into a collision between true loyalty and true betrayal–and between the best and basest reasons for war.

Narrated by two soldiers on opposite sides of the Mexican-American War of 1846, Saint Patrick’s Battalion tells the true but little-known story of an Irish immigrant who deserted from the U.S. Army and was joined across enemy lines by hundreds of comrades. Driven by the abuses of Protestant West Point—trained officers and the realization that they were attacking fellow Catholics, John Riley and his San Patricios abandoned their adopted country and took their place proudly alongside the dashing Hidalgo horsemen and stolid native Indians who were being used by the Mexican army as cannon fodder against the foreign invaders. Though hopelessly misled by the vainglorious Santa Ana, and facing such future military legends as a brooding young Ulysses S. Grant and the brilliant captain Robert E. Lee, Riley and his fighters were responsible for an enormous number of American casualties–and would eventually pay a brutal price for their treachery.

Its narrative foreshadowing America’s Civil War, Saint Patrick’s Battalion asks haunting questions about American expansionism, racism, and the machinations of a war that began before it was declared. From horrific depictions of cannonade warfare to the quiet corners of doubt, courage, and love in men’s hearts and minds, James Alexander Thom’s novel takes us on an astounding adventure into beautiful, harsh Mexico–and dramatically chronicles a crucial, bloody chapter in the making of America.

  • Sales Rank: #959882 in Books
  • Brand: Novels - Fiction Ballantine Books
  • Published on: 2006-08-22
  • Released on: 2006-08-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.50" l, .90 pounds
  • Binding: Hardcover
  • 304 pages

From Publishers Weekly
Starred Review. In June of 1845, a group of immigrant Americans—called the San Patricio's, or St. Patrick's, Battalion—deserted Gen. Zachary Taylor's army and fought on the opposite side in the Mexican-American war, under the leadership of the elusive, charismatic James Riley. Thom (Panther in the Sky) has taken this forgotten incident from an almost forgotten war and turned it into a stirring tale that does everything that smart historical fiction ought to do: illuminating the past while throwing new light on the present. The story of this motley band of mostly Irish and German Catholics, driven to rebellion by the endemic racism and capricious cruelty of their officers, is told from two points of view. Augustin Juvero, a Mexican soldier speaking years later, provides essential context, but most of the novel is taken up by the journal (complete with vivid pencil drawings) of Paddy Quinn, a camp boy. Guerillas, gangs of rancheros that kill Americans on sight, torture, border disputation—all are portrayed with brutal and unsentimental simplicity in Quinn's voice. Not only a striking (and often horrific) account of pre–Civil War army life, Quinn's narrative beautifully conveys the boy's coming of age against a backdrop of eerily familiar war and rebellion. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Noted historical novelist Thom takes a painful period in American history and treats it with great imagination and verve, threading in unsettling parallels to the current war in Iraq. Homing in on real-life soldier John Riley, an Irishman who inspired many fellow immigrants to defect to the Mexican side during the -Mexican-American War, Thom also devotes many thought-provoking passages to the ethical implications of invading a foreign country. The diary passages of American camp-boy Paddy Quinn reveal the rough and shoddy treatment that Irish Catholic soldiers, often veterans of the British army, receive at the hands of officers who were educated at West Point but possess no combat experience. As tensions rise, the men desert in droves, and Paddy is torn between his great admiration for the charismatic Riley and his loyalty to his country. Meanwhile, Augusten Juvero, a Mexican cadet, relays his experience of the war and the enormous cost in casualties on both sides of the conflict. With its eerie parallels to modern-day warfare, this fine novel makes for gripping reading. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Review
Praise for James Alexander Thom and Sign-Talker

“Fresh, original, and vivid.”
–Larry McMurtry

“James Alexander Thom is one of the finest historical novelists writing today. He knows how to tell a cracking good yarn, cares passionately about getting his history right, and has a gift for illuminating those forgotten but fascinating corners of the American past with sheer storytelling power.”
–John Sugden, author of Tecumseh: A Life

“Excellent . . . It is at once an adventure story [and] a historical document. . . . Even though many readers know the story of Lewis and Clark,
Thom’s novel will give them new insight.”
–The Indianapolis Star (four-star review)

“The majesty of the scenery, the wonder of the stately tribes who greet–and menace–the expedition, and the expedition’s mix of soldiers, ne’er-do-wells, and French traders all combine to produce a strong novel about the days when Missouri was at the edge of the map.”
–The Kansas City Star

“This great journey halfway across a wilderness continent and back has never been told so compellingly, with so much dignity and wisdom.”
–Scott Russell Sanders, author of A Private History of Awe

Most helpful customer reviews

24 of 25 people found the following review helpful.
A Novel On America's Past Hatred For the Irish and Its Anti-Catholic Bigotry
By Caesar Warrington
At the time of the Mexican War (1846-1848) Irish immigration to the United States was at its height. Fear and bigotry of this growing Roman Catholic population led many Protestant Americans into so-called "nativist" movements, enabling harsh treatment of the Irish and literally fueling the fire of anti-Catholic riots in American cities. In part to escape this discrimination and also to obtain American citizenship, many Irishmen enlisted for service in the army; only to find worse the hatred and abuse from their Protestant officers and fellow soldiers. This allowed the Mexicans a great propaganda weapon, one that made it easy for them to send word throughout the Irish ranks of the American army that in Mexico they would be welcomed as fellow Roman Catholics. This resulted in the desertion of hundreds of Irish and German Catholic soldiers.

James Alexander Thom's SAINT PATRICK'S BATTALION is an exciting fictionalized account of the action taken by Pvt. John Riley and others like him who could no longer tolerate being whipped, gagged and branded simply because they were of a different race and religion. Riley made his way over to the Mexican forces where he was quickly made an officer and helped form the San Patricio Battalion of artillery. The story here is told through the journal of Padraic Quinn, an Irish campboy in the American army and interspersed with the recollections of Augustin Juvero, the son of Riley's Mexican lover, who was later to become one of the valiant military cadets, 'Los Ninos Heroes,' at the 1847 Battle of Chapultepec.

Further historical reading on this shame in America's history can be found in THE ROGUE'S MARCH by Peter F. Stevens and THE IRISH SOLDIERS OF MEXICO by Michael Hogan, among others.

41 of 50 people found the following review helpful.
A disappointment (a history teacher's review)
By DWD's Reviews
To start, let me establish my bonafides as a fan of Mr. Thom's work. Three of his novels sit on a shelf less than two feet from this computer. I have the featured review on one of his novels ("The Red Heart"). One of his books is on my Favorite Books List on my profile page.

So, I approached this book with much hope. Instead of his usual quality, I found this book to be simplistic, with less detail and bent on beating two points home time after time: the Irish were treated brutally and shamefully by the U.S. army during the Mexican War and the Mexican War was an unjust war.

Thom makes it clear in the opening dedication and acknowledgments that he is against the Iraq War and quite clearly he is drawing analogies between the two. However, Thom never really gets off of his twin focuses on the unjust war and the unjust treatment of the Irish. He never gets to his real strengths in his other books - bringing the reader into another world and teaching us about larger movements in history, but also about the day-to-day lives and goings on of our ancestors. Thom rarely gets beyond the superficial and that is a shame - and a loss to Thom's loyal readers because when his books are good they are fantastic.

Thom's format is the main cause of the failure of this book to be as excellent as his others. His chosen format is a diary of a 10-12 year old Irish-American boy (Quinn) with the U.S. Army and the remembrances of a Mexican man (Juvero)about his experiences during the war as a young boy 16 years later. The diary entries are the better of the two, but are often sketchy. The remembrances are very repetitive and full of Spanish phrases that must be annoying to readers who don't know any Spanish. He often comments about Manifest Destiny, the Irish and America's arrogance. It gets old - not that he wasn't right, but he made his point early and often - it's time to move on. I must admit that I started skimming his sections. I think that Juvero says it best on page 256: "Que Rollo! My preachings are a bore!"

