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Every family has a story. Every story, eventually, must be told.
For most of their lives, Julian Perel and his sister, Paula, lived in a house cast in silence, witnesses to a father struggling with a devastating secret too painful to share. Though their father took his demons to the grave, his past refuses to rest.
As adults, brother and sister struggle to find their voices. A scientist governed by numbers and logic, Julian now lives an ordered life of routine and seclusion. My father gave up his language and his homeland. But he carried his sadness with him, under his skin. It was mine now. In contrast, Paula has entered the world as eagerly as Julian retracts from it. An aspiring opera singer, she is always moving, buoyant with sound. Singing was the only gift I could offer to my father. I filled the house with music. I tried to give him joy. . . .
Yet both their lives begin to change on a Wednesday, miercoles, the day that sounds like miracles. Before embarking on a European opera tour, Paula asks her housekeeper, Sola, to stay at her place--and to look after Julian in the apartment above. Yet Sola, too, has a story. I want to clean myself like the window of a house, make myself clear for things to pass through. Flat and quiet.
As Paula uncovers pieces of her father's early life in Budapest and the horrifying truth of his past, Julian bears witness to Sola's story--revelations that help all three learn how to both surrender and revere the shadows that have followed them for so long.
The Speed of Light is a powerful debut about three unforgettable souls who overcome the tragedies of the past to reconnect with one another and the world around them. In an extraordinary accomplishment, Elizabeth Rosner has created a novel of love and redemption that proves the pain of the untold story is far greater than even the most difficult truth.
From the Hardcover edition.
- Sales Rank: #924424 in Books
- Published on: 2003-04-01
- Released on: 2003-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .60" w x 5.40" l,
- Binding: Paperback
- 276 pages
Most helpful customer reviews
8 of 8 people found the following review helpful.
A Lyrical Story of Healing
By Alex Forman
The Speed of Light is a a novel with elements of epic poetry that can help each of us learn about our own wounds and how they might be healed. Elizabeth Rosner has written an important book that left me deeply moved on two levels. First, there is the story of three characters each struggling to live life under the shadow of their families being victims of the most horrible crimes against humanity. Secondly, there are the words Rosner finds to describe the internal landscapes of these people, and I found myself moved to tears at times by her descriptions. The poetic style reminded me of Ondaatje's writing in The English Patient.
Much of the story is told through the eyes of Julian, whose parents were Holocaust survivors. Here is description from his childhood:
"For a time there was a baby living next door to the house I grew up in. Late at night, when the baby woke up crying, I awoke too, feeling as if the sound of that baby came from inside of me. I lay there in the dark and waited for someone to bring the child the comfort it needed.
How could anyone bear it? I often wondered. How could anyone even attempt to bridge the gap between oneself and the world? All I knew how to do was live deep inside my body, far from the dangerous surface...
My father had no capacity for joy: it was squeezed out of him before I entered the world. Perhaps the years of being with my mother saved him for a little while, but even she realized it was impossible to resurrect someone standing so close to his own grave."
Julian's sister, Paula, carries this same trauma in an opposite way. She thrusts herself into the world as a potential opera singer. While she drives herself relentlessly outward into the world, she is unable to help Julian, who retreats to an internal life of suffering in which he often watches eleven television sets simultaneously and stays within a few blocks of his home at all times.
It is while Paula is traveling in Europe that Julian meets Paula's housekeeper, Sola. Sola's family was also the victim of mass brutality, but her response to this loss is so different than Julian's or Paula's that she is able to bring a new energy into Julian's life and the result is the wondrous mystery of this book.
The 20th Century was dominated by unprecedented collective traumas the impact of which is usually ignored in explanations of why there is such massive cultural and individual dysfunction today. Yet, it is fairly easy to see the collective impact of the massive crimes against humanity the world has lived through in the last 100 years. The brutal killing of so many people has left a visible scar across the personal, physical and political landscapes of our planet. The continuing search for solutions to intractable poverty and oppression in the Middle East, Africa and Latin America are part of the living collective wounds we must all confront as world citizens.
