Senin, 25 Mei 2015

@ PDF Download The Mask of Red Death, by Harold Schechter

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The Mask of Red Death, by Harold Schechter

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The Mask of Red Death, by Harold Schechter

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The Mask of Red Death, by Harold Schechter

Suspense, intrigue, atmosphere, and vivid historical detail combine into a thrilling ride through nineteenth-century New York City in The Mask of Red Death. Harold Schechter delivers both a wonderfully accurate portrait of a city in turmoil and an irresistibly appealing depiction of his amateur sleuth Edgar Allan Poe, mirroring the master’s writing style with wit and acumen.

It is the sweltering summer of 1845, and the thriving metropolis has fallen victim to a creature of the most inhuman depravity. Found days apart, two girls have been brutally murdered, their throats slashed, viciously scalped, and–most shocking of all–missing their livers. Edgar Allan Poe, despite what the tenor of his own tales of terror might suggest about his constitution, is just as shaken and revolted by these horrendous crimes as the panic-stricken public. Suspicion of the scalper’s identity immediately swirls around the most famous “redskin” in New York, Chief Wolf Bear, one of the human attractions at P.T. Barnum’s American Museum. Certain that Chief Wolf Bear is innocent, Poe has deduced that the city is concealing a cannibal somewhere in its teeming masses, one with an ever-growing appetite for human prey.

Before he can investigate his theory further, Poe stumbles onto the scene of a third gruesome murder. Poe recently met William Wyatt when he agreed to look at a document for Wyatt to determine the authenticity of the purportedly famous handwriting on it. Now Poe finds Wyatt in a pool of blood, his scalp removed. How, Poe muses, are Wyatt and his document connected to the two slain girls?

As frenzied emotions over the murders reach a fevered pitch, Kit Carson makes an appearance. The famous scout has been tracking the “Liver Eater” since the man killed his wife months ago. Together, Carson and Poe make an odd sleuthing team, but their combined wits are formidable. The trail they uncover reveals a dark secret more powerful than anything they could have imagined– one that may reach the upper echelons of politics and privilege.

  • Sales Rank: #1564408 in Books
  • Published on: 2004-08-03
  • Released on: 2004-08-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x 1.08" w x 6.36" l,
  • Binding: Hardcover
  • 320 pages

Amazon.com Review
With a cannibalistic mountain man menacing New York City in 1845, who better to curb the butcher's appetites--permanently--than the one man perhaps best prepared to understand his macabre nature: Edgar Allan Poe? That's right, the same impecunious poet and editor who was responsible for "The Raven," and has appeared in two previous historical thrillers by Harold Schechter (1999's Nevermore and 2001's The Hum Bug), returns in The Mask of Red Death to stop a serial slayer known for first scalping his victims, then (yikes!) consuming their warm livers. With Manhattanites in a vengeful frenzy, ready to string up just about anyone conceivably to blame for these atrocities (even an indolent Crow Indian chief living among showman P.T. Barnum's stock of human attractions), it falls to Poe--who is connected to at least two of the victims--to find and foil the fiend.

Fortunately, this faint-hearted versifier has the help of renowned western scout Christopher "Kit" Carson, who's come east with his mute, 5-year-old son on the trail of a red-headed renegade known as "Liver-Eating" Johnson--the killer of Carson's Arapaho wife. Is Johnson to blame for all of Gotham's recent barbarity? Or is there another hand behind the destruction not only of young girls, but of a wealthy albino who'd asked Poe to authenticate a document of historical and political import, and an author who had taken umbrage at Poe's lampooning of his work? Schechter, known for his true-crime books as well as his mysteries, is unsparing in his explications of violence. Yet it's in the service of re-creating pre-Civil War New York's frequently dangerous conditions, and ensuring that no plot turn is less than perilous. Poe shows here both a brilliant mind (he seems to have committed an entire thesaurus to memory) and a beleaguered spirit (he must do without physical intimacy from his "ethereal" but sickly wife, who also happens to be his young cousin, and he struggles against his weakness for alcohol). The combination makes him a truly singular sleuth, whether he is facing thugs determined to wreck Barnum's American Museum, or trading trivialities with a ventriloquist who proves to be no dummy. If only Carson were so well developed; instead, he comes off in Red Death as a B-movie extra, sidling onto the scene whenever an altercation is in the offing. Western history buffs will recognize the liberties Schechter has taken with facts surrounding Carson and Johnson, but that shouldn't spoil their appreciation of the raucous drama and rich wit to be found in these pages. --J. Kingston Pierce

From Publishers Weekly
Set in 1845 Manhattan, veteran true-crime author Schechter's third competent Edgar Allan Poe mystery (after 1999's Nevermore and 2001's The Hum Bug) again pairs the writer with a celebrity of the day, here legendary mountain man Kit Carson. A series of murders in which the killer scalps his prey leads an outraged populace to focus on a Native American, Chief Wolf Bear, serving as a sideshow attraction for P.T. Barnum, but Carson arrives on the scene in time to prevent a lynching and help amateur sleuth Poe and the police pick up the real trail. Poe ends up stumbling upon several corpses, including that of a mysterious albino who had sought his expertise in verifying the authenticity of a document represented to be of great historical and political significance. Schechter has improved his plotting and pacing skills since Nevermore, which teamed Poe with Davy Crockett, and he vividly depicts real-life mountain man John Johnson, a vicious Indian killer who liked to eat his victims' livers raw. Overall, though, the book's period detail, characterization and level of suspense aren't in the same class as comparable elements in Caleb Carr's The Alienist, which used a similar quest for a human monster to paint a more sophisticated picture of 19th-century New York.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Harold Schechter is a professor of American Literature and Culture at Queens College, the City University of New York. Renowned for his true-crime writing, he is the author of the nonfiction books The Serial Killer Files, Fiend, Bestial, Deviant, Deranged, Depraved, and, with David Everitt, The A to Z Encyclopedia of Serial Killers. He previously featured Edgar Allen Poe in his acclaimed novels The Hum Bug and Nevermore. He lives in New York state.

Most helpful customer reviews

6 of 6 people found the following review helpful.
delightfulmid nineteenth century historical mystery
By A Customer
In 1845, the Raven and several scathing reviews in newspapers have brought fame to Edgar Allan Poe He relocated to Manhattan accompanied by his fragile spouse and his mother-in-law. However, the city is in an angry uproar as someone is killing and scalping people. The locals believe that Indian Chief Wolf Bear, working in P.T. Barnum's sideshow, is the serial killer and a lynch mob forms.

However, Kit Carson arrives in time to prove that Chief Wolf Bear is innocent and that the reprehensible John "Liver-Eating" Johnson is the killer. Joining ranks Kit and Edgar follow the deadly trail that includes a mysterious albino client of the author. While Edgar would prefer to say NEVERMORE and Kit believes a big city is HUM BUG, both know they must stop this vicious murderer before he adds more to his scalp collection.

The obvious comparison between the writer and the frontiersman is a delight and much of the historical tidbits add a sense of mid nineteenth century New York to the historical mystery. Johnson, who ate the livers of his victims, comes across as macabre and authentic as the real person he was. However, the flashbacks that provide much of the period piece also take away from the suspense building to a final confrontation between the mountain man serial killer vs. the amateur sleuth writer and his western scout partner in the canyons of New York.

Harriet Klausner

3 of 3 people found the following review helpful.
Series Maintains High Style and Adventure
By A. Reid
Harold Schechter's Edgar Allen Poe mystery series is one of my favorites, and I was pleased to find the third one just as engrossing as its predecessors. The books, written in the first person, freely adopt Poe's literary style--sometimes to comedic effect. Schechter does poke affectionate fun at Poe now and again, but not at the cost of dehumanizing the character. His Poe feels like a warm and admirable (if pretentious and squeamish) human being. Schechter, who is more commonly known as the writer of many above average historical true crime books, handles the adventure adroitly, too. For the full flavor, I would recommend that new readers begin with Nevermore. While the books could be taken out of order (if not without losing some context), Nevermore is powerful at establishing Poe as a character and really shouldn't be missed.