So, to sum up: not his best work. I recommend you read any other Thom book before this one. My grade: D+.

11 of 13 people found the following review helpful.
Refreshing New Look Into The Mexican/American War
By Ernesto Patino
Mr. Thom's novel, Saint Patrick's Battalion, ia a refreshing new look into the U.S. invasion of Mexico in 1846. Through Mr. Thom's description of the men (mostly Irish Catholics) who comprised the St. Patrick's Battalion, we are provided with a realistic account of the invasion itself and of the noble reasons that scores of Irish-born U.S. Soldiers switched sides and joined the Mexican Army to defend a weaker, Catholic nation. And they did it willingly and with the knowledge that they would face the gallows if American forces should defeat the Mexican Army, which of course they did. I recommend this book to anyone who has ever questioned the "manifest destiny" philosohpy that was used to justify the war against Mexico.

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^ PDF Ebook Best Friends, Worst Enemies: Understanding the Social Lives of Children, by Michael Thompson, Cathe O'Neill-Grace, Lawrence J. Cohen, Cath

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Best Friends, Worst Enemies: Understanding the Social Lives of Children, by Michael Thompson, Cathe O'Neill-Grace, Lawrence J. Cohen, Cath

Friends broaden our children’s horizons, share their joys and secrets, and accompany them on their journeys into ever wider worlds. But friends can also gossip and betray, tease and exclude. Children can cause untold suffering, not only for their peers but for parents as well. In this wise and insightful book, psychologist Michael Thompson, Ph.D., and children’s book author Catherine O’Neill Grace, illuminate the crucial and often hidden role that friendship plays in the lives of children from birth through adolescence.

Drawing on fascinating new research as well as their own extensive experience in schools, Thompson and Grace demonstrate that children’s friendships begin early–in infancy–and run exceptionally deep in intensity and loyalty. As children grow, their friendships become more complex and layered but also more emotionally fraught, marked by both extraordinary intimacy and bewildering cruelty. As parents, we watch, and often live through vicariously, the tumult that our children experience as they encounter the “cool” crowd, shifting alliances, bullies, and disloyal best friends.

Best Friends, Worst Enemies brings to life the drama of childhood relationships, guiding parents to a deeper understanding of the motives and meanings of social behavior. Here you will find penetrating discussions of the difference between friendship and popularity, how boys and girls deal in unique ways with intimacy and commitment, whether all kids need a best friend, why cliques form and what you can do about them.

Filled with anecdotes that ring amazingly true to life, Best Friends, Worst Enemies probes the magic and the heartbreak that all children experience with their friends. Parents, teachers, counselors–indeed anyone who cares about children–will find this an eye-opening and wonderfully affirming book.


From the Hardcover edition.

  • Sales Rank: #82603 in Books
  • Brand: Thompson, Michael/ Grace, Catherine O'Neill/ Cohen, Lawrence J., Ph.D.
  • Published on: 2002-07-30
  • Released on: 2002-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.70" l, .57 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Not since Dr. Spock or Penelope Leach has there been such a sensitive and practical guide to raising healthy children and this one doesn't end at potty training. Child therapists Thompson (coauthor of bestseller Raising Cain) and Cohen (Playful Parenting) have teamed up with Washington Post columnist and children's writer Grace (all three are parents) to describe the social lives of kids and the appropriate roles of parents, teachers and school administrators. They explore the stages of children's development, from parent-bonded to quasi-asocial toddler, the learning-the-rules phase in elementary school and adolescent and romantic bonding. Each phase may bring some negative experiences including some outright cruelty that can be hard on both parents and children, but sometimes necessary for learning about the world. They advise parents to think of themselves as "lifeguards" at the pool, aware of what's going on with their kids, but only intervening in the rare crisis. The book wraps up on a practical note, with chapters on how schools can be proactive and how parents can be most useful. Their advice? Don't worry so much, set a good example, keep perspective and relax most kids turn out okay. Thompson and Grace's breezy "we've all been there" anecdotal style will bring great comfort to any parents who're worried about their kid's social life in other words, any parent. (Sept.)Forecast: The planned 12-city author tour and print advertising in the New York Times and USA Today will yield big sales, supported by the strength of Thompson's name and Grace's media connections.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Bullying has become an area of concern in the media and society. This book discusses that topic but weaves it into a broader study of children's friendships. Thompson, a clinical psychologist and coauthor of Raising Cain; Grace, an author of children's books and a former columnist for the Washington Post; and psychologist Cohen (Playful Parenting) present a developmental perspective as they describe how children's social lives develop from toddlerhood to adolescence. Research and analysis are interspersed with personal anecdotes and vignettes in an engaging style. The book concludes with advice to teachers and parents on how to improve social life in schools and support children's friendships. This is not a formulaic, how-to book. As the authors themselves acknowledge, the best way to learn about friendship is to practice it. However, it does provide useful perspective on a critical aspect of adolescent development, which tends to be overlooked until schoolyard feuds erupt into violent confrontations. The book may also be reassuring to parents since it outlines information on current dating styles, acceptable ranges of friendship patterns, and normal gender differences in interpersonal relationships. Recommended for public library parenting collections to complement Charlene C. Giannetti and Margaret Sagarese's more narrowly focused Cliques: 8 Steps To Help Your Child Survive the Social Jungle (LJ 2/1/01). Antoinette Brinkman, M.L.S., Evansville, IN
Copyright 2001 Reed Business Information, Inc.

From Booklist
Why are children so mean to each other? Why is it so important to them to be popular? How can they be so loyal to their friends one moment and so treacherous the next? Thompson, the coauthor of Raising Cain (1999), takes on the subject of children's social lives in this fascinating book that will make parents alternately laugh and cry as they recognize their children and themselves as youngsters. This time, Thompson joins with another psychologist and a children's book author--all parents--to explore the reasons children behave as they do in relationships and offer advice on how parents can help them navigate friendships from childhood through adolescence. The authors present touching, sometimes tragic, anecdotes on everything from the typical childhood cruelties of bullies, teasing, and clique formation to the tight bonds of true friendship to investigate how children form and maintain relationships. They also examine the differences between friendship and popularity and give practical insight to parents on the complex social lives of children. Parents will treasure this book. Vanessa Bush
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

19 of 21 people found the following review helpful.
If you have children, or work with them, this is for you!
By Rocco B. Rubino
Michael Thompson, Ph.D. is the author of the bestseller "Raising Cain: Protecting the Emotional Life of Boys. His latest, written with compassion, humor, and practicality, is an insightful look into the sometimes mysterious world of child development.
As a special education teacher, and soon to be school counselor, I have long held that those who have children, and work with children need a keener understanding on why children do the things they do, if we are to care for them, and serve them better. This book will go along way in fostering this understanding among parents, teachers, and practioners because it helps us understand how a child views her world.
Written in conjuction with journalist Catherine O'Neill Grace and Lawrence Cohen, Ph.D. "Best Friends, Worst Enemies..." provides such a keen insight into the social lives of children, it is almost as if it was written by a child, because they have such an excellent perspective.

27 of 30 people found the following review helpful.
Shows how parents can understand and help children socially
By Kcorn
After watching a feature documentary on the power of social relationships to shape a child's life into adulthood, I was already interested in learning more. This book filled the bill, especially the sections which revealed how children use power (and even bullying) to both include some children and exclude others. I think most of us remember the playground bullies but what this book did was show how parents can help to change bullying behavior, give their children skills to handle bullies and lessen the damaging effects of their behavior.
This book focuses on far more than bullies and those who purchase it will find it filled with rich insights into the social world of children and how they view their friendships and connections with other children.

34 of 37 people found the following review helpful.
Disappointing
By Seattle reader
This book could have used an editor, or a better one. I found it much too wordy: he says in 4 paragraphs what was already clear in the first paragraph. I felt that he was explaining issues to about a 6th grade level person.

I was less interested in the theory in the abstract and would have appreciated more suggestions for parental action (or inaction) in each chapter. Instead, the "What parents can do" chapter was stuck onto the end of the book like an afterthought, and read like an article in O..."10 things you can do". The one part of the book that was brief, and it was the part I had hoped to be in-depth.

Finally, I thought the author put a lot of weight on the parents' impact on a child's personality. Obviously there is a huge influence, but there was little mention of temperament. It was just: "Johnny's quiet, and when you meet his Dad, he's quiet, too." And some examples were more accusatory: the mother is not socially skilled, so no wonder the child isn't. There are lots of kids struggling who are just that way. I don't care if he blames me as a mother, but why I think this misses the boat is that it portrays only the weak side of the child's personality and poses it as a problem...no mention that this can be the way the child is wired and that there are associated strengths. I think that knowledge affects a parent's ability to accept a child who is "different" and support him/her in their strengths and help them offset their weaknesses to minimize the negative impact of the weakness on their life.

I was looking forward to reading this book, and found it very disappointing.

See all 31 customer reviews...

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** Free Ebook Star Wars Episode I: The Phantom Menace The Illustrated Screenplay, by George Lucas

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Star Wars Episode I:  The Phantom Menace The Illustrated Screenplay, by George Lucas

For the first time in more than a decade, movie fans can revel in the complete illustrated screenplay from a brand new STAR WARS film: Episode I--the long-awaited story that begins the epic saga. Revisit your favorite characters . . . encounter new heroes and villains . . . journey back to familiar places . . . and enter strange, exciting new worlds . . .

From the page to screen, this beautiful volume unveils the origins of the world's greatest space epic--starring young Anakin Skywalker, the Jedi Knight Qui-Gon Jinn and his apprentice Obi-Wan Kenobi, the plucky droid R2-D2, the ever-efficient C-3PO, and all of their daring and exotic allies as they face the growing threat ignited by political intrigue and the decay of the Galactic Republic.

As a bonus, this special volume is lavishly illustrated with pages of original line-art storyboards pulled from the legendary Lucasfilm archives. These sequential drawings whisk you through the wondrous events of the movie itself, transporting you behind the scenes and revealing a vital part of the creative process--one in which filmmaker George Lucas choreographs every shot of the action from the opening titles to the final roll of the credits.

Whether you're a serious collector or a new STAR WARS fan, this book allows you to experience the wonder of EPISODE I firsthand--today and for years to come.

  • Sales Rank: #825476 in Books
  • Published on: 1999-04-21
  • Released on: 1999-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .50" w x 7.40" l, .76 pounds
  • Binding: Paperback
  • 150 pages
Features
  • Star Wars Episode I The Phantom Menace Illustrated Screenplay
  • Star Wars
  • Science Fiction Fantasy
  • Science Fiction Anthology
  • Science Fiction

Amazon.com Review
While the serious Star Wars buff should settle for nothing less than the comprehensive Phantom Menace Illustrated Screenplay, this PM storybook packs a lot of punch in its 64 pages, with well-chosen screen shots and an abbreviated, novelized script. This young-adult adaptation hits all the major plot points, from the Trade Federation's ambush of Obi-Wan and Qui-Gon through to Anakin's wild starfighter ride and the triumphant victory parade on Naboo. Crystal clear stills from the movie stop the action, zooming you in for a closer look. Finally, you get to check out every member of the Jedi Council, study a Podracer as it's blown to bits, and decide at long last just who's uglier, Watto or Darth Maul. (Ages 9 to 12) --Paul Hughes

From the Inside Flap
The Star Wars Episode I: The Phantom Menace Movie Storybook is the definitive souvenir book of the movie Star Wars: Episode I The Phantom Menace. Packed with over 140 big, full-color photographs from the movie, The Phantom Menace Movie Storybook retells the Episode I adventure from beginning to end with easy-to-read text based on the screenplay by George Lucas. Freezing the most thrilling and poignant frames of the movie, this book is the perfect collector's item for young (as well as older!) Star Wars fans. Every saga has a beginning, and The Phantom Menace Movie Storybook will let you relive that beginning over and over again!

Excerpt. © Reprinted by permission. All rights reserved.
NOTE:  This excerpt may not be posted on other Web sites without the permission of Lucasfilm Ltd.

EXT. NABOO SWAMP LAKE--TWILIGHT

QUI-GON, OBI-WAN, and JAR JAR run to a murky lake and stop as JAR JAR tries to catch his breath. The TRANSPORTS ARE HEARD in the distance.

QUI-GON: Much farther?

JAR JAR: Wesa goen underwater, okeyday?

QUI-GON and OBI-WAN pull out small capsules from their utility belts that turn into breathing masks.

JAR JAR: (Cont'd) My warning yous. Gungans no liken outlaunders. Don't expict a werm welcome.

OBI-WAN: Don't worry, this has not been our day for warm welcomes.

JAR JAR jumps, does a double somersault with a twist, and dives into the water.

Breath masks on, QUI-GON and OBI-WAN wade in after him.

EXT. NABOO LAKE--UNDERWATER

QUI-GON and OBI-WAN swim behind JAR JAR, who is very much at home in the water. Down they swim into the murky depths. In the distance the glow of Otoh Gunga, an underwater city made up of large bubbles, becomes more distinct.

They approach the strange, art nouveau habitat. JAR JAR swims magically through one of the bubble membranes, which seals behind him. OBI-WAN and QUI-GON follow.

INT. OTOH GUNGA--CITY SQUARE

GUNGANS in the square scatter when they see the strange JEDI. Four GUARDS armed with long electro-poles ride two-legged KAADUS into the square. The GUARDS, led by CAPTAIN TARPALS, point their lethal poles at the dripping trio.

JAR JAR: Heyo-dalee, Cap'n Tarpals, Mesa back!

CAPT. TARPALS: Noah gain, Jar Jar. Yousa goen tada Bosses. Yousa in big dudu dis time.

CAPT. TARPALS gives JAR JAR a slight zap with his power pole. JAR JAR jumps and moves off, followed by the two JEDI.

JAR JAR: How wude.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Lucas Script Entertains, Visual Drawings Help
By Matt Howe
Even though I haven't finished reading the script (I don't want EVERYTHING spoiled!) I am excited to own this. Lucas is back! He IS a good writer, contrary to his protestations. The script is VERY tight and moves fast. The dialogue is direct, to the point. Lucas's themes are well-drawn. There is a lot of foreshadowing in this screenplay. We've got a lot in store for us in Episodes 2 & 3.
As far as the "book" goes, it is well laid-out. The storyboards used to illustrate the script are well-placed. It's instructional to see early versions of costumes and characters. It's also interesting that Lucas describes Liam Neeson's character as "sixty years old" -- obviously it was before Liam was cast!
P.S. This is best read with the Episode 1 CD playing in the background.

1 of 2 people found the following review helpful.
Too Early for Oscar predictions? I think we have a winner...
By A Customer
I thought I was immune to the hype until I read this book. I did go to Zeller's (the Canadian version of Wal-Mart) on Sunday May 2 just before midnight, to pick up a couple of action figures, Darth Maul and Mace Windu, just for a novelty. But that was the end of my merchandise purchasing for a while at least I thought. I wake up the next morning and go to a book super store and see that the staff is fiddling with their Episode One display. I look at some colouring books, the novelizations, all very nice... then I spot an open box on the floor. Curiousity gets the best of me and I look in the box: before me is the object that has eluded Internet surfers for the last few years-- The Screenplay. I snap it up without hesitation.
I only stopped reading the thing to watch the premiere of the London Symphony Orchestra's music video on Muchmusic. Most screenwriting handbooks will tell you that a screenplay is only a blueprint, and most of them will stress that most screenplays, even of good movies, are a bore to read.
Not so this screenplay: Even without the illustrations, it is a vivid read. I was overwhelmed with elation with every bit of dialogue uttered by the characters. I don't know if this screenplay has the final dialogue from the film (which was apparently re-tooled by pro script doctor Carrie Fisher) but the voices rang true for me.
And the scene descriptions are amazing as well. Most screenplays leave a lot of set and blocking description to the imagination and discretion of the director, but since Lucas had to tightly shoot the scenes to accomodate his special effects, the scene descriptions read like a good novel.
Reading this before seeing the movie has not ruined the story for me: in fact, I want more than ever to see the film so that I can take what must be (according to the screenplay) sumptuous visuals and to hear what will be classic dialogue uttered by great actors.
I can see George Lucas getting nominated for an Oscar for this. It's that good.

0 of 0 people found the following review helpful.
Like watching the film... almost
By Pablo A Diaz
I say this is WAY BETTER THAN THE NOVEL, you gotta read this if you want to know Lucas's TRUE vision of Episode I; but still the book has some low points however: they could at least improve the paperback quality, and I would had fill it with real screenshots among the storyboards. Besides you can use it to learn more about Lucas's storytelling style: this was written entirely by George Lucas that's why the whimp hollywood critics say that the film has a very chessy dialogue, I partially agree with them, but I still say Lucas is a wonderful storyteller and he deserves more credit, however there are some problems on these writtings that even a man with a big imagination has to deal with: I know that when you write a whole story and you make the dialogue yourself you tend to repeat the same lines again later (ex.: "you assume to much") the Star Wars IV's script has the same problem, good thing Lucas has hired another guy to help him finish the Ep.II script. I definitely liked the way this book is written, and I'm sure the film's dialogue would have been better if some lines of this book were not deleted.

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Traitor (Star Wars: The New Jedi Order, Book 13), by Matthew Stover

From the depths of catastrophe, a glimmer of hope

After the capture of Coruscant, the mighty heart of the New Republic, a stunned galaxy fears that nothing can stop the Yuuzhan Vong. Still, that crushing defeat produces one small miracle: Jacen Solo is alive. Yet he can scarcely imagine himself in stranger circumstances.

The young Jedi Knight is in the care of Vergere, a fascinating creature of mystery and power, her intentions hard to fathom, her cruelties rarely concealed. But this master of inscrutable arts has much to teach the young Jedi . . . for she holds the key to a new way to experience the Force, to take it to another level—dangerous, dazzling, perhaps deadly.

In the wrong hands, the tremendous energies of the Force can be devastating. And there are others watching Jacen’s process closely, waiting patiently for the moment when he will be ready for their own dire purposes. Now, all is in shadows. Yet whatever happens, whether Jacen’s newfound mastery unleashes light or darkness, he will never be the same Jedi again. . . .

  • Sales Rank: #428453 in Books
  • Brand: Star Wars Novels - New Jedi Order
  • Published on: 2002-07
  • Released on: 2002-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x .78" w x 4.18" l, .35 pounds
  • Binding: Mass Market Paperback
  • 292 pages

From the Inside Flap
"From the depths of catastrophe, a glimmer of hope
After the capture of Coruscant, the mighty heart of the New Republic, a stunned galaxy fears that nothing can stop the Yuuzhan Vong. Still, that crushing defeat produces one small miracle: Jacen Solo is alive. Yet he can scarcely imagine himself in stranger circumstances.
The young Jedi Knight is in the care of Vergere, a fascinating creature of mystery and power, her intentions hard to fathom, her cruelties rarely concealed. But this master of inscrutable arts has much to teach the young Jedi . . . for she holds the key to a new way to experience the Force, to take it to another level--dangerous, dazzling, perhaps deadly.
In the wrong hands, the tremendous energies of the Force can be devastating. And there are others watching Jacen's process closely, waiting patiently for the moment when he will be ready for their own dire purposes. Now, all is in shadows. Yet whatever happens, whether Jacen's newfound mastery unleashes light or darkness, he will never be the same Jedi again. . . .

About the Author
Matthew Woodring Stover is the acclaimed author of "Heroes Die," "Iron Dawn," and "Jericho Moon," He is a student of the Degerberg Blend. This jeet kune do concept is a mixture of approximately twenty-five different fighting arts from around the world and forms the basis for Caine's combat style in the novels. He lives in Chicago, Illinois, with artist and writer Robyn Fielder.

"From the Paperback edition."

Excerpt. © Reprinted by permission. All rights reserved.
ONE COCOON

In the dust-swept reaches of interstellar space, where the density of matter is measured in atoms per cubic meter, a small vessel of yorik coral blinked into existence, slewed through a radical curve that altered both its vector and its velocity, then streaked away, trailing a laser-straight line of ionizing radiation, to vanish again in the gamma burst of hyperjump.

Some unknown time later, an unguessable distance away, in a region indistinguishable from the first save by the altered parallax of certain stellar groups, the same vessel performed a similar manuver.

On its long journey, the vessel might fall into the galaxy any number of times, and each time be swallowed once more by the nothing beyond.

Jacen Solo hangs in the white, thinking.

He has begun to riddle out the lesson of pain.

The white drops him once in a while, as though the Embrace of Pain understands him somehow: as though it can read the limit of his strength. When another minute in the white might kill him, the Embrace of Pain eases enough to slide him back into the reality of the room, of the ship; when the pain has crackled so hot for so long that his overloaded nerves and brain have been scorched too numb to feel it, the Embrace of Pain lowers him entirely to the floor, where he can even sleep for a time, while other devices—or creatures, since he cannot tell the difference anymore, since he is no longer sure that there is any difference—bathe him and tend wounds scraped or torn or slashed into his flesh by the Embrace’s grip, and still more creature-devices crawl over him like spider-roaches, injecting him with nutrients and enough water to maintain his life.

Even without the Force, his Jedi training gives him ways to survive the pain; he can drive his mind through a meditative cycle that builds a wall of discipline between his consciousness and the white. Though his body still suffers, he can hold his mind outside the pain. But this wall of discipline doesn’t last forever, and the Embrace of Pain is patient.

It erodes his mental walls with the inanimate persistence of waves against a cliff; the Embrace’s arcane perception somehow lets it know that he has defended himself, and its efforts slowly gather like a storm spinning up into a hurricane until it batters down his walls and slashes once more into everything Jacen is. Only then, only after it has pushed him to the uttermost limit of his tolerance then blasted him beyond that limit into whole new galaxies of pain, will the Embrace slowly relent.

He feels as if the white is eating him—as if the Embrace eats his pain, but never so much that he can’t recover to feed it again. He is being managed, tended like wander-kelp on a Chadian deepwater ranch. His existence has become a tidal rhythm of agony that sweeps in, reaches an infinite crest, then rolls out again just far enough that he might catch his breath; the Embrace is careful not to let him drown.

Sometimes, when he slips down from the white, Vergere is there. Sometimes she crouches at his side with the unblinking predatory patience of a hawk-bat; sometimes she stalks around the chamber on her back-bent legs like a dactyl stork wading through a swamp. Often, she is incongruously kind to him, tending his raw flesh herself with oddly comforting efficiency; he sometimes wonders if she would do more, would say more, if not for the constant monitoring stares of the eyestalks that dangle from the ceiling.

