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The year is 2020. Fueled by an insatiable curiosity, Reid Malenfant ventures to the far edge of the solar system, where he discovers a strange artifact left behind by an alien civilization: A gateway that functions as a kind of quantum transporter, allowing virtually instantaneous travel over the vast distances of interstellar space. What lies on the other side of the gateway? Malenfant decides to find out. Yet he will soon be faced with an impossible choice that will push him beyond terror, beyond sanity, beyond humanity itself. Meanwhile on Earth the Japanese scientist Nemoto fears her worst nightmares are coming true. Startling discoveries reveal that the Moon, Venus, even Mars once thrived with life?life that was snuffed out not just once but many times, in cycles of birth and destruction. And the next chilling cycle is set to begin again . . .
- Sales Rank: #407583 in Books
- Color: Other
- Published on: 2002-01-02
- Released on: 2002-01-02
- Original language: English
- Number of items: 1
- Dimensions: 6.88" h x 1.36" w x 4.23" l,
- Binding: Mass Market Paperback
- 512 pages
Amazon.com Review
Stephen Baxter follows up his Arthur C. Clarke Award nominee Manifold: Time with the second book in the Manifold series, Manifold: Space. In this novel, former shuttle pilot and astronaut Reid Malenfant meets his destiny once again in a tale that stretches the bounds of both space and time.
The year is 2020 and the Japanese have colonized the moon. The 60-year-old Malenfant is called there by a young scientist named Nemoto who has discovered something in the asteroid belt that can only mean humans are not alone in the universe. The aliens seem robotic in nature and appear to be building something in Earth's backyard. The Gaijin, as they are called by humans, don't respond to communication efforts so an unmanned ship is launched to investigate. In the meantime, Malenfant decides answers are only possible by mounting an expedition to Alpha Centauri, which may be where the Gaijin come from.
Baxter, who won the John W. Campbell Award and the Philip K. Dick Award for his novel The Time Ships, orchestrates a stunning array of scientific possibilities in Manifold: Space. Each chapter adds a new piece to his mosaic of humanity's future. The novel is admirable in its enormous scope, but it's hard to invest much emotion in the characters. Although they are well drawn, they vanish for long periods of time as Baxter leapfrogs through time and space. Manifold: Space, by its nature, lacks passion but excels in grand ideas. --Kathie Huddleston
From Publishers Weekly
Former NASA astronaut Reid Malenfant returns to lead the vanguard for humanity's future in space in this deeply thought-provoking sequel to Manifold: Time. In the year 2020, America's space program has disintegrated, and the Japanese have colonized the moon. A young Japanese lunar scientist invites Malenfant to the moon for a consultation over mysterious sources of infrared she's discovered in the asteroid belt. A couple of enterprising engineers send the first probe to the asteroids to find out just what's there, only to have their probe swallowed up by a huge, artificial ship. Years later Malenfant mounts his own expedition to the solar focus of Alpha Centauri, where he finds a teleport gateway leading to a race of self-duplicating robots that humans eventually call the Gaijin. Centuries pass before Malenfant begins to understand the realities that underlie the existence of all life in the universe. Philip K. Dick Award-winner Baxter packs his gigantic odyssey with innovative hypotheses, fascinating explanations of complex scientific phenomena and gorgeous descriptions of spaceships. That the novel covers far more territory, both in time and distance, than any one person could ever absorb is both a strength and a weakness; suspense is difficult to maintain over the course of centuries. While a large cast of characters helps generate this unwieldy scenario, only their scientific motivations are explored. Science itself is very clearly the star player on this stage. Nonetheless, this focus allows for an exceptionally intricate and original view of the future that both scientists and lay enthusiasts will enjoy. (Jan.)Forecast: Manifold: Time was nominated for the 2000 Arthur C. Clarke Award. This one could garner its own nominations--with a consequent boost in sales for both titles.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Former astronaut Reid Malenfant travels to the moon, now a colony of Japan, to meet with a woman who presents him with evidence of extraterrestrial intelligence and offers him the chance of a lifetimeDto explore the origins of life in the universe. Revisiting themes and characters from Manifold: Time (LJ 12/99), Baxter embarks on an ambitious tale that spans the stars. He balances the individual stories of his human protagonists against the panoramic scale of his setting in a landmark work of cosmic speculation that belongs in most libraries. Highly recommended.