0 of 0 people found the following review helpful.
Beautifully wirtten, though a little gory
By Amazon Customer
Let me first say that I am a huge fan of Edgar Allan Poe and I will forever be one. One of the main reasons I bought this book was because Poe was in it. Now, this book was just beautifully written. The historical data required to make this book come alive must have taken months to collect.
The whole story line centers around Mr. Poe and "Kit" Carson trying to track down a murderer by the nickname of the "Liver-Eater." The murderer brutally scalps his victims and mutulates their bodies almost past recongition. It was very thrilling and had me on the edge of my seat the entire time.
However, there was one problem for me. As I said before, I'm a HUGE Poe fan. Despite this, the way Mr. Schechter detailed every murder victim was just a little too much for me. Despite the goriness of the book, it was a fantastic read and has the best twist at the end.

See all 6 customer reviews...

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Sabtu, 23 Mei 2015

? Download Sign-Talker: The Adventure of George Drouillard on the Lewis and Clark Expedition, by JAMES ALEXANDER Thom

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Sign-Talker: The Adventure of George Drouillard on the Lewis and Clark Expedition, by JAMES ALEXANDER Thom

In his extraordinary body of work, James Alexander Thom does more than bring the past to life; he makes us experience history as if we were witnessing it for the first time. Thom's new novel is an enthralling adventure with fascinating real-life characters--and a heart-grabbing narrative that casts a vivid light on a momentous chapter in American history.

Sign-Talker begins just after the Louisiana Purchase. Thomas Jefferson has sent Meriwether Lewis and William Clark to penetrate the newly acquired territory, journey up the Missouri River, cross the Rocky Mountains, and reach the glimmering sea in the far West. To survive, the two captains need an extraordinary hunter who will be able to provide the expedition with fresh game, and a sign-talker to communicate with the native tribes. They choose George Drouillard. It is Drouillard, an actual historical figure, who becomes our eyes and ears on this unforgettable odyssey.

Drouillard, a metis raised among the Shawnee, cannot fathom what drives the two men. Nor can he help but admire their ingenuity and courage as they tackle the journey into the unknown. Along the way, he watches as they shrewdly shape and discipline their force, adding French-Canadian rivermen--to guide the expedition up the Missouri--and an Indian woman, Sacagawea, who will play a crucial role in negotiations with the Western tribes.

After plunging into an unforgiving land and near madness, the two captains celebrate a triumphant achievement. But the glory will soon be eclipsed by an overwhelming tragedy that will touch not only Meriwether Lewis and the frontier tribes but George Drouillard himself. A magnificent tale told with intelligence and insight, Sign-Talker is full of song and suffering, humor and pathos. James Alexander Thom has created the rarest reading experience: one that entertains us even as it shows us a new vision of our nation, our past, and ourselves.

  • Sales Rank: #1217330 in Books
  • Published on: 2001-10-30
  • Released on: 2001-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.86" h x 1.11" w x 4.17" l,
  • Binding: Mass Market Paperback
  • 512 pages

From Publishers Weekly
An illiterate half-breed employed as translator and hunter on the Lewis and Clark Expedition serves as the conduit for Thom's (The Red Heart) learned but over-meticulous fictional account of the celebrated trek. Wryly observing the bumbling efforts of arrogant whites to win the trust and loyalty of bellicose Indians, George Drouillard follows along as captains Meriwether Lewis and William Clark and 30-odd white explorers journey up the Missouri River, across the Rockies, to the Pacific shore and back again, all the while plagued by mutiny, desertion, navigational confusion, weather disasters, bitter hardship and fear of Indian attacks. Drouillard hunts meat for the party and keeps himself aloof from its internal politics, constantly commenting to himself on the crass vulgarity of the whites, whom he sees as ignorant, avaricious and materialistic; Indians, in contrast, possess noble spirituality and natural sensitivity. He is a formidable character, and despite his unlikely dedication to the abolitionist struggle, he emerges as genuine and credible. Thom's portraits of Lewis, Clark, the much celebrated Sacagawea and other principal characters are also nicely fleshed out, and often at odds with more popular interpretations. Unfortunately, the book is more an imaginative dramatization of the expedition than anything like historical fiction: it lacks real plot, character development and suspense. Thom's research, mechanics and execution are impeccable in almost every regard, but likely only those seriously interested in an accurate and highly detailed fictionalization of the historical event and period will make it through this dense and slow-moving account. Map. (July)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Thom (Follow the River; From Sea to Shining Sea) has written another historical saga of early America, here recounting the Lewis and Clark Expedition (1804$06). Events are seen through the eyes of George Drouillard, the half-Shawnee, half-French hunter hired by Lewis and Clark as the first interpreter for their expedition, at least a year before they met Sacajawea. Thom succeeds in his mission to educate readers about the beliefs and culture of Native Americans, and his knack for absorbing descriptions reveals a breathtaking virgin American landscape so pristine, so full of wildlife, flora, and beauty, that one is appalled by the Americans! behavior. They defile rivers, rape the landscape, use and insult Native Americans, and massacre wildlife as they trudge their way to the Pacific and back. Yet, surprisingly, Thom!s fans will likely be disappointed by his latest effort: the story of the expedition itself, as ploddingly described here, is simply not a gripping subject. Thom devotees and early American history buffs may create demand for this often-dull read, but otherwise it is lukewarmly recommended."Barbara L., Roberts, Maricopa Cty. Lib. Dist., Phoenix
Copyright 2000 Reed Business Information, Inc.

From Booklist
Noted author Thom revisits a familiar literary landscape in his latest historical adventure. Thom first chronicled the Lewis and Clark Expedition in From Sea to Shining Sea (1984), a fictional biography of William Rogers Clark. This time he offers an account of this monumentally significant journey narrated by George Drouillard, the French-Shawnee half-breed hired by Lewis and Clark to act as both an interpreter and a guide for the duration of their territorial survey. Blessed with a homespun knack for description and a keen understanding of human failings and individual idiosyncrasies, Drouillard provides a unique view of the physical and personal challenges encountered by the entire party along the way to the Pacific Ocean and back. Authentically detailed and populated with a cast of celebrated real-life characters, this stirring tale of tragedy and triumph will captivate fans of epic historical fiction. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

32 of 32 people found the following review helpful.
A Remarkable Man
By Robert R. Briggs
If you're a fan of James Alexander Thom then you'll not be disappointed by ths story. So much of the Lewis and Clark epic centers upon the exploits of the two leaders that it is refreshing to find an account from another point of view. And, that's exactly what happens here as Thom tells the story as Drouillard sees it. Although Drouillard was an illiterate half-breed who was unable to write personal journals, he is mentioned often in the journals of both Lewis and Clark. From that alone, we get a picture of an extremely capable individual who often went far beyond what was expected of him. The success of the expedition owed much to Drouillard's efforts. Thom's account relies heavily upon the published journals of Lewis and Clark for accuracy in telling the story. The one thing which may bother some readers is that much of Drouillard's story is based upon Thom's own imagination as to what Drouillard thought and felt. However, any novelist in a similar situation would have to do the same thing. In this case, there is no better man than Thom to fill in the blanks. His past books and extensive research into this part of our history gives him great credibility. Sign Talker is a great story and well worth your time to read.

22 of 23 people found the following review helpful.
Good detail, but too "politically correct"
By A Customer
The strength of this book lies in the masterful detail. James Alexander Thom invokes the sights, sounds, and (sometimes unpleasant) smells of the Lewis & Clark expedition with unfailing attention to detail. His knowledge of the expedition and early-American life is impressive. Unfortunately, other aspects of the book don't live up to the same level of quality. Thom strikes the same note over and over - the whites are clueless destroyers, the Indians are mystic children of nature, and the overall tone of the Lewis & Clark Expedition was cynicism and greed. About halfway through, when I realized the book had no other insights to offer, I grew weary of the righteousness of the main character George Droulliard and was ready to skip to the end. Thom's portrait of Lewis as a raving, incompetent jerk seems like a literary device thrown in to create more conflict, instead of really trying to analyze the man's character. Similarly, Thom paints Droulliard as a near saint, ignoring the fact that he owned at least one slave. I enjoyed this book for the interesting detail, but I could've done without all the "political correctness."

13 of 13 people found the following review helpful.
A new American hero
By Smallchief
Thom has created a new American hero with this book -- the brooding, efficient half-breed George Drouillard -- and he has singed the reputation of an existing hero: the dark and depressive Meriwether Lewis.

French/Indian mixed bloods were the pathfinders who led the Anglos into the wilderness and Thom gives some long-overdue recognition to them. Drouillard's reaction to the well-known events of the Lewis and Clark expedition are what make this book fascinating. We get a view of the white man from the standpoint of an outsider. Unlike most books of this sort, however, Drouillard's views are multi-layered. He admires Clark -- and occasionally even Lewis -- at the same time that he often finds their attitudes and actions reprehensible. He sees the Indians in a sympathetic light and he foresees their rapid downfall at the hands of the rapacious Anglos, but he doesn't idealize them a la Dances with Wolves.

History confirms that Drouillard was a formidable woodsman and hunter, one of the most valuable members of the expedition. Thom gives him also that mythic quality of Shane and every other lonely gunslinger of American literature.

Smallchief

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* Download King David: The Real Life of the Man Who Ruled Israel (Ballantine Reader's Circle), by Jonathan Kirsch

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David, King of the Jews, possessed every flaw and failing of which a mortal is capable, yet men and women adored him, and God showered him with many blessings. A charismatic leader, exalted as “a man after God’s own heart,” he was also capable of deep cunning and bloodthirsty violence. Weaving together biblical texts with centuries of interpretation and commentary, as well as the startling discoveries of modern biblical archaeology and scholarship, bestselling author Jonathan Kirsch brings King David to life with extraordinary freshness, intimacy, and vividness of detail, revealing him in all his glory and fallibility. At the center of this taut, dramatic narrative stands a hero of flesh and blood–a man as vibrant and compelling today as he has been for millennia.

  • Sales Rank: #787208 in Books
  • Published on: 2001-08-28
  • Released on: 2001-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .83" w x 5.51" l, .77 pounds
  • Binding: Paperback
  • 402 pages

Amazon.com Review
The difficulty of bringing into perspective figures that are larger than life is well known to Jonathan Kirsch, the author of a life of Moses and of the provocative biblical study The Harlot by the Side of the Road. In this well-researched narrative he attempts the same for King David, arguably the most important figure in the entire Jewish Bible. By searching for the real King David, Kirsch does not claim to bring new information to this study. He is more journalist than biblical scholar, and clearly acknowledges when he is speculating (as, for example, in his reconstruction of the scene when David first glimpses the beautiful Bathsheba). Rather, he wants to remind his readers that David is not myth but flesh and blood and is, astonishingly, presented this way in the biblical texts themselves. He is real, human, both heroic and flawed.

Following much of modern scholarship in calling the Bible "a patchwork of ancient texts that were composed and compiled by countless authors and editors," this study is clearly not going to appeal to most fundamentalist readers. Neither is it intended for scholars. It should, however, satisfy many readers who wish to explore more deeply the fascinating and pivotal life of a very real man, a charismatic leader who, as one historian puts it, "played exquisitely, fought heroically, and loved titanically." --Doug Thorpe

From Publishers Weekly
In this biography/commentary hybrid, Kirsch sheds light on biblical characters and gives readers a refresher course on Israel's monarchic period, from 1025 to 925 BCE. Arguing that the Old Testament may have originated as David's royal biography, Kirsch cites dozens of Bible scholars in his attempt to separate history from myth. The two myths he examines most closely are those cultivated by a "Court Historian" who embellished David's exploits to make him seem more kingly than he was, and those written by the "Deuteronomistic Historian," who revised the ancient texts about David to downplay his bad behavior and emphasize the sovereignty of Yahweh. Kirsch's citation of experts is dutiful but frustrating; only rarely does he mention the schools of thought to which his sources belong, which excludes readers from a crucial dimension of any intellectual debate. Kirsch's agenda is murky as well; it is never entirely clear whether he wishes to find the truth about David and extrapolate didactic messages or simply make a sport of listing the various and contradictory readings of his life. It may be that Kirsch eschews these complicated questions in the service of accessibility, and for that he can be forgiven, since secular books about the Bible are often inaccessible to all but a handful of scholars. This book, on the other hand, welcomes a wide audience to a scandalous, violent and surprisingly familiar ancient Israel, and both educates and entertains. (Sept.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Kirsch (The Harlot by the Side of the Road) adds to his sensational books on biblical personalities with this expos? of the life of King David and his God. He fully accepts the historicity of David and the United Kingdom but argues that the record we have is the product of court propagandists followed by other court editors and then "spin doctors" who attempted to sanitize David. This is an old approach followed by many critical scholars; however, the only characteristics that Kirsch adopts from the text for David are thoroughly Machiavellian. He portrays David as a "bloodthirsty fiend of hell" who combined a strong political savvy with a ruthless suppression of all opposition. One must recognize that, even if we do not judge him by modern mores, as Kirsch does, David's life and reign was full of actions that provided abundant opportunities for his famous readiness to repent. Kirsch is a master of the storyteller's art, but his propensity to be disparaging is unsettling if quite skillful. In fact, his tone is much like that a lawyer might use in a summation to a jury (with appropriate facial expressions and tone of voice not available to print). Much more reliable assessments of David can be found in such major series as Abingdon's Interpreter's Bible, Doubleday's Anchor Bible, and Word's Biblical Commentary. Nonetheless, this muckraking account in the modern style will no doubt receive circulation in public libraries.
-AEugene O. Bowser, Univ. of Northern Colorado, Greeley
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

34 of 41 people found the following review helpful.
Newsweek Covers David
By R. T.
"Wanna read a bad book?" my friend asked. I wished I had had the foresight to answer "no." Unfortunately, I didn't, and I read all of Jonathan Kirsch's King David. This book is worse than bad, it's an embarrassment. If there's an original idea in the book, Kirsch does an incredible job of hiding it among his numerous quotations or, I should say, "adaptations" from Samuel. The scholarship is paper thin; Kirsch slavishly relies upon the work of others and offers nothing new himself. Basically, Kirsch takes the magnificent KJV translation of the story in I and II Samuel and "punches it up" with Newsweek style. Kirsch appears to pride himself on reading the stories skeptically, as one would hope of any modern journalist reading Samuel, and peppers his comments with phrases such as "as the biblical authors wished to remember him [David]," "so it would seem," and "theological spin." However, except for questions raised by others, Kirsch is one of the most credulous readers of this story I've ever met. He buys almost everything the author tells us about David and the others in this story. As just one example, Kirsch dutifully reports the description in I Samuel 13:3 of Amnon's cousin, Jonadab, as "a very subtle man." And what incredibly subtle advice to Jonadab give his cousin? That Amnon should rape his half-sister Tamar in his own bedroom after setting up the meeting in such a way that all the royal family would know what was going on. If this is "subtlety," then Micky Spillane is John LeCarre! Now of course, it is subtle if Jonadab were in cahoots with someone else in order to destroy Amnon, but Kirsch hasn't the imagination to explore that possibility - or even the possibility that the rape never occurred but its report was concocted for other reasons. On the other hand, if Jonadab was actually trying to help Amnon, then to buy Samuel's description of him as "subtle" is the apex of naivete. Indeed, you'd think Kirsch would ask: is the author being ironic? But no, that would be to expect too much from Kirsch.

Rather than waste your time on this book, let me suggest two others. If you want to accompany a masterful literary scholar reading the story of David, buy Robert Alter's illuminating The David Story. If you want to examine the story of David from the perspective of a modern, secular historian at the top of his craft, buy Baruch Halpern's David's Secret Demons. These are two very different books, and many who like one of them won't like the other. But happy is the reader who can appreciate both. If you choose to read neither Alter nor Halpern, don't waste your time on Kirsch. Just go get a copy of the KJV at your local motel and read Samuel for yourself.