But mostly he sits, or lies, waiting. Naked, blood seeping from his wrists and ankles. More than naked: utterly hairless. The living machines that tend to his body also pluck out his hairs. All of them: head, arms, legs, pubis, armpits. Eyebrows. Eyelashes.

Once he asked, in his thin, weakly croaking voice, “How long?”

Her response was a blank stare. He tried again. “How long . . . have I been here?”

She made the liquid ripple of her flexible arms that he usually took for a shrug. “How long you have been here is as irrelevant as where you are. Time and place belong to the living, little Solo. They have nothing to do with you, nor you with them.”

His questions always meet with answers like this one; eventually he stops asking. Questions require strength, and he has none to spare.

“Our masters serve stern gods,” she said, the second or fifth or tenth time he awoke to find her at his side. “The True Gods decree that life is suffering, and give us pain to demonstrate their truth. Some among our masters seek favor with the True Gods by seeking pain; Domain Shai was legendary for this. They used the Embrace of Pain the way you or I might take a bath. Perhaps they hoped that by punishing themselves, they might avert the punishments of the True Gods. In this, one must suppose they were . . . ah, disappointed. Or perhaps—as Domain Shai’s detractors like to whisper—they grew to enjoy the pain. Pain can be a drug, Jacen Solo. Do you understand this yet?”

Vergere seemed never to care if he didn’t answer; she seemed perfectly content to prattle away endlessly on any random subject, as though interested in nothing beyond the sound of her own voice—but if he so much as lifted his head, as soon as he croaked an answer or murmured a question, the subject somehow turned to pain.

They had plenty to talk about; Jacen had learned a great deal about pain.

His first actual clue to the lesson of pain came once when he lay upon the corded floor, trembling with exhaustion. The branchlike grips of the Embrace of Pain still held him, but loosely, maintaining contact, no more. They hung in slack spirals overhead, dangling from bunched, knotted bundles of vegetative muscle that shifted and squirmed above the leather-barked ceiling of the chamber.

These periods of rest hurt Jacen almost as much as the Embrace’s torment: his body slowly but inexorably dragged itself back into shape, resocketing his joints and achingly releasing the overstretched tension of his muscles. And without the constant agony of the Embrace of Pain, he could think of nothing but Anakin, of the gaping wound that Anakin’s death had opened in his life—and of what Anakin’s death had begun to do to Jaina, driving her toward the dark—and of how his parents must be suffering, having lost both their sons—

More to distract himself than out of any desire for conversation, he had rolled over to face Vergere and asked, “Why are you doing this to me?”

“This?” Vergere gazed at him steadily. “What am I doing?”

“No—” He closed his eyes, organizing pain-scattered thoughts, then opened them again. “No, I mean the Yuuzhan Vong. The Embrace of Pain. I’ve been through a breaking,” he said. “The breaking makes a kind of sense, I guess. But this . . .”

His voice broke despairingly, but he caught himself, and held his tongue until he could control it. Despair is of the dark side. “Why are they torturing me?” he asked, clearly and simply. “No one even asks me anything . . .”

“Why is a question that is always deeper than its answer,” Vergere said. “Perhaps you should ask instead: what? You say torture, you say breaking. To you, yes. To our masters?” She canted her head, and her crest splayed orange. “Who knows?”

“This isn’t torture? You should try it from my side,” Jacen said with a feeble smile. “In fact, I really wish you would.”

Her chuckle chimed like a handful of glass bells. “Do you think I haven’t?”

Jacen stared, uncomprehending.

“Perhaps you are not being tortured,” she said cheerily. “Perhaps you are being taught.”

Jacen made a rusty hacking sound, halfway between a cough and a bitter laugh. “In the New Republic,” he said, “education doesn’t hurt this much.”

“No?” She canted her head to the opposite angle, and her crest shimmered to green. “That may be why your people are losing this war. The Yuuzhan Vong understand that no lesson is truly learned until it has been purchased with pain.”

“Oh, sure. What’s this supposed to teach me?”

“Is it what the teacher teaches?” Vergere countered. “Or what the student learns?”

“What’s the difference?”

The arc of her lips and the angle of her head might have added up to a smile. “That is, itself, a question worth considering, yes?”

There was another time—before, after, he could never be sure. He had found himself huddled against the leathery curve of the chamber’s wall, the Embrace’s grips trailing upward like slack feeder vines. Vergere crouched at his side, and as consciousness trickled through him he seemed to recall that she had been coaxing him to take a sip from the stem of an elongated, gourdlike drink bulb. Too exhausted for disobedience, he tried; but the liquid within—only water, cool and pure—savaged his parched throat until he gagged and had to spit it out again. Patiently, Vergere had used the bulb to moisten a scrap of rag, then gave it to him to suck on until his throat loosened up enough that he could swallow.

The vast desert inside his mouth absorbed the moisture instantly, and Vergere dampened the rag again. This went on for some considerable while.

“What is pain for?” she murmured after a time. “Do you ever think about that, Jacen Solo? What is its function? Many of our more devout masters believe that pain is the lash of the True Gods: that suffering is how the True Gods teach us to disdain comfort, our bodies, even life itself. For myself, I say that pain is itself a god: the taskmaster of life. Pain cracks the whip, and all that lives will move. The most basic instinct of life is to retreat from pain. To hide from it. If going here hurts, even a granite slug will go over there; to live is to be a slave to pain. To be ‘beyond pain’ is to be dead, yes?”

“Not for me,” Jacen answered dully, once his throat opened enough that he could speak. “No matter how dead you say I am, it still hurts.”

“Oh, well, yes. That the dead are beyond pain is only an article of faith, isn’t it? We should say, we hope that the dead are beyond pain—but there’s only one way to find out for sure.” She winked at him, smiling. “Do you think that pain might be the ruling principle of death, as well?”

“I don’t think anything. I just want it to stop.”

She turned away, making an odd snuffling sound; for half a moment Jacen wondered if his suffering might have finally touched her somehow—wondered if she might take pity on him . . .

But when she turned back, her eyes were alight with mockery, not compassion. “I am such a fool,” she chimed. “All this time, I had thought I was speaking to an adult. Ah, self-deception is the cruelest trick of all, isn’t it? I let myself believe that you had once been a true Jedi, when in truth you are only a hatchling, shivering in the nest, squalling because your mother hasn’t fluttered up to feed you.”

“You—you—” Jacen stammered. “How can you—after what you’ve done—”

“What I have done? Oh, no no no, little Solo child. This is about what you have done.”

“I haven’t done anything!”

Vergere settled back against the chamber’s wall a meter away. Slowly, she folded her back-bent knees beneath her, then laced her fingers together in front of her delicately whiskered mouth and stared at him over her knuckles.

After a long, long silence, during which I haven’t done anything! echoed in his mind until Jacen’s face burned, Vergere said, “Exactly.”

She leaned close, as though to share an embarrassing secret. “Is that not the infant’s tactic? To wail, and wail, and wail, to wriggle its fingers and kick its heels . . . hoping an adult will notice, and care for it?”

Jacen lowered his head, struggling against sudden hot tears. “What can I do?”

She sat back again and made more of that snuffling noise. “Certainly, among your options is continuing to hang in this room and suffer. And so long as you do that, do you know what will happen?”

Jacen gave her a bruised look. “What?”

“Nothing,” she said cheerfully. She spread her hands. “Oh, eventually, you’ll go mad, I suppose. If you’re lucky. Someday you may even die.” Her crest flattened back and became blasterbore gray. “Of old age.”

Jacen stared, openmouthed. He couldn’t face another hour in the Embrace of Pain—she was talking about years. About decades.

About the rest of his life.