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
1 of 7 people found the following review helpful.
Good God! This book is bad.
By B. Day
I've read a good 75% of the books that Stephen Baxter has read
and they're generally pretty good....I _LOVED_ Manifold: Time. This one is so bad that I couldn't make it all the way through
(I read 400 of 512 pages).
It started off pretty well...the first 200 pages were really
interesting. Then there was a couple hundred page lull where
increasingly weird/unbelievable stuff kept happening only
often enough to make me think that perhaps it will get better.
I stopped when Malenfant starts hanging around with Neanderthals
on some far out moon/planet peeing in his special spacesuit.
(I bought a used copy....imagine how annoyed I'd be if I paid
full price for this hardcover?)
7 of 7 people found the following review helpful.
a bleak Gulliver's Travels for the 3rd millennium
By Fudo Myo
Baxter's Space is the Gulliver's Travels of modern science fiction. I mean this not only in terms of narrative convention (hapless traveler is propelled from one tableaux to the next to showcase the author's agenda, in this case, a grab-bag of the myriad forms life might take in various environments), but of repute, as well: with Time as his launching point, Baxter takes cyclopean strides, earning the hallmark "classic" and instantly vaulting into my Top Ten Greatest Sci-Fi Novels of All Time. Baxter has come a long way from what I label the "pajama sci-fi" of his Xeelee sequence: cheeseball crews running around in their jammy-jams like something from Star Trek: the Motion Picture or Invaders from Plan 9. Baxter's ideas were always there, but his Michael Crichton School of bland prose was a great detraction. No more - he's battened down the hatches on sloppy writing, his characters have distinct voices, and the greatest improvement of all, his dialogue has gone from Vaudevillian melodrama to the downright profound. Baxter refreshingly skips hashing out the trials of his characters and gets to the nitty gritty: one sentence, Malefant is reasoning out how he can get to a deep space "Saddle Point," the next sentence, he's there, and who cares how he swung it?
All this, and the ideas are still there; each chapter bursts with an astonishing new Big Idea that forces one to pause and give a Keanu Reeves "whoah." The final onslaught of the Cracker fleet and Nemoto's soliloquy is the most deliciously bleak scene I have read in sci-fi since the end of Orwell's 1984. Here's hoping Baxter's Darwinian vision of space colonization is totally wrong. I, for one, am still waiting for enlightened beings to descend from the heavens and help us save us from ourselves.
Space is not perfect - the micronized space-ship with no plausible explanation from a race that Baxter repeatedly stresses has comparatively primitive technology is particularly irksome, and Baxter can sometimes hit you over the head to make his point (there's no need to use "Darwinian" as an adjective twice on the same page - I get it already), but these are minor annoyances. It's the power to make you cower like an insignificant mote against the howling void, to go slack-jawed with wonder and awe as you gaze out over alien vistas, to make you still ask after witnessing 10,000 years of human evolution, "Is that all there is?" Baxter dishes it up in droves and he's unlikely to pull it off again, so if you're going to read only one, this is it.
Finally, my glib answer to the Fermi Paradox: we exist, but we're not there...
Fudo Myo
Geneva, Switzerland
1 of 1 people found the following review helpful.
Depressed? You will be.
By R. Gerrard
Some time ago, I read Greg Bear's Fist of God and Anvil of Stars, the first of the pair being close to the same subject explored here by Stephen Baxter. The difference is that Bear keeps propping up your sense of hope at intervals, whereas Baxter keeps knocking it down. The only time you'll feel anything positive is so close to the end you might already have taken the pills. In the end, everything is futile. How incredibly black can you get?
The characters don't ever seem to get on well with each other, never a lasting sense of trust between them - a side effect of the disjointed nature of their time-spanning relationships maybe. The Gaijin, Baxter's first contact "eeties", never seem to do anything - they have mysterious projects that are never explained, and their only purpose seems to be to act as a cosmic Eurodollar and chauffeurs (who inexplicably won't go to some places) for our heroes. The scenