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Song of the Exile (Ballantine Reader's Circle), by Kiana Davenport
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In this epic, original novel in which Hawaii's fierce, sweeping past springs to life, Kiana Davenport, author of the acclaimed Shark Dialogues, draws upon the remarkable stories of her people to create a timeless, passionate tale of love and survival, tragedy and triumph, survival and transcendence. In spellbinding, sensual prose, Song of the Exile follows the fortunes of the Meahuna family--and the odyssey of one resilient man searching for his soul mate after she is torn from his side by the forces of war. From the turbulent years of World War II through Hawaii's complex journey to statehood, this mesmerizing story presents a cast of richly imagined characters who rise up magnificent and forceful, redeemed by the spiritual power and the awesome beauty of their islands.
- Sales Rank: #453639 in Books
- Brand: Davenport, Kiana
- Published on: 2000-07-05
- Released on: 2000-07-05
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .70" w x 5.60" l,
- Binding: Paperback
- 360 pages
From Publishers Weekly
The devastating effect of WWII on two Hawaiian families pervades this haunting novel that spans three continents and decades. Davenport (Shark Dialogues) traces the stories of Sun-ja Uanoe Sung (Sunny), a Hawaiian/Korean student from an educated family, and Keo, a native jazz musician, who meet and fall in love in Honolulu in the mid-1930s. When Keo (sometimes known as Hula Man) gets a chance to travel with a jazz band, he leaves Sunny for New Orleans and Paris. His reputation as a genius hornblower blossoms as quickly as racist violence darkens Nazi-infested Europe. Sunny escapes her fractured family life in Honolulu and journeys to join Keo in the City of Light. She revolts against the Nazi brutality she finds there, worrying also about the fate of her clubfooted sister, Lili, who was cast out by their father before Sunny was born. Arriving in Shanghai to look for Lili, Sunny is kidnapped and held captive as a "P-girl," servicing Japanese soldiers. Sunny is selected by one officer for proprietary use; her harrowing plight and that of thousands of other women and girls (some prepubescent) are described in searingly graphic detail. After the war, these women (who've aged several decades for every year of captivity) are too traumatized and ashamed to aid the Allies' feeble attempts at prosecution. There seems to be no real recovery from this level of atrocity, and Keo's story cannot equal Sunny's in intensity. After the war, Keo continues to search for Sunny, mourning and playing music. While the novel's nonsequential structure feels disjointed early on, it gains focus and power as Sunny's story unfolds. In the political maneuvering for Hawaii's statehood in 1959, the two families, bearing their emotional and physical scars, find some form of healing. Davenport's prose can verge on the purple, especially when describing Keo's musical artistry, yet overall she tells a powerful tale of love and loss. (Aug.) FYI: Davenport grew up in Honolulu, the daughter of a native Hawaiian whose ancestors were Tahitians, and a U.S. sailor from Alabama.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Hawaiian-born Davenport's new novel continues the forceful and lush yet unromanticized depiction of her native islands that characterized her debut, Shark Dialogues (LJ 4/1/94). Though Davenport reintroduces Pono, the kahuna or seer who dominated Shark Dialogues, star-crossed lovers Keo and Sunny are the heart of Song of the Exile. Keo, a talented jazz musician, leaves home and family to pursue his musical obsession. Sunny follows him to Paris, but the horrors of World War II separate them. Sunny eventually suffers the fate that thousands of women endured as "comfort women," or forced prostitutes for Japanese soldiers. Davenport's scope broadens to cover Keo's family, the Meahunas, but the suffering, tragedy, and survival of these lovers remain the haunting, mesmerizing centerpiece. This should join other Hawaiian fiction on library shelves, including Nora Okja Keller's Comfort Woman (LJ 1/97) and Sylvia Watanabe's Talking to the Dead (LJ 8/92). Recommended.AFaye A. Chadwell, Univ. of Oregon Libs., Eugene
Copyright 1999 Reed Business Information, Inc.
From Booklist
Davenport weaves the history and culture of Hawaii, the U.S., Europe, and Asia, from the period just before World War II to Hawaii's statehood, into the restless search for self-discovery of her unforgettable characters. Keo is Hawaiian born, but he is deeply stirred by the allure of jazz, what one character calls "the tongue of the exile." Talented enough to be invited to join a band in New Orleans, Keo strikes out, leaving behind Sunny, an ambitious young woman bent on saving her mother from an abusive marriage and rescuing a sister abandoned in Korea. The lovers are rejoined in Paris in 1939, at a time when Americans are headed home. The war and their divergent drives separate Keo and Sunny and send them on a lifelong search to regain what they've lost: for Keo, his sense of family and of himself as a Hawaiian; for Sunny, the humanity lost during her brutal internment as a "comfort woman" in the Japanese war camps. Davenport writes profoundly of human relationships, lyrically of jazz, and insightfully of racial issues in this incredible novel. Vanessa Bush
Most helpful customer reviews
41 of 41 people found the following review helpful.
A haunting tale of a dark time in history
By Linda Linguvic
To Kiana Davenport's credit, she didn't try to recreate her former book "Shark Dialogues" and moved on instead to break new ground.