0 of 0 people found the following review helpful.
An easy to read presentation of who King David reallt was
By Israel Drazin
Kirsch offers readers a scholarly but very readable view of the most famous biblical hero. He points out that according to many critical scholars, but not according to traditional readers of the text, that we are introduced for the first time to David’s true original role, what he did before Saul’s death, before he assumed the position as the king of Judah, before becoming king of all of Israel. The earlier stories, according to these scholars were versions of legends about the king, written to flatter him, composed either during his lifetime or during the reign of his son Solomon. But the truth, they say, is that he was a bandit chief during his early years, a kind of Robin Hood who stole from those people or tribes he disliked and who sometimes gave part of his thefts to people or towns presumably to gain their favor. The “frank depiction of David in the pages of the Bible,” Jonathan Kirsch writes, “has defined what it means to be a human being.” We read about a complex man. He “is both thrilling and unsettling; it is larger than life and at the same time an enduring example of a life lived on a human scale.” All in all, David’s name appears in the Bible over a thousand times; despite his faults, and perhaps because of them, he is the hero of Judaism, the progenitor of the messiah.

12 of 14 people found the following review helpful.
Entertaining and Educational - To a point
By Barton Breen
I listened to this book on tape as read by the author himself.

This is one of what appears to be a significantly developing genre of books in the area of theology and Biblical History, designed to be read by the general populace to put in their hands what modern scholarship is saying.

This book does this reasonably well for anyone who is unfamiliar with such terms as Modern Bibical Criticism, J theory, Court Historian etc.

What is not so clear to the average listener is that the primary sources drawn from such as Howard Bloom, Wellhausen and company are considerably from the more liberal and secular camps and that there exists a large body of more conservative material that deals with thses issues with somewhat different conclusions.

There's nothing wrong with that in and of itself. What I find distrubing in these types of Historical Overviews - turned novel is that the hybrid product, while purporting to be factual, uses the change in genre to present the material as somehow more certain or less controversial than is really the case. What's wrong with being a little more deliberate in making the source literature drawn upon a little more diverse and truly allowing the reader to enter into the dialogue and interact with the issues, rather than being led to believe that things are as neat and tidy as a reading of this book would seem to indicate to a reader otherwise unfamiliar with the field?

Those concerns expressed, I did find this to be an interesting and worthwhile listen (read). Old Testament history has been a weakness for me and this did help to fill in some gaps in terms of the what some of the modern scholarship has been giving. In addition, it did present David in terms that helped to place him historically and, as much as the author's approach could allow for with all of its provisos and doubts, somewhat personally.

Listen critically to this work. It seeks, in my opinion, to gloss over some of the ommissions in terms of conflicting material, by making the format flow like a historical novel and a reader can be carried away with that and walk away feeling they have a strong grasp on all that is available in this field. They will not.

Life of David by Arthur Pink would be a good contrast work to see some of the other camp and provide some balance.

Interesting read, but again, read criticically and ask yourself what you're not being told in the midst of it.

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Rabu, 20 Mei 2015

> Download Ebook The Long Night of Centauri Prime (Babylon 5: Legions of Fire, Book 1), by Peter David

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The Long Night of Centauri Prime (Babylon 5: Legions of Fire, Book 1), by Peter David

The beginning of an exciting new adventure that continues the Babylon 5 legacy . . .

Bombed to the brink of oblivion, the planet Centauri Prime is starting the slow and painful process of rebuilding, under the watchful eye of Emperor Londo Mollari. But Londo is in turn being watched--and manipulated--by the conquest-hungry Drakh. The malevolent beings are reshaping the Centauri Republic into a secret seat of power from which to strike out at their enemies--especially the Interstellar Alliance.

All but helpless to resist, Londo watches as his beloved Homeworld is transformed into a ruthless police state. And the Drakh have willing allies, including one of Londo's own countrymen--Durla, a powerful official with his own sinister agenda.

As the abuses of the repressive new Republic escalate, the double-edged Drakh master plan begins to unfold. Their goal is to smash the Interstellar Alliance by assassinating its president, John Sheridan, and to obliterate Earth, using a fabled, monstrous Shadow weapon known as a Planet Killer . . .

  • Sales Rank: #921849 in Books
  • Published on: 1999-12-07
  • Released on: 1999-12-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .75" w x 4.20" l, .31 pounds
  • Binding: Mass Market Paperback
  • 288 pages

Review
"A solid, stand-alone novel . . . A fascinating spotlight on the enigmatic, deadly telepaths."
--USA Today (recommended reading)

"Dark Genesis is the kind of rare tie-in book that equals, or even bests, the franchise whose world it borrows. If you've heard the ravings of Babylon 5 fans . . . then this book is for you. You'll get a glimpse into the world they enjoy so passionately."
--Cinescape Online

From the Inside Flap
The beginning of an exciting new adventure that continues the Babylon 5 legacy . . .

Bombed to the brink of oblivion, the planet Centauri Prime is starting the slow and painful process of rebuilding, under the watchful eye of Emperor Londo Mollari. But Londo is in turn being watched--and manipulated--by the conquest-hungry Drakh. The malevolent beings are reshaping the Centauri Republic into a secret seat of power from which to strike out at their enemies--especially the Interstellar Alliance.

All but helpless to resist, Londo watches as his beloved Homeworld is transformed into a ruthless police state. And the Drakh have willing allies, including one of Londo's own countrymen--Durla, a powerful official with his own sinister agenda.

As the abuses of the repressive new Republic escalate, the double-edged Drakh master plan begins to unfold. Their goal is to smash the Interstellar Alliance by assassinating its president, John Sheridan, and to obliterate Earth, using a fabled, monstrous Shadow weapon known as a Planet Killer . . .

From the Back Cover

"A solid, stand-alone novel . . . A fascinating spotlight on the enigmatic, deadly telepaths."
--USA Today (recommended reading)

"Dark Genesis is the kind of rare tie-in book that equals, or even bests, the franchise whose world it borrows. If you've heard the ravings of Babylon 5 fans . . . then this book is for you. You'll get a glimpse into the world they enjoy so passionately."
--Cinescape Online

Most helpful customer reviews

20 of 20 people found the following review helpful.
The Coming of Drakh
By Dmitrij Gawrisch
Peter David. A lot of readers know this name from the cover of Star Trek novels. It was a surprise to see he writes Babylon 5 fiction as well. At first, I picked up "Thirdspace", a tie-in to the second B5 movie and was quite disappointed as I always are with tie-ins in which the author provides the reader with the story of the film without giving any additional information. A friend recommended to read "Legions of Fire" series and told me I wouldn't regret it. He was absolutely right!
The story of the first book is a continuation of the events shown in the last season of Babylon 5. Centauri Prime is virtually destroyed and must be rebuilt. Londo Mollari, the former Centauri Ambassador on Babylon 5, has become emperor. Nevertheless life isn't easy for him, and he even thinks to commit suicide. The reason for such moods is the presence of the Drakh, the servants of the Shadows, who try to conquer the galaxy. They threaten to destroy Centauri Prime if Londo doesn't agree to serve them. To control their new slave, they join the emperor with a creature known as a keeper.
Londo is supposed to be the most powerful Centauri, but in fact he is the weakest. He loses his free will. Everything he does is somehow ordered by his masters, the Drakh. And as if that was not enough, there are Centauri who try to undermine his authority. One of this bunch is Minister Durla, a personage seeking greatness for himself and his species. Gradually he transforms Centauri Prime into a police state comparable to Nazi Germany (there are a lot of metaphors and comparisons throughout the book which make it more valuable from the artistic point of view), and Londo can do nothing to stop him. The emperor is utterly helpless; he only hopes that G'Kar will come soon and kill him whereas Vir, his former attaché at Babylon 5, will become emperor as was predicted.
B5 ended with many questions unanswered. This book answers some of them. It presents Londo who must pay for his sins committed during the Shadow War. It's really horrible to see how he has changed since his appearance in Babylon 5. He is a broken, aging man who desperately tries to resist but can't make any difference. Passages describing him are full of tragic and sadness.
I particularly liked the atmosphere of the novel. David is a great storyteller and his writing experience made all parts of the book come together and fit in like it is supposed to be in a good book. Descriptions of life in the palace on Centauri Prime were particularly enjoyable and had a realistic touch about them.
Unfortunately there were negative points as well. David seems to watch a lot of TV so that certain dialogues appear as if they were stolen from several TV shows, which they probably are. Often words don't match with characters who speak them out. As usual in David's books the supportive characters are real stereotypes you get fed up with quickly (if you don't believe me, read this book and pay particular attention to Durla!) I would have given this book 4 stars, but the positive simply outweighs the negative, so I couldn't do it. This is a great book that truly continues the Babylon 5 legacy. I can only hope the entire trilogy will be like its beginning.