Rosner's book takes us into the internal world of just three lonely survivors of these holocausts and yet their story offers a penetrating insight into our collective pain and our potential path toward recovery and wholeness. She reveals in her lyrical style how an individual can be deeply wounded by a collective crime and somehow triumph over that wound by sharing her need for love as a way out of the pain. Survivors often become bitter, angry, souls, who shut themselves down and pass on their pain to others. Yet if just one wounded soul can rise above these responses and realize that it is the lack of love that caused the wound, the results can be a gentle, magnificent triumph of healing. Survivors such as these finds their way to finally end the continuing rupture of their own living spirit.
This is the important message of this wonderful book. Whether our wounds are the consequence of a collective trauma or a more random loss of love through illness, accident or individual abuse, the paths of the compulsive achiever or the lonely cynic will not bring us the healing we need. Our path to healing lies in reaching out from behind that wound and finding our common humanity with the love of others.
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1 of 1 people found the following review helpful.
Elizabeth Rosner's prose is beautifully poetic, her characters are compelling and the story ...
By JanMA
Others have described this novel very well, so I won't repeat what has been said except to agree. Elizabeth Rosner's prose is beautifully poetic, her characters are compelling and the story is poignant. Loved it.
24 of 24 people found the following review helpful.
a triumphant fusion of silence and voice, despair and hope
By Bruce J. Wasser
Elizabeth Rosner has written an extraordinary debut novel in "The Speed of Light," an elegant, understated work which tackles such serious themes as the Holocaust's impact on the children of survivors, political massacre in Latin America and the significance of personal connection as a means of liberating the human possibiliites of hope, memory and love. "Speed" is that kind of lovely, slow-paced psychological novel where three decent people, scarred deeply by the anguish of either directly or derivately witnessing horrific suffering, learn that shared memory, tenderness and the need to risk everything for love assist them in overcoming the pain of a murderous past. This brilliant work ultimately is about possibilities: of living in a world drenched with blood, of overcoming enormous personal fears, of embracing one another's past to insure the chance of mutual survival.
Each of the three central characters has a unique voice (so much so that this latticed work includes three different type settings) and presents his or her own complicated confrontation with silence and memory. Each character gropes for meaning; each confronts the terror of the past, the anguish of living a solitary life and the desperate fear of abandonment, great sadness and existential isolation. Each character learns the nobility of bearing witness.
Julian Perel has absorbed the silence and imagined Holocaust memory of his father, Jacob. Living upstairs from his musically-gifted sister, Julian is an obsessive recluse, immersed in a life of suffocating detail, terrified of human touch, suspicious of language and voice. He theorizes that his father "gave up his language because it belonged to the killers; he could not live with the sounds of their voices inside his own." Like his now deceased father, Julian speaks in "the vocabulary of science and never reveal[s] his heart." Tormented by a past which he does not fully comprehend but which dominates his personality, Julian's self-imposed isolation is at once a private punishment and a social rebuke. It is only through his halting relationship with Sola, a hired housekeeper, that he begins the process of personal integration.
Hired by Paula Perel to oversee her downstairs apartment while pereforming in Europe's opera houses, Sola expands her domestic obligations as she initiates a friendship, a relationship, with the reluctant Julian. Sola, ravaged by memories of her village's annihilation at the hands of a brutal Latin American despotism, has her own torment, unshared and terribly burdensome. Slowly, quietly, Sola and Julian begin to learn a central lesson: sharing memories and making others become derivative witnesses to social evil is a good thing. By permitting this "buried language" to surface, Sola initiates a process by which both Julian and she perceive the possibilities of life.
The most tragic figure in "Speed" is Paula Perel, whose operatic voice soars through her apartment and vibrates with immediate beauty. Seemingly oblivious to post-Holocaust trauma, Paula sets out to Europe to test the quality of her voice. There she discovers the hidden story of her family's past with shattering consequences. Where Julian has had a lifetime to absorb memory and silence, Paula has but days. She learns that inflicted silence "bruises the heart," that her father's heart must have been "completely black and blue from a lifetime of sorless grief banging around in his chest." How Paula confronts both her own personal crisis and the implications of the Holocaust on her professional life is one of the many instructive moments of the novel.
"The Speed of Light" is nothing less than brilliant. Invoking the Hasidic teaching that "there are three ways to mourn: through tears, through silence, and by turning sorrow into song," Elizabeth Rosner has crafted a moving novel about love and meaning and connection in the midst of remembered pain and sorrow. Through her sensitive portrayal of three fully-imagined protagonists, Rosner teaches us that people can emerge from the wilderness of despair to the refreshing oasis of possibility, voice and connection.
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