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Descend to the depths of primal horror with this chilling collection of original stories drawn from H. P. Lovecraft?s shocking, terrifying, and eerily prescient Cthulhu mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you?ll find
DETAILS by China Mi?ville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details.
VISITATION by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted?and what he may eternally despise.
MEET ME ON THE OTHER SIDE by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams?and into their nightmares.
A FATAL EXCEPTION HAS OCCURRED AT . . . by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil.
DARK OF THE MOON by James Dorr: A cosmonaut watches helplessly as her husband walks on the surface of the moon?into inescapable horror.
SPECTACLE OF A MAN by Weston Ochse: Crucifixion becomes a seductive maelstrom of madness with this postmodern twist on an ancient torture.
The true horror of Lovecraft?s extraordinary fiction lies in the unknown. He beguiles us with very real worlds filled with sheer terror, which lie just beyond comprehension. Children of Cthulhu features twenty-one modern masters bring who Lovecraft?s original ideas and stark images roaring into the twenty-first century in all their grisly, godless glory.
- Sales Rank: #1559005 in Books
- Published on: 2002-01-02
- Released on: 2002-01-02
- Original language: English
- Number of items: 1
- Dimensions: 8.54" h x 1.42" w x 5.86" l,
- Binding: Hardcover
- 480 pages
Amazon.com Review
While H.P. Lovecraft himself encouraged other authors to expand his horrific universe with stories of their own, the Cthulhu mythos has spawned so many slavish imitators that it tends not to seem so scary these days. Editors John Pelan and Benjamin Adams seek to remedy that with The Children of Cthulhu, an anthology of 21 stories by modern macabre masters. Contributors were asked to avoid trotting out old Lovecraftian clichés and instead to write stories that bring the true horror of Cthulhu right into the modern world. The results are mostly terrific. Offerings from Poppy Z. Brite ("Are You Loathsome Tonight?"), Caitlín R. Kiernan ("Nor the Demons Down Under the Sea"), China Miéville ("Details"), and L.H. Maynard and M.P.N. Sims ("A Victorian Pot Dresser") are the best of the bunch. Many of the stories are reminiscent of the Vertigo line of DC Comics, with dark, urban settings and gross-out violence, so the book is more likely to appeal to readers of contemporary horror than to fans of classic Lovecraft. --Therese Littleton
From Publishers Weekly
If the 23 contributors to this uneven anthology avoid the obvious Cthulhu Mythos clich‚s, none comes close to emulating Lovecraft's trademark cosmic horror. Typical is the two editors' collaborative "That's the Story of My Life." Set in Arkham with "its aged, gambrel-roofed neighborhoods," this brisk tale relies for its effect on a twist out of Damon Knight, not on any Lovecraftian atmosphere. Richard Laymon's "The Cabin in the Woods," a tribute to H.P.L.'s "The Whisperer in Darkness," shares a rural Vermont setting, but its action-oriented, dialogue-laden plot is the antithesis of the master's. "A Victorian Pot Dresser," by L.H. Maynard and M.P.N. Sims, in which an old piece of furniture hungers for sacrificial virgins, seems to be inspired by Lovecraft at his more ludicrous. The better stories deal with the Lovecraftian theme of outsideness, in particular Poppy Z. Brite's grotesque portrait of Elvis Presley's last days, "Are You Loathsome Tonight?" (the book's one reprint). Steve Rasnic Tem's homage to "The Shadow Over Innsmouth," "Outside," with its aquatic horror and decayed seaport, nicely evokes some of the brooding menace of Lovecraft's classic tale. And Caitl¡n R. Kiernan, in her stylish "Nor the Demons Down Under the Sea," does a turn on the lure of oceanic terrors with a bow to Lewis Carroll. To be preferred to most Lovecraft imitations, these 21 tales will likely please mainstream horror fans more than H.P.L. purists. Agent, Jennifer Jackson at Donald Maass Literary Agency. (Jan. 2)Forecast: Like the amphibious Deep Ones who threaten to expand beyond Innsmouth, Lovecraft-inspired fiction is starting to invade the genre mainstream. If this and similar anthologies take a beating in the larger marketplace, expect a hasty retreat into the shadowy recesses of the small press realm.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
A young girl learns a terrifying secret about a reclusive old woman in China Mieville's atmospheric "Details," while a British special crimes investigator probes the mysterious death of a serial killer in Paul Finch's deceptive "Long Meg and Her Daughters." This collection of 21 tales brings H.P. Lovecraft's "Cthulhu" mythos to a new generation with contributions by such veteran horror authors as J. Michael Reaves, Poppy Z. Brite, and Steve Rasnic Tem. Fans of Lovecraft in particular and dark fantasy in general will enjoy this standout anthology. Recommended. [See also Brian Lumley's Beneath the Moors and Darker Places below. Ed.]