17 of 17 people found the following review helpful.
Almost like watching an episode that never was...
By happydogpotatohead
OK, let's be blunt. This is not "Stranger in a Strange Land," but it's pretty darn good. It may be the best book of its type (novelized spinoff of a successful TV series, that is) that I've read.
The odd thing about this book (and the second book in this series as well) is that while I was reading it, I could almost see it play out as an episode in my imagination. The plotting, the characters, and the dialogue are very, very consistent with the series. In spite of the fact that the book is allegedly done by Peter David "from outlines by J. Michael Straczynski," some of the dialogue seems almost certainly taken from unpublished or unused B5 scripts. There are many instances where Vir or Londo says something that has the ring of Straczynski's writing to it. Not to short Peter David in any way; his writing is quite adept and vivid, and keeps the story moving.
I ripped through this book in a day; I couldn't stop reading it! I can't really say that about most books I read, but for me this one was a real page-turner. I thought the world of B5, although I'm not one of those fans who dress up as Minbari to go to science fiction conventions, and for me this book was an entirely satisfactory and very interesting expansion on one of the many unfinished storylines of Babylon 5. I would recommend this book unreservedly for any B5 fans, and even for those who are not familiar with the series (and shame on you if you aren't; it was the best science fiction series ever, and I've seen 'em all) it will prove a fascinating diversion.

15 of 17 people found the following review helpful.
Now that's more like it.
By Tim Lieder
After being disappointed by the last Psi Corps book and left hanging over the fate of Crusade, I was feeling a waning of my Babylon 5 obsession. This book brought it back.
Anyone who has watched the show knows the final fate of Londo Mollari, the unfortunate emporer of Centauri Prime, but the questions of how and why were left in the air. This book starts with Londo being trapped into becoming the emperor by the Drakh and then watching as his homeworld becomes fascist. As the book progresses you see Londo discovering things and beginning to challenge the Drakh, both overtly and subtly. This book also shows the beginnings of Vir's transition from nervous ambassador to heir apparent.
I personally found the scenes with the secondary characters extremely compelling. Vir trying to make sense of the changes in his homeworld, Senna becoming a lady of the palace (to whom Londo tells the story of the Minbari-Earth war in another chapter of this saga) and Durla the fascist Internal Affairs officer playing into the hands of the Drakh without knowledge are all intriguing. This is a great book for all Babylon 5 and general science fiction fans.

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Sabtu, 16 Mei 2015

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Everything Irish: The History, Literature, Art, Music, People, and Places of Ireland, from A to Z, by Lelia Ruckenstein, James O'Malley

Here, in one complete volume, is the depth and breadth of the great island nation and its people represented in an easily browsed, friendly format. From the Abbey Theatre to the Dublin storyteller Zozimus; from the origin of the Troubles to the origin of the limerick; from the stunning beauty of Connemara to the shattering tragedy of Bloody Sunday; from the greatest writers of the English language to the “confrontational television” of Gay Byrne’s The Late Late Show–every aspect of Irish culture, geography, and history is collected and annotated in more than 900 entries from A to Z. Readers will encounter heroes and terrorists, poets and politicians, all of Ireland’s counties, ancient myths, and pivotal events–all expertly and succinctly described and explained.

With entries written by some of the world’s leading authorities on Ireland, Everything Irish is perfect for everyone, from the inquiring reader to the serious student. You can spend a few minutes learning about the much-maligned Travelers and then move on to the equally contentious (in its time) medieval tithe. Visit the majestic Cliffs of Moher and then delve into an analysis of paramilitary groups like the Irish Republican Army and the Ulster Volunteer Force. Explore the ruins of a Romanesque castle or experience the piercing light of the winter solstice inside prehistoric Newgrange, a passage grave older than the pyramids.

Across centuries and across counties, the rich landscape of Irish life and heritage springs to life in these pages. An indispensable source of fascinating information and captivating anecdote, this is one book that will never be far from the hands of those with curious minds or an adventurous spirit.


From the Hardcover edition.

  • Sales Rank: #1823344 in Books
  • Published on: 2005-03-01
  • Released on: 2005-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x .92" w x 7.40" l, 1.37 pounds
  • Binding: Paperback
  • 480 pages

From the Inside Flap
Here, in one complete volume, is the depth and breadth of the great island nation and its people represented in an easily browsed, friendly format. From the Abbey Theatre to the Dublin storyteller Zozimus; from the origin of the Troubles to the origin of the limerick; from the stunning beauty of Connemara to the shattering tragedy of Bloody Sunday; from the greatest writers of the English language to the "confrontational television" of Gay Byrne's "The Late Late Show-every aspect of Irish culture, geography, and history is collected and annotated in more than 900 entries from A to Z. Readers will encounter heroes and terrorists, poets and politicians, all of Ireland's counties, ancient myths, and pivotal events-all expertly and succinctly described and explained.
With entries written by some of the world's leading authorities on Ireland, "Everything Irish is perfect for everyone, from the inquiring reader to the serious student. You can spend a few minutes learning about the much-maligned Travelers and then move on to the equally contentious (in its time) medieval tithe. Visit the majestic Cliffs of Moher and then delve into an analysis of paramilitary groups like the Irish Republican Army and the Ulster Volunteer Force. Explore the ruins of a Romanesque castle or experience the piercing light of the winter solstice inside prehistoric Newgrange, a passage grave older than the pyramids.
Across centuries and across counties, the rich landscape of Irish life and heritage springs to life in these pages. An indispensable source of fascinating information and captivating anecdote, this is one book that will never be far from the hands of those with curious minds or an adventurousspirit.

"From the Hardcover edition.

About the Author
James A. O’Malley, a native of Limerick, Ireland, is a lawyer and former columnist for the Irish Voice. In 1992, he was honored by Irish America magazine as one of the 100 most important Irish Americans. He is on the Board of Directors of the Irish Repertory Company. O’Malley has a B.A. in Literature from the University of Ireland, Galway and a J.D. from the New York University School of Law.

Lelia Ruckenstein is a writer and editor. She has worked in publishing for sixteen years and has reviewed books for the Chicago Tribune and The Washington Post. She holds a B.A. in English from Yale University and divides her time between New York and Ireland.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.
A

Abbey Theatre, the. Ireland’s national theater. Considered one of the most prestigious theater companies in the world, the Abbey is one of the important institutions to emerge from the *Irish Revival of the late nineteenth century. In 1899, Lady *Gregory, W. B. *Yeats, and others created the Irish Literary Theatre, which became known as the Abbey Theatre in 1904. As a writers’ theater, its main objective was to encourage the staging of Irish plays for Irish audiences at a time when *theater in Ireland was dominated by the offerings of British touring companies. The Abbey also aimed to uphold the highest artistic principles and to provide an alternative to the melodrama and vaudeville of the commercial theaters. Early on, the movement produced a crop of talented playwrights, including Yeats, Lady Gregory, J. M. *Synge, and Seán *O’Casey, whose contribution to world drama has been widely acknowledged. The Abbey’s initial success was considerably enhanced by the acting talents of *Frank and Willie *Fay. Some of the early productions became embroiled in the politics of the day, causing dis- turbances in the theater. Most notoriously, J. M. Synge’s Playboy of the Western World (1907) and Seán O’Casey’s The Plough and the Stars (1926) caused riots because of their iconoclastic attacks on idealized cultural nationalism. Destroyed by fire in 1951, the theater was redeveloped to include a smaller auditorium (the *Peacock) and reopened in 1966. Although criticized for its conservatism at times, the Abbey continues to be the most important institution in Irish theater. In 1990, the Abbey triumphed with a production of Brian *Friel’s Dancing at Lughnasa, which toured to great acclaim in London and New York. The best of contemporary playwrights continue to work at the Abbey, including Marina *Carr, Conor *McPherson, and Eugene O’Brien. p.j.m.