He hugged his knees and buried his face against them, grinding his eye sockets against his kneecaps as though he could squeeze the horror out of his head. He remembered Uncle Luke in the doorway of the shed on Belkadan, remembered the sadness on his face as he cut through the Yuuzhan Vong warriors who had captured Jacen, remembered the swift sure pressure as Luke gouged the slave seed out of Jacen’s face with his cybernetic thumb.

He remembered that Uncle Luke wouldn’t be coming for him this time. Nobody would.

Because Jacen was dead.

“Is that why you keep coming here?” he muttered into his folded arms. “To gloat? To humiliate a defeated enemy?”

“Am I gloating? Are we enemies?” Vergere asked, sounding honestly puzzled. “Are you defeated?”

Her suddenly sincere tone caught him; he raised his head, and could find no mockery now in her eyes. “I don’t understand.”

“That, at least, is very clear,” she sighed. “I give you a gift, Jacen Solo. I free you from hope of rescue. Can you not see how I am trying to help you?”

“Help?” Jacen coughed a bitter chuckle. “You need to brush up your Basic, Vergere. In Basic, when we talk about the kind of things you’ve done to me, help isn’t the word we use.”

“No? Then perhaps you are correct: our difficulties may be linguistic.” Vergere sighed again, and settled even lower, folding her arms on the floor in front of her and arranging herself on top of them in a way more feline than avian. Secondary inner lids shrouded her eyes.

“When I was very young—younger than you, little Solo—I came upon a ringed moon shadowmoth at the end of its metamorphosis, still within its cocoon,” she said distantly, a little sadly. “I had already some touch with the Force; I could feel the shadowmoth’s pain, its panic, its claustrophobia, its hopelessly desperate struggle to free itself. It was as though this particular shadowmoth knew I was beside it, and screamed out to me for help. How could I refuse? Shadowmoth cocoons are polychained silicates—very, very tough—and shadowmoths are so delicate, so beautiful: gentle creatures whose only purpose is to sing to the night sky. So I gave it what I think you mean by help: I used a small utility cutter to slice the cocoon, to help the shadowmoth get out.”

“Oh, you didn’t, did you? Please say you didn’t.” Jacen let his eyes drift closed, sorry already, for how he knew this story would end.

He’d had a shadowmoth in his collection for a short time; he remembered watching the larva grow, feeling its happy satisfaction through his empathic talent as it fed on stripped insulation and crumbled duracrete; he remembered the young shadowmoth that had emerged, spreading its dusky, beautifully striated wings against the crystalline polymer of its viewcage; he remembered the shadowmoth’s thrilling whistle of moonsong, when he had released it from its viewcage and it had soared away under the mingled glows of Coruscant’s four moons.

He remembered the desperate panic that had beat in waves against him through the Force, the night the shadowmoth had fought free of its cocoon. He remembered his ache to help the helpless creature—and he remembered why he hadn’t.

“You can’t help a shadowmoth by cutting its cocoon,” he said. “It needs the effort; the struggle to break the cocoon forces ichor into its wing veins. If you cut the cocoon—”

“The shadowmoth will be crippled,” Vergere finished for him solemnly. “Yes. It was a tragic creature—never to fly, never to join its fellows in their nightdance under the moons. Even its wingflutes were stunted, and so it was as mute as it was planetbound. During that long summer, we sometimes heard moonsong through the window of my bedchamber, and from my shadowmoth I would feel always only sadness and bitter envy, that it could never soar beneath the stars, that its voice could never rise in song. I cared for it as best I could—but the life of a shadowmoth is short, you know; they spend years and years as larvae, storing strength for one single summer of dance and song. I robbed that shadowmoth; I stole its destiny—because I helped it.”

“That wasn’t helping,” Jacen said. “That’s not what help means, either.”

“No? I saw a creature in agony, crying out its terror, and I undertook to ease its pain, and assuage its fear. If that is not what you mean by help, then my command of Basic is worse than I believed.”

“You didn’t understand what was happening.”

Vergere shrugged. “Neither did the shadowmoth. But tell me this, Jacen Solo: if I had understood what was happening—if I had known what the larva was, and what it must do, and what it must suffer, to become the glorious creature that it could become—what should I have done that you would call, in your Basic, help?”

Jacen thought for some time before answering. His Force empathy had enabled him to understand the exotic creatures in his collection with extraordinary depth and clarity; that understanding had left him with a profound respect for the intrinsic processes of nature. “I suppose,” he said slowly, “the best help you could offer would be to keep the cocoon safe. Hawk-bats hunt shadowmoth larvae, and they especially like newly cocooned pupae: that’s the stage where they have the most stored fat. So I guess the best help you could offer would be to keep watch over the larva, to protect it from predators—and leave it alone to fight its own battle.”

“And, perhaps,” Vergere offered gently, “also to protect it from other well-intentioned folk—who might wish, in their ignorance, to ‘help’ it with their own utility cutters.”

“Yes . . .” Jacen said, then he caught his breath, staring at Vergere as though she had suddenly grown an extra head. “Hey . . .” Comprehension began to dawn. “Hey—”

“And also, perhaps,” Vergere went on, “you might stop by from time to time, to let the struggling, desperate, suffering creature know that it is not alone. That someone cares. That its pain is in the service of its destiny.”

Jacen could barely breathe, but somehow he forced out a whisper. “Yes . . .”

Vergere said gravely, “Then, Jacen Solo, our definitions of help are identical.”

Jacen shifted forward, coming up onto his knees. “We’re not really talking about shadowmoth larvae, are we?” he said, his heart suddenly pounding. “You’re talking about me.”

She rose, legs unfolding like gantry cranes beneath her. “About you?”

“About us.” His throat clenched with impossible hope. “You and me.”

“I must go, now; the Embrace has become impatient for your return.”

“Vergere, wait—!” he said, struggling to his feet, the Embrace’s branch-grips dangling from his wrists. “Wait, Vergere, come on, talk to me—and, and, and shadowmoths—” he stammered. “Shadowmoths are indigenous! They’re not a transported species—they’re native to Coruscant! How could you have found a shadowmoth larva? Unless, unless you—I mean, did you—are you—”

She put her hand between the lips of the mouthlike sensor receptacle beside the hatch sphincter, and the warted pucker of the hatch gaped wide.

“Everything I tell you is a lie,” she said, and stepped through.

The Embrace of Pain gathered him once more into the white.

Jacen Solo hangs in the white, thinking.

For an infinite instant, he is merely amazed that he can think; the white has scoured his consciousness for days, or weeks, or centuries, and he is astonished now to discover that he can not only think, but think clearly.

He spends a white eon marveling.

Then he goes to work on the lesson of pain.

This is it, he thinks. This is what Vergere was talking about. This is the help she gave me, that I didn’t know how to accept.

She has freed him from his own trap: the trap of childhood. The trap of waiting for someone else. Waiting for Dad, or Mother, Uncle Luke, Jaina, Zekk or Lowie or Tenel Ka or any of the others whom he could always count on to fly to his rescue.

He is not helpless. He is only alone.

It’s not the same thing.

He doesn’t have to simply hang here and suffer. He can do something.

Her shadowmoth tale may have been a lie, but within the lie was a truth he could not have comprehended without it. Was that what she had meant when she said, Everything I tell you is a lie?

Did it matter?

Pain is itself a god: the taskmaster of life. Pain cracks the whip, and all that lives will move. To live is to be a slave to pain.

He knows the truth of this, not only from his own life but from watching Dad and Anakin, after Chewie’s death. He watched pain crack its whip over his father, and watched Han run from that pain halfway across the galaxy. He watched Anakin turn hard, watched him drive himself like a loadlifter, always pushing himself to be stronger, faster, more effective, to do more—this was the only answer he had to the pain of having survived to watch his rescuer die.