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A Mixed Bag- Some Gems, some still Rough
By welsh
It's nice to pay homage to Lovecraft. Given his contribution to the horror genre, such consideration is well deserved. Lovecraft's approach to the supernatural, his contribution to what has become called the Cthulhu Mythos and his embrace of the weird has enhanced our collection of horror. So it's nice that people pay him the honor he merits as what many consider second only to Poe in macabre fiction.
There's a lot that can be done with Lovecraft offers. People turning into hybrid amphibian creatures, the opening of dimensional doors to strange vistas, self-destructive ennui, the nature of dreams and lost civilizations, one's own sense of alientation and dread, and perhaps most of all the existential idea that our religions are false and that the real Gods either don't like us, or don't care and our fate is to be little more than food. That's a lot to work with. The Children of Cthulhu tries to work with all of it. Sometimes it works, sometimes not.
Too much homage is not a good thing. As a collection of work dedicated or based on Lovecraft's Mythos this has some real fine stories. But it also suffers some fairly weak ones which is unfortunate. This could have been a finer volume of fiction than was finally published. It suffers for falling short of it's possibilities.
The first three stories are quite good. Details, by Mieville gets the collection off to a good start. I believe this is also available in his collection 'Looking for Jake'. Visitation, is also a fine story and I liked the historical fiction in The Invisible Empire.
Other enjoyable stories?
Foster's A Fatal Exception has Occurred, Dorr's Dark Side of the Moon. Patterson's Principles and Parameters suggest some modern horrors on the edge of science and academic exploration. Hodge's The Firebrand Symphony returns us to the idea that the arts can touch the horror within us in ways that philosophy and science cannot, and is perhaps the best story of the collection. Cardin's teeth reminds of the dangers of too much philosophy, that the monsters we seek may turn against us.
I found Kiernan's Nor the Demons Down Under the Sea to be spooky and enjoyable, invoking for me the dread of a haunted house. Ochse's Spectacle of a Man brought back good old urban dread. Chadbourn's Sour Places reminds us that there are places in decay that might be subject to more primal forces.
But many of the other stories just don't work as well as they could. Many stories are either weak in chills, low on atmosphere or seem to be trying to hard to be modern Lovecraft. This suggests that a bit more edit, better selection and polishing might have made this a better collection. Laymon's and Brite's contributions are just not that remarkable, which is true of others. It's hard to identify where the problem is. Pelan and Adams write a nice introductory essay to the volume and perhaps it's just difficult to appeal to every taste in a collected volume.
So expect a few gems along with a few rocks.
5 of 5 people found the following review helpful.
From one of the book's writers
By Wilum Hopfrog Pugmire, Esq.
When John asked us to write for the book, he explained that he wanted an anthology that would help bring Lovecraft more into the modern age. There were no rules, except that we could not write stories that were sexually explicit because Del Rey wanted to market the book to young readers. I think that John envisioned the book as the Cthulhu Mythos equivalent of Harlan Ellison's DANGEROUS VISIONS. It is certainly one of the finest modern anthologies of tales inspired by H. P. Lovecraft and I am honored to be within its pages, however lacking and uninspired my own story may be. The book was a huge success and sold well both as hardcover edition and trade paperback. If you want innovative and superbly written tales that explore Lovecraftian ideas and yet are utterly original and decidedly modern, this book is for you.
4 of 4 people found the following review helpful.
Modern Mythos Inspired by HPL
By Alexander Scott
The problem with reviewing books in this genre is that usually you've read a lot of them. And I mean a lot. After you've read 20 or so Mythos anthologies, they all blend together. You already know what you're getting before you open the book. Not that it's a bad thing; you are after all buying a very specific niche and there's not a lot of unmapped parameter space. Maybe it's just nice to evoke the spirit of the Old Man once again. Definitely understand that CHILDREN OF CTHULHU is a good collection of good stories. In the new millenium, the Old Ones are new again...
Some of the stories are fairly predictable, like "Red Clay", "The Victorian Pot Dresser", and "The Cabin in the Woods". Some were able to evoke the spirit of HPL while standing on their own as a creepy tale, like "The Invisible Empire", "Details" and "Long Meg and Her Daughters" (the imagery in this story was VERY disturbing - and here I thought I was getting jaded), intentionally or unintentionally amusing like "A Fatal Exception has Occurred at...", and sometimes just very confusing (I won't name names here). Poppy Z Brite had an original composition in "Are you Loathsome Tonight?" I would have bet money it would be a romantic comedy involving Deep Ones. No, it's a short piece on Elvis. You really have to read it to believe it.
So, in the end, is this anthology worth your time and money? The writing quality is high, many of the ideas are original (if oddly developed?) or at least subtle in their derivation. And like anyone who has encountered the NECRONOMICON in some dusty bookshop, my final words are "What could it hurt?"
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