Adams, Gerry (1948– ). Politician, president of *Sinn Féin (1983–present), Member of Parliament (MP) for West *Belfast. Gerry Adams was born on October 6, 1948, into a working-class *republican

Gerry Adams

family in West Belfast. Educated in local *Catholic schools, Adams joined the republican movement in 1964. When Sinn Féin split in 1969/70, he sided with the Provisional wing, and became active in the *Northern Ireland Civil Rights Association (NICRA) campaign. By early 1970, he was suspected of playing a leading role in the Ballymurphy unit of the Provisional IRA (*Irish Republican Army) in Belfast. He is credited with devising the “economic targets” bombing campaign. In 1972, Adams was interned without trial, but briefly released to participate in secret peace talks with the British government. The talks failed, but Adams reputedly became Adjutant for Belfast and important in the “middle leadership’’ of the IRA. He was interned again in 1973–76 and 1978, and was officially charged with membership in the IRA but was never convicted.

As a northern leadership of the IRA emerged in the late 1970s, Adams pressed for its political wing, Sinn Féin, to be more involved in electoral politics in *Northern Ireland. He consolidated his leadership role as Sinn Féin vice president during the republican prisoners’ *hunger strikes of 1981, and in 1983 he became president of Sinn Féin.

A member of the United Kingdom Parliament since 1983 (except for 1992–97 when *SDLP (Social Democratic and Labour Party) representative Dr. Joe Hendron defeated him), Adams has refused to take his seat at Westminister in keeping with party policy.

Following talks with SDLP leader John *Hume (started in 1988), and overtures to the British and Irish governments, Adams helped to secure an IRA cease-fire in August 1994, which lasted until February 1996. In September 1997, after the declaration of a second IRA cease-fire in July of that year, Adams and his negotiating team joined multiparty talks to end the conflict. The resulting Belfast (or *Good Friday) Agreement, April 1998, fell well short of republican objectives, but Adams hoped it could be used as a base for further negotiations and campaigned vigorously for its acceptance. In May 1998, 95 percent of the people in the *Republic and 71 percent of those in Northern Ireland accepted the agreement. In June 1998, Adams won a seat in the new Northern Ireland Assembly. He led Sinn Féin to an electoral peak of 21.7 percent in the Westminster election in the summer of 2001, narrowly overtaking the SDLP as Northern Ireland’s largest *nationalist party. In the fall of 2001, he helped to secure an IRA decommissioning of part of its arsenal and, early in 2002, spoke Harvesting at Traditional Irish Farm, Muckross Estate, Killarney, County Kerry openly of the need to secure the consent of a majority of the people of Northern Ireland for a united Ireland. Although he has largely been successful in unifying the republican movement behind the *peace process, Adams has not been able to prevent splits in the IRA, though they have been limited in significance. His immediate ambition, it seems, is to make Sinn Féin the largest nationalist party in Northern Ireland and a more significant force in the Republic, as well. m.m.

Aer Lingus. Ireland’s national airline. In April 1936, Aer Lingus Teoranta, which comprised of one six-seat aircraft, was registered as a private airline by the Irish government. After providing the vital *Dublin to Liverpool air link during World War II, Aer Lingus greatly expanded its fleet and services over the next two decades. Routes to numerous British and European cities were opened between 1945 and 1960 and services from Dublin and Shannon to *New York, *Boston, and *Chicago were inaugurated between 1958 and 1966. In 2000, Aer Lingus operated a fleet of thirty-eight aircraft carrying close to seven million passengers and made a profit of 79.9 million. As a consequence of the events of Septem- ber 11, 2001, the airline lost 50 million dollars in 2001. Aer Lingus adapted to the worldwide fall in demand for air travel by restructuring and reducing its workforce by one-third. s.a.b.

agriculture. Ireland’s *economy has traditionally been based on agriculture. Sixty-four percent of the land of Ireland (17 million acres) is used for agriculture, with forestry accounting for a further 9.4 percent in 2001. Ireland’s maritime climate, with high rainfall and relatively low summer but high winter temperatures, is suitable for grass growing and animal production, but makes growing crops difficult. The percentage of grassland (80 percent) is the highest of any *European Union (EU) country. Therefore, agricultural production is dominated by livestock, with beef, dairy products, and sheep meat accounting for about three-quarters of overall production. Minor commodities include grain, sugarbeet, potatoes, pigs, and poultry. Around two-thirds of total production is exported, and access to lucrative export markets has always been a government priority.

Some of the earliest farming settlements in Europe, circa 3000 b.c., were discovered at the *Céide Fields in County *Mayo. The *Celts who arrived about 300 b.c. introduced the *Brehon system of tribal land tenure, which survived up to the time of *Elizabeth I, much longer than elsewhere in Europe, where crop production favored the individual possession of land. The arrival of the *Normans in the twelfth century had no long-term impact on agricultural practices or structures. However, the *plantations in the sixteenth and seventeenth centuries rudely disrupted the old order. Not only was tribal tenure replaced by the feudal system, but ownership of land passed completely into the hands of the old *Anglo-Irish families or the new English and Scottish settlers. By the end of the eighteenth century, about 95 percent of Ireland’s land was owned by settlers (who constituted less than 0.5 percent of the population), many of them absentee *landlords.

During the nineteenth century, livestock became firmly established as the preferred mode of farming because it was more profitable than tillage. A numerous tenantry, once an asset, now became a liability, leading to a sharp increase in *emigration. The *Land Act of 1885 introduced a voluntary purchase scheme to enable tenants to own their land. Land purchase was subsequently made compulsory in the first Land Act passed by the *Free State government in 1923. The owner-occupied family farm became the fundamental unit of agricultural production.

In the first five decades of independence, the Land Commission enforced a program of land purchase and redistribution to maximize the number of families working the land. However, technological progress in farming, together with rising incomes outside of agriculture, has increased the minimum size for farm viability. While the number of family farms has declined steadily from 398,000 in 1900 to 144,000 in 1999, average farm size has increased from 31.4 acres to 72.4 acres. With the growth of nonagricultural employment in rural areas, part-time farming has become common. It is now estimated that on 45 percent of farms, either the farmer and/or his or her spouse has an off-farm job.

Agriculture, traditionally the backbone of the economy, is becoming less important as Ireland’s economic structure diversifies. In 1922, the agricultural sector in the Irish Free State accounted for about one-third of gross domestic product, just over half of total employment, and almost three-quarters of merchandise exports. By 2001, agriculture’s share of national output had fallen to just over 3 percent, while its share of national employment was 6.5 percent.

Farmers reacted to their declining importance by lobbying hard for protection and support. They enthusiastically supported Ireland’s membership in the European Economic Community (as the *EU was then called) in 1973 not only because it guaranteed market access to the high-priced EU market, but, more significantly, because the cost of supporting farm prices was transferred from the Irish to the much larger EU budget through the operation of the EU’s Common Agricultural Policy (CAP).

However, the CAP itself became subject to pressures for reform on budgetary grounds. Milk quotas were introduced in 1984, and in 1992, on the proposal of Agricultural Commissioner Ray MacSharry, support prices were reduced for some commodities while farmers were compensated through increased direct payments. Direct payments now account for 57 percent of farmers’ total income and this will rise in the next few years.

Agriculture has had both negative and positive environmental impacts. Fertilizer runoff contributes to the eutrophication of waterways and rising nitrate levels in groundwater. Silage effluent spillages have been responsible for killing fish. Agriculture in Ireland contributes one-third of total greenhouse gas emissions of all EU countries. On the other hand, agriculture has shaped the natural environment and produced much of Ireland’s breathtaking landscape. Integrating environmental considerations into agricultural policy is a major challenge for the industry in the new millennium. Whether agriculture’s future lies in being a competitive producer of food or a supplier of amenities and environmental goods is now the key question for debate. a.m.