Jacen always thought of Anakin as being a lot like Uncle Luke: his mechanical aptitude, his piloting and fighting skills, his stark warrior’s courage. He can see now that in one important way, Anakin was more like his father. His only answer to pain was to keep too busy to notice it.

Running from the taskmaster.

To live is to be a slave to pain.

But that is only half true; pain can also be a teacher. Jacen can remember hour after hour of dragging his aching muscles through one more repetition of his lightsaber training routines. He remembers practicing the more advanced stances, how much it hurt to work his body in ways he’d never worked it before, to lower his center of gravity, loosen his hips, train his legs to coil and spring like a sand panther’s. He remembered Uncle Luke saying, If it doesn’t hurt, you’re not doing it right. Even the stinger bolts of a practice remote—sure, his goal had been always to intercept or dodge the stingers, but the easiest way to avoid that pain would have been to quit training.

Sometimes pain is the only bridge to where you want to go.

And the worst pains are the ones you can’t run away from, anyway. He knows his mother’s tale so well that he has seen it in his dreams: standing on the bridge of the Death Star, forced to watch while the battle station’s main weapon destroyed her entire planet. He has felt her all-devouring horror, denial, and blistering helpless rage, and he has some clue how much of her relentless dedication to the peace of the galaxy is driven by the memory of those billions of lives wiped from existence before her eyes.

And Uncle Luke: if he hadn’t faced the pain of finding his foster parents brutally murdered by Imperial stormtroopers, he might have spent his whole life as an unhappy moisture farmer, deep in the Tatooine sand-wastes, dreaming of adventures he would never have—and the galaxy might groan under Imperial rule to this very day.

Pain can be power, too, Jacen realizes. Power to change things for the better. That’s how change happens: someone hurts, and sooner or later decides to do something about it.

Suffering is the fuel in the engine of civilization.

Now he begins to understand: because pain is a god—he has been in the grip of this cruel god ever since Anakin’s death. But it is also a teacher, and a bridge. It can be a slave master, and break you—and it can be the power that makes you unbreakable. It is all these things, and more.

At the same time.

What it is depends on who you are.

But who am I? he wonders. I’ve been running like Dad—like Anakin. I think they stopped, though; I think Dad was strong enough to turn back and face it, to use the pain to make himself stronger, like Mom and Uncle Luke. Anakin did, too, at the end. Am I that strong?

There’s only one way to find out.

For indefinite days, weeks, centuries, the white has been eating him.

Now, he begins to eat the white.

Executor Nom Anor toyed idly with a sacworm of dragweed broth while he waited for the shaper drone to finish its report. He sat human-style on a fleshy hump to one side of the unusually large villip to which the drone addressed its monotonous, singsong analysis of the Embrace chamber’s readings on the young Jedi, Jacen Solo.

Nom Anor had no need to pay attention. He knew already what the drone would say; he had composed the report himself. This particular Embrace chamber was equipped with an exceptionally sophisticated nerve-web of sensors, which could read the electrochemical output of Jacen Solo’s nerves down to each individual impulse and compare the pain they registered with its effect on his brain chemistry. The shaper drone mumbled on and on in its description of minute details of its data collection, and its deadly dull murmur was excruciating—

Perhaps that’s why we call them drones, Nom Anor thought with a humorless interior smile. He did not share this observation with the third occupant of the small, moist chamber. It wasn’t even a joke in any language but Basic, and it wasn’t that funny, anyway.

Instead he simply sat, sipping broth occasionally from the sacworm, watching the villip, waiting for Warmaster Tsavong Lah to lose his patience.

With vegetative accuracy, the villip conveyed the physical features of the warmaster: his tall narrow skull, bulging braincase, dangerously sharp teeth bristling within his lipless gash of a mouth, as well as the proud array of scars that defined his devotion to the True Way. Nom Anor reflected idly how well some of those intricately scarified designs would look on his own face. Not that he had any real interest in the True Way beyond its use as a political tool; from long experience, he knew that the appearance of piety was vastly more useful than its reality could ever be.

The villip also captured perfectly the frightening intensity of Tsavong Lah’s fanatic glare.

That gleam of faith’s power in his eye was the reflection of an inner conviction the like of which Nom Anor could only imagine: to know, beyond the possibility of doubt, that the True Gods stood at his shoulder, guiding his hand in Their service. To know that all truth, all justice, all right, shone from the True Gods like stellar wind, illuminating the universe.

The warmaster was a true believer.

To Nom Anor, faith was an extravagance. He knew too well how easily such true believers can be manipulated by those who believe in nothing but themselves.

This was, in fact, his specialty.

The moment he’d been waiting for came during the drone’s exhaustive point-by-point cross-species interpolation between Jacen Solo’s readings and those of three different control subjects, all Yuuzhan Vong: one warrior caste, one priest caste, and one shaper caste, each of whom had earlier undergone excruciation by the very same Embrace of Pain in which the young Jedi now hung. Anger gathered upon Tsavong Lah’s villip image like the ion peak that precedes a solar flare.

Finally, his patience broke. “Why is my time wasted with this babble?”

The shaper drone stiffened, glancing nervously at Nom Anor. “This data is extremely significant—”

“Not to me. Am I a shaper? I have no interest in raw data—tell me what it means!”

Nom Anor sat forward. “With the warmaster’s permission, I may perhaps be of some service here.”

The villip twisted fractionally to fix Nom Anor with the warmaster’s glare. “You had better,” he said. “My patience is limited—and you personally, Executor, have required too much of it already in recent days. You swing from a thin vine, Nom Anor, and it continues to fray.”

“All apologies to the warmaster,” Nom Anor said smoothly. He gestured dismissal to the drone, which made a hasty obeisance toward the villip, triggered the room’s hatch sphincter, and scuttled away. “I mean only to offer analysis; interpretation is my specialty.”

“Your specialty is propaganda and lies,” Tsavong Lah rasped.

As if there were a difference. Nom Anor shrugged and smiled amiably: gestures he had learned from his impersonations of the human species. He exchanged one quick glance with the other occcupant of the chamber—his partner in the Solo Project—then directed his gaze back to the villip. “The import of the Embrace chamber’s data is exactly this: Jacen Solo has become capable of not only accepting torment, but thriving on it. As the warmaster will recall, I predicted such a result. He has discovered resources within himself of the sort that we find only in our greatest warriors.”

“And?” The warmaster glared. “Make your point.”

“It will work,” Nom Anor said simply. “That is the point. The only point. Based on our current figures, Jacen Solo will inevitably—provided he lives—turn to the True Way with his whole heart.”

“This has been attempted before,” Tsavong Lah growled. “The Jeedai Wurth Skidder, and the Jeedai Tahiri on Yavin Four. The results were less than satisfactory.”

“Shapers,” Nom Anor snorted derisively.

“Mind your tongue, if you would keep it in your mouth. The shaper caste is holy unto Yun-Yuuzhan.”

“Of course, of course. No disrespect intended, naturally. I only mean to point out, with the warmaster’s permission, that the methods used in the Tahiri disaster were crude physical alterations—possibly heretical.” Nom Anor leaned on the word.

Tsavong Lah’s face darkened.

“They were performing sacrilegious research,” Nom Anor went on. “They tried to make her into a Yuuzhan Vong—as though a slave can be altered into one of the Chosen Race. Is this not blasphemy? The ensuing slaughter was far kinder than they deserved, as the warmaster will no doubt agree.”

“Not at all,” Tsavong Lah countered. “It was precisely what they deserved. Whatever the Gods decree is the definition of justice.”

“As you say,” Nom Anor conceded easily. “No such heresy will take place in the Solo Project. The process with Jacen Solo is precisely the opposite: he will remain fully human, yet acknowledge and proclaim the Truth. We will not have to alter or destroy him in any way. We merely demonstrate; he will do the rest himself.”