The story starts during a time of innocence for Hawaii, shortly before WW2 and extends through the time of statehood in the 1950s. This is more than just the story of Hawaii, however. It is the story of a native Hawaiian jazz musician, Keo, who travels to New Orleans, Paris and then Shanghai, and finds himself in a brutal Japanese prison during the war. It is also the story of Sunny, his Korean-Hawaiian girlfriend, who finds herself a Japanese "comfort woman".
The author doesn't spare the reader the horrors of the war. Her searing words shed light on this dark time in history with an intensity that made me shudder with its graphic violence and unremitting horrors. Over and over the reader experiences the starvation, disease, pain and physical and mental deterioration of people who are forced to live in unspeakable conditions where human endurance under such circumstances is tested to the limit.
Woven throughout the plot is the story of their families, life in Hawaii, and the spirituality of the Hawaiian people. The reader also feels the cadence of Hawaii and the magic in her words as she describes Keo's music.
I would have liked this book to be lighter. I would have liked to smile rather than cringe at the unrelenting horror. I would have liked a happier ending. But that is not the story that the author wanted to tell. And so I accept it on its own terms. And, if nothing else, it makes me appreciate the good life I have.
I recommend this book but be forewarned. It will haunt your dreams and inspire nightmares.
28 of 28 people found the following review helpful.
A Compelling Universal Tapestry
By A Customer
I will not recount the story; the other reviewers do it, and for my money, the story is marvelous. Like so many, I did not want this book to end, and rationed reading it for that reason. I cannot think of any other writer I have ever read who can capture in concrete, substantial, palpable images abstractions like jazz, or pain, or love, or wistfulness. The visuals her words sculpt are staggering. Hardly essential to an appreciation of this magnificent work, if you have lived in Hawaii, ever had an appreciation of either or both of its indigenous and diverse cultures, been entranced by music, felt the power and mystery of natural things, it will resonate with you on innumerable levels. You will learn a fair amount of Hawaiian along the way if you care to, and you should, as it is a beautiful and evocative and incredibly musical language. The book is more than poetry--it is, in many ways, a great mele. It speaks of essences, of life's value, its challenges, its losses, its pain. There are parts as profound and compact in that as any philosophy one could want (the small chapterlet recounting Malia's last visit with Pono may be the best piece of writing in that regard I have ever read). The political material through the book is, if you read closely, not polemical, but balanced if with a clear but hardly simplistic preference. And on a societal level, it is a magnificent paean to the power of women, especially their power over men, wanted or not, and the consequences, marvelous and horrific, of that power. If you are a woman, or you truly love them as I do, you will hold this book fiercely to your heart. Those who say Ms. Davenport embraced too much in too complex a way--with which I totally disagree--would probably say the same of Thomas Wolfe, whose prose at times hers resembles, several of whose works I number among my favorites in the language. I would rate this book higher than any I have reviewed on Amazon to date, and among the best novels I have ever read--and I have read thousands.
17 of 18 people found the following review helpful.
A drifting song of the islands...
By Luan Gaines
The most promising and interesting theme of this novel is the undaunted spirit of the Hawaiian people. Through the eyes of one particular family, the time frame is the 1930's through World War II, devastating the closely-knit community, many native Hawaiian sons lost in combat. The story moves back and forth: from Hawaii to the New Orleans jazz scene, Shanghai to Paris, and back. In the course of events, one heartbreaking message is the truly ignoble and inhumane use of euphemistically named "comfort women" by Japanese soldiers. These innocent women were harvested from city streets and villages to service their captors, their tragic borderline existence only recently widely discussed and documented for readers. Released after the war, their original numbers decimated, they became "ghost women", emaciated and most permanently physically and psychologically damaged.
The central theme, however, is the displaced love of Keo and Sunny. A gifted musician, Keo follows his muse and Sunny becomes his most ardent and loyal fan. As Keo disappears into his music, he barely remarks Sunny's search for her own affirmation in the search for her long-lost sister. Tragically parted by the war, Keo and Sunny endure years of separation as each is subjected to horrendous experiences as Japanese captives, each clinging to the memory of the other. But I had no clear sense of Sunny's personality from the beginning of her reciprocated attraction to Keo. Later, when Keo is agonizing over her whereabouts, a more particular sense of what he so desperately misses, other than adoration, would have helped me appreciate Sunny's qualities. The story changes locations frequently, and I found myself wanting more details of Keo's family and their ongoing struggles, how their ties to one another sustain them through loss and separation. I suspect the most potent material rests within the heart of this family.
Some editorial cuts may have better centered the story. Perhaps Davenport is intending to illustrate the rambling nature of Keo's search, his frustration and overwhelming loneliness, but I feel the novel loses its original vital focus. There are some hectoring passages at the end of the book on the issue of statehood, but my sympathies were already engaged. While certainly an entertaining and informative read, the novel would resonate more fully with fewer geographic leaps and already acknowledged social injustices added to the forum. An emphasis on the love story and tragic circumstances surrounding the lovers, especially the atrocity of "comfort women", was certainly sufficient to hold my interest.
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