Ahern, Bertie (1951– ). Politician, *Taoiseach (prime minister), leader of *Fianna Fáil. Born in *Dublin, Ahern worked as an accountant before becoming a full-time public representative. Member of the *Dáil (Parliament) since 1977, he was minister for labour (1987–91) and minister for finance (1991–1994). Leader of Fianna Fáil since 1994, Ahern became Taoiseach in 1997. He developed a reputation as an excellent constituency worker early in his career and soon became the dominant politician in his inner-city Dublin community. He came to national prominence as minister for labour as a negotiator and mediator in labor disputes. Ahern played a major role in the development of the model of social partnership between the government and the main national interest groups, which has become the dominant policy model in Ireland since 1987 and which is credited with the rapid growth in the Irish *economy since then. He has established excellent relations with the Irish *trade union movement. His political skills were used by Fianna Fáil as they negotiated their first coalition government agreement in 1989 and also in the peace talks leading to the *Good Friday Agreement signed in *Belfast on April 10, 1998. In May 2002, Ahern led Fianna Fáil to a major victory (eighty-one seats) in a general elec- tion. j.d.

Aiken, Frank (1898–83). Politician, government minister, IRA (*Irish Republican Army) leader. Born in County *Armagh, Aiken joined the Irish *Volunteers in 1913 and was an IRA commander during the *War of Independence. Opponent of the *Anglo-Irish Treaty of 1921, he succeeded Liam Lynch as chief of staff of the IRA in April 1923, after Lynch was shot by *Free State troops. He immediately sought an end to the *Irish Civil War, which officially ceased in May 1923. Aiken was a founding member of *Fianna Fáil and served under Éamon *de Valera and Seán *Lemass, most notably as minister for defense in 1932–45, finance 1945–48, and foreign affairs 1951–54, and again in 1957–69. p.e.

aisling. A common motif in *Celtic mythology that takes its name from the Gaelic word for a dream or a vision. From the eighteenth century onward the word was associated with a form of allegorical poetry—most commonly practiced in *Munster—in which a beautiful woman (Ireland) bemoans being forsaken by her husband in the aftermath of the Jacobean wars. The poems often ended on a positive note with hope of French, Spanish, or papal deliverance from British rule. b.d.

Allgood, Molly (1887–1952). Actress, stage name Máire O’Neill. Born in *Dublin, Molly was sent to an orphanage, along with her sister Sara *Allgood, after their father’s death, and subsequently apprenticed to a dressmaker. In 1905, she joined the *Abbey Theatre Company, where, with Sara and the *Fay brothers, she developed the understated Abbey style of acting. Also in 1905, Molly became engaged to J. M. *Synge, who died four years later. She played Pegeen Mike in Synge’s The Playboy of the Western World (1907); the play caused riots in Dublin, but subsequent performances in London were a personal triumph. In 1911, she married George Herbert Mair, and continued her successful acting career in England. After Mair’s death in 1926, she married an Abbey actor, Arthur Sinclair. With him and her sister Sara, she appeared many times in plays by Seán *O’Casey. Her later years were troubled by divorce and financial problems. j.c.e.l.

Allgood, Sara (1883–1950). Actress. Born in *Dublin, Sara and her sister *Molly Allgood were raised in an orphanage. In the first years of the century, Sara acted in plays performed by Maud *Gonne’s women’s *nationalist group, Inghinidhe na hÉireann (Daughters of Ireland). The stage manager of these plays, William* Fay, invited her to join the National Theatre Society in 1903. Sara acted in *Yeats’s The King’s Threshold (1903) and played Maurya in *Synge’s Riders to the Sea (1904). With her sister Molly and the Fay brothers, she was instrumental in developing the *Abbey Theatre’s acting style. Her interpretation of Maurya, modeled on her own grandmother, was praised for its naturalness and intensity of emotion. On the opening night of the Abbey Theatre in 1904, she played Mrs. Fallon in Lady *Gregory’s Spreading the News. She joined John Hartley Manner’s touring company in 1915, and married another actor, Gerald Henson, while on tour in Australia. He and their son died of influenza in 1918. Allgood returned to the Abbey in 1920 and gave memorable performances as Juno in Seán *O’Casey’s Juno and the Paycock, and as Bessie Burgess in the London production of The Plough and the Stars. After an American tour she settled in Hollywood in 1940, but her transition to film acting was not successful. She died in poverty. j.c.e.l.

Alliance Party of Northern Ireland (APNI). Political party. The APNI, a moderate, cross-community party, was formed in April 1970 by activists who had campaigned for *Unionist Prime Minister Captain Terence *O’Neill in the Febru- ary 1969 “Crossroads” election. Though in favor of the union with Britain, the party advocates a united community within *Northern Ireland. Largely middle-class in composition, it draws support from both *Catholics and *Protestants—the only significant party to do so. Currently aligned with the Liberal Democrat Party in Britain, the APNI, while supporting union with Britain, would accept formal links with the *Republic of Ireland. The party appears to be in long-term decline, because moder- ates and liberals are joining mainstream unionist parties. m.m.

Allingham, William (1824–89). Poet. Allingham was born in Ballyshannon, County *Donegal. While working as a customs officer, he frequently visited London, where he befriended many writers, including Leigh Hunt, Carlyle, the Brownings, Tennyson, and members of the Pre-Raphaelite circle. Rossetti and Millais illustrated his poetry collection Day and Night Songs (1854). Allingham retired to London in 1870, where he became the editor of Fraser’s Magazine. His poetry was inspired by philosophical, social, and psychological ideas. He also published an anthology of ballads, and wrote poems about the fairy world, which profoundly influenced the young W. B. *Yeats. His most ambitious work was Laurence Bloomfield in Ireland (1864), a long narrative poem addressing the tensions between *landlords and tenants during the *Land War. j.c.e.l.


From the Hardcover edition.

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@ Ebook Download Great Books for Girls: More Than 600 Books to Inspire Today's Girls and Tomorrow's Women, by Kathleen Odean

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Great Books for Girls: More Than 600 Books to Inspire Today's Girls and Tomorrow's Women, by Kathleen Odean

The first reference of its kind, Great Books for Girls is an invaluable 
list of more than six hundred titles--picture books, novels, mysteries, 
biographies, folktales, sports books, and more--that will encourage, 
challenge, and ultimately nurture in girls the strong qualities our culture 
so often suppresses.  



Kathleen Odean, a librarian and former member of the 
prestigious Caldecott and Newbery Award committees, has gathered and 
annotated a list of books starring bold, confident heroines for children 
from toddlers to age fourteen.  Here are old favorites such as Eloise, 
Harriet the Spy, Mrs.  Basil E. Frankweiler, and Ramona the Pest; new 
inspirations such as Cinder Edna, Sheila Rae the Brave, Herculeah Jones, 
and Princess Smartypants; and real-life admirable women such as Eleanor of 
Aquitaine, Jane Goodall, Toni Morrison, Eleanor Roosevelt, and Helen 
Keller.



In these books, girls and women are creative, capable, articulate, and 
intelligent, solving problems, facing challenges, resolving conflicts, and 
going on quests.  They are not sidekicks or tokens, waiting to be rescued; 
they are doing the rescuing.  Nor are they waiting for a male to provide a 
happy ending; they are fashioning their own stories and their own endings.  
Packed with expert guidance,Great Books for Girls is an essential volume 
that will give girls of all ages the power of hope.

  • Sales Rank: #572639 in Books
  • Published on: 2002-04-30
  • Released on: 2002-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .92" w x 5.50" l, 1.08 pounds
  • Binding: Paperback
  • 432 pages

From Library Journal
Odean, a children's librarian and reviewer for School Library Journal, has compiled a guide for parents and educators looking for books "about girls who defy the stereotypes about females in our culture." Her work introduces 600 titles, ranging from picture-story books for toddlers to biographies and novels for adolescents that depict girls and women who are self-sufficient, decisive, and assertive (e.g., Louise Fitzhugh's Harriet the Spy, 1964; Jane Goodall's My Life with the Chimpanzees, 1988; Beverly Gherman's Sandra Day O'Connor, 1991). Odean's background as a children's book expert is apparent in her well-crafted, descriptive annotations. She supplies publishing data and age guidelines, comments on illustrations, notes award-winning works, and points out content strengths and weaknesses. The introduction and last chapter provide advice about locating good children's books, reading aloud, etc. Highly recommended for public and school libraries and academic libraries with education and library science programs.?Carol McAllister, Coll. of William & Mary, Williamsburg, Va.
Copyright 1997 Reed Business Information, Inc.

Review
“I recommend it for all those who want girls to grow up strong, free bold and kind.”
–MARY PIPHER
Author of Reviving Ophelia


“With superb literary taste and an eye for books depicting strong-minded girls and women, [Odean] recommends more than 600 outstanding titles.”
–U.S. News & World Report

From the Publisher
As the Library Marketing Manager for Ballantine Books and a former librarian, I can assure you that librarian Kathleen Odean's copious selection of must read titles for girls ages from 2-14 are fine selections for home libraries and will encourage kids to develop the reading habit. Parents, grandparents, and scout leaders will delight in reading aloud such classics as Bemelmans' Madeline books (better than the movie). In recommending titles for older readers (ages 10-14) Odean has chosen titles that have withstood the test of time. These are books that many parents may remember from their own childhood such as Harry Mazer's The Island Keeper and Cynthia Voight's Tell me If the Lovers are Losers as well as introducing some newer award winning newer titles like Philip Pullman's The Golden Compass.

Resources and activities that focus on reading offer tips to adults who want to keep their young reluctant readers on the road to making reading a lifelong habit.

-- Ellen Libretto, Marketing

Most helpful customer reviews

86 of 92 people found the following review helpful.
BOOKS FOR GIRLS! So Lame Your Brothers Won't Steal Them!!!
By Louisa the Lemming
""My old mother used to say that every little girl should be able to cook, play the piano, sing, and shoot."" So declares dastardly Mr. Grimshaw to orphan Sylvia Green in Joan Aiken's 1960 children's novel THE WOLVES OF WILLOUGHBY CHASE. The meek Sylvia "thought of Aunt Jane's very different catalogue of accomplishments for little girls, in which crewel work, purse netting, and making paper doilies took high place, and could not agree with him."

Like Old Mrs. Grimshaw and Aunt Jane, we all have our own opinions. To give a small idea of what editor Kathleen Odean's values were when compiling GREAT BOOKS FOR GIRLS, I will discuss two books, one she excludes, and one she recommends.

ANNE OF GREEN GABLES by L.M. Montgomery is a famous novel set at the turn of the century on Canada's Prince Edward Island. Marilla Cuthbert and her brother Matthew decide to adopt a boy to help the aging Matthew with the farm work, but get Anne instead. Marilla declares that they must send her back; "What use can she be to us?" "We might be some use to her," is Matthew's reply. Anne's history - of being farmed out as child-care labor to abusive women with drunken husbands - makes Marilla relent. She agrees to keep the girl she has "no use" for and give her a "proper bringing up". Anne proves brilliant as a scholar, and while many parents keep their own children tied to the house or farm, the Cuthberts support Anne's academic ambitions -- despite neighborly criticism.

In the end, Anne earns a full university scholarship, but due to a family crisis postpones her education to work as a schoolteacher. Odeon excludes GREEN GABLES because Anne "sacrifices herself for others" which makes the book's message "a very traditional one". But the whole point of closing the book on Anne's "sacrifice" is to emphasize the importance of female education. Anne's teaching degree is proved VALUABLE, which validates Marilla's decision to allow Anne to pursue extra schooling. The ending re-iterates the underlying theme of human worth transcending utilitarian considerations, by rewarding Marilla's uncalculating kindness to a "useless" child. It's moving, dammit!!!

But apparently we are supposed to trample human beings we can't make use of. Which is why Odean DOES include an amusingly awful excuse for sci-fi called THE GIRL WHO OWNED A CITY! In a post-Apocalyptic future, everyone over twelve has mysteriously died, and the "heroine" Lisa decrees that everything from the public school to a nearby warehouse of food is hers and hers alone. This gives her dictatorial power over any child that wants to live at the school and/or eat, so no one can stop her when she makes five-year-olds earn their keep at "her" school by patrolling the walls with GUNS to shoot other children trying to take "her" stuff. Odean recommends CITY on account of Lisa's "unusually strong leadership skills," although Lisa actually doesn't have any, just absurdly meek followers too dumb to realize that a school is public property.

Well, you get the idea. It is as if Odean made her choices by speed-reading with a checklist, and ignoring moral context as well as literary quality. Many reviewers complain that Ideology is put before Quality, but that is only half the problem, as many books seem no more feminist or "pro-girl" than they are "great". CITY is not the only recommendation that undermines democratic and humanistic values just because the heroine shows some illusion of strength. Another problem is that Odean's choices and comments seem to indicate a certain borderline misogyny. For example, she praises one picture book because it shows a girl climbing the rigging of a ship - but regretfully whines that it also shows her CURLING HER HAIR while perched on top of said rigging.

Be aware that Odean's Puritanism deserts her when it comes to sex. In recommended books: A sixteen-year-old "squire" has a sexual fling with her crown prince; An adult wizard's unhealthy possessiveness towards his female student is revealed to be "love" the instant she turns sixteen; The hostile sexual aggression of a "troubled" boy proves a successful means of courting the heroine. Unlike perilous and destructive behavior such as HAIR CURLING, or WORKING BEFORE COLLEGE, such issues are not considered important enough to mention in the annotations. Nor does Odean discuss her views/guidelines regarding sexuality in the introduction.

There are naturally some very excellent books in this lineup. But you have to read each annotation to find out whether Odeon considers it a great book, an okay book, or a dud with a good message. It would have been so easy just to put a star next to the actual good ones. Another problem is that Odean has little respect for the stories beyond their didactic use. For example, she fails to inform the reader that NIGHTBIRDS ON NANTUCKET is the third in an excellent series, or that HARRIET THE SPY has two sequels.

You will not find standards such as LITTLE WOMEN, THE SECRET GARDEN, A TREE GROWS IN BROOKLYN, HEIDI, NATIONAL VELVET, or the LITTLE HOUSE books. I don't have a particular problem with that. There is something to be said for a non-traditional lineup with aggressive feminist standards as long as one is frank about one's priorities, which Odean is. But in practice Odean's false and shallow notion of feminism robs the approach of its worth. I spent several years browsing through selections, and rather than thinking, "I wish I'd had these books when I was a kid", I ended up grateful that my formative influences were Narnia and STAR WARS, and disgusted with the whole concept of "girl's books" in general.

I don't discourage purchasing it. You just have to know what you are getting. Odean's first priority is making sure the books impart the right messages about being "strong" and "outspoken". Quality is optional, humanism expendable, hair-curling femininity a worse drawback than cruelty, and sacrificing for others worse than exploiting them. It might be best for those who are already well read and are looking for out-of-the-way titles. But if you are only going to get only ONE book of this sort, I'd look elsewhere. ONCE UPON A HEROINE puts a conscious emphasis on quality over didactics, reproduces most of the best recommendations from Odean, and is a fun read in itself.

43 of 44 people found the following review helpful.
Buy Updated 2002 version of this book
By A Customer
There is a updated version of this book that was published in May 2002. It has more than 200 new titles, and eliminates the out-of-print books. For some inexplicable reason, Amazon makes it hard to fine. If you search for "Odean Girls," then select "More" where it says "Editions," you will get to the new one. It's the same handy guide, but with more recent books.

31 of 34 people found the following review helpful.
A book every parent should have
By A Customer
Don't let the "600" scare you. The book list is broken down into: Picture-Story Books, Folktales, Books for Beginning Readers, Books for Middle Readers, Books for Older Readers... and further broken down by Fiction (Mysteries, Historical, Fantasy, Contempory, etc.) and Biographies (Leaders, Scientist, Artists, Sports). Appropriate ages and a very detailed description is listed for every book. It is very easy to find just the kind for book my daughter is looking for.... AND THE BOOKS ARE STILL IN PRINT! For library usage, there is also a section of great out-of-print books. If you are trying to decide between this book, "Great Books for Girls", and "Let's Hear It for the Girls", this is the one to get!

See all 27 customer reviews...

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