The warmaster’s image chilled over with calculation. “You still have not made clear why I should desire this. Everything you have told me implies that he would make an even greater sacrifice than I had dreamed. Explain why I should await this promised conversion. Should he die in the process, I will have broken an oath to the True Gods: cheated them of their due sacrifice. The True Gods are unforgiving to oathbreakers, Nom Anor.”

You couldn’t prove it by me, Nom Anor thought smugly, but he spoke with utmost respect. “The symbolic importance of Jacen Solo cannot be overestimated, Warmaster. First, he is Jedi—and the Jedi stand in place of gods in the New Republic. They are looked to as surrogate parents, gifted with vast abilities that legend further magnifies beyond all reason; their purpose is to fight and die for the New Republic’s debased, infidel perversions of truth and justice. Jacen Solo is already a legendary hero. His exploits, even as a child and a youth, are known throughout the galaxy; together with those of his sister—his twin sister—they rival even those of Yun-Harla and Yun-Yammka—”

“You utter such blasphemies too easily,” Tsavong Lah grated.

“Do I?” Nom Anor smiled. “And yet the True Gods do not see fit to strike me down; perhaps what I say is not blasphemy at all—as you shall see.”

The warmaster only glared at him stonily.

“Jacen Solo is also the eldest son of the galaxy’s leading clan. His mother was, for a time, the New Republic’s Supreme Overlord—”

“For a time? How is this possible? Why would her successor let her live?”

“Does the warmaster truly wish a disquisition upon the New Republic’s perverse system of government? It has to do with a bizarre concept called democracy, in which ruling power is given to whomever is most skillful at directing the herd instincts of the largest masses of their most ignorant citizens—”

“Their politics are your concern,” Tsavong Lah growled. “Their fighting strength is mine.”

“The two are, in this case, more closely related than the warmaster might suspect. For a quarter of a standard century, the Solo family has dominated galactic affairs of all kinds. Even the warmaster of the Jedi is none other than Jacen Solo’s uncle. This uncle, Luke Skywalker, is popularly considered to have singlehandedly created the New Republic by defeating an older, much more rational government called the Empire. And, I might add, it is fortunate for us that he did; the Empire was vastly more organized, powerful, and potently militaristic. Lacking the internal divisions we have exploited so successfully in the New Republic, the Empire could have crushed our people utterly in their first encounter.”

Most helpful customer reviews

2 of 2 people found the following review helpful.
One of the best Star Wars novels ever written
By CConn
Being a very loyal fan of the Star Wars universe, I, of course, purchased Traitor � the thirteenth book in the New Jedi Order series � the very first day, and digested the book promptly thereafter. The first thought that entered my mind after setting the book down for the final time, was simply �This is one of the best Science Fiction novels I have every read!� That opinion has not changed since.

Traitor is unlike any Star Wars novel ever written. Instead of making the book into the usual Sci-Fi Action story, Mathew Stover did something different. Instead of making his novel a science fiction story, he made his novel science fiction literature. Stover trades blaster battles, and star fighter scrimmages, for the deeper and more meaningful moral riddles and emotional nuances that make a book great.

The novel centers on Jacen Solo, teenage son of the middle-aged Han Solo and Leia Organa, whom had been missing for the last three NJO novels. And through the book we journey with Jacen through his explorations of philosophy. Where, in previous novels, Jacen�s philological questions came off as annoying, in Traitor Stover masterfully transforms that adolescent whining into sophisticated reflection.

One oddity I feel I should mention is the surprisingly small cast of characters in this book. Whereas most Star Wars novels have 15-20 characters, Traitor has barely four. This does not damage the story conversely...it probably improves it. Instead of having to follow the multiple adventures of the normal Star Wars crew, in Traitor you only have to pay attention to one: Jacen�s.
This factor greatly enhances the reader�s understanding of Jacen. It�s 300 pages of one man, and his struggle to free himself from the clutches of the Yuuzhan Vong.

0 of 0 people found the following review helpful.
The Jedi are into Moritist psychology
By R. L. MILLER
This book reads like a "Twilight Zone" episode--very small cast of characters (only 6 people) and a psychological feel to it. Jacen Solo shares the limelight with only one other person--mystic Vergere in her first starring role. This is quite a departure from other NJO novels, which at this point in the timeline revolve around everyone else but Jacen--he's MIA. This story is not for the faint at heart--much of the early chapters center on the pain suffered by Jacen while he's serving as an experimental animal in the custody of Vergere, until he learns to master that pain. There's a bit of explicit carnage in the book as well. The whole Y-V cycle has a dark tone to it, but this story well surpasses even that. Jacen also learns from Vergere that there's more than one perspective about the Force--his own is a bit simplistic and dogmatic. Which makes its own kind of sense--a new generation of Jedi aren't likely to have the same old philosophies as taught by Yoda and Kenobi. But one of the basic tenets of Japanese Moritist psychology surfaces here when Jacen comments at one point that the greatest weakness of the Yuuzhan Vong is their insistence on making over the Galaxy into what they think it should be as opposed to coming to terms with it as it actually is. Anybody who thinks this story is going to be wall-to-wall X-wing dogfights and turbolaser volleys is advised to skip this one. If Matthew Stover wasn't a psych major in college, it was the field of study next in line.

11 of 12 people found the following review helpful.
A very emotional and very different Star Wars novel
By Jayson Olson
Jacen Solo, brother to twin Jaina and younger Anakin.....long thought dead to the New Republic and an underestimated Jedi makes a strong comeback in this 13th installment of the New Jedi Order series.
However, this book is slightly different from the 12 that preceded it. I'd say about 85% of this novel takes a direct focus on Jacen and the enigmatic Vergere. It seems that the Vong have had special plans for Jacen all along, not only as a twin to Jaina, but to help capture her as well. Nom Anor and Vergere concoct a plan to turn Jacen...turn him to the Vong cause.
Everything Jacen has ever learned as a Jedi is now put to question as Vergere takes the roll of teacher. She challenges Jacen to rethink his role in the universe and his destiny....a destiny without the use or link of the Force. Jacen soon discovers that there is more to the force than just the light and dark sides. He begins to retrain himself, not necessarily as a Jedi, but something else...something bigger than the Force as he learned it from Master Skywalker. Jacen's abilities and sensitivity to telepathic and empathetic thoughts soon exceed even Nom Anor's and Verge's wildest dreams. Jacen becomes something new, and Nom Anor revels in the fact that Jaina Solo will soon be his with the aide of his newest Vong prodigy.
But nothing ever ends up the way things are planned in a good Star Wars novel. Jedi Ganner Rhysode has heard the rumors....Rumors that Jacen lives and has returned to the core worlds. His mission is his own, rescue Jacen and bring hope to the losing New Republic and crush the Vong spirits. But Ganner stumbles upon a man once known as Jacen, but someone much different and much more powerful. Soon, Ganner must make a choice and perhaps place his trust in a much darker and powerful Jacen.
I can't say enough good things about this novel. Though there is plenty of action and background information given on the Vong, the trial and tribulations of Jacen under the thumb of Nom Anor and Vergere are very powerful for the reader. While there is plenty of action for the reader, author Matthew Stover really gets the reader sucked into the psyche of Jacen. Soon you really are emotionally attached to Jacen's character and feel his confusion and doubt of everything he though he believed. The role of Vergere in this book was pivotal, and even though the reader may find her musings and teaching maddening at times (she speaks a lot in riddles and never gives a straight answer), but does a wonderful job in actually making the reader question everything we have read about the Jedi order and the Force. Is it possible that there in more to the Force than just the light and dark sides? This book will surely make you ponder. Excellent job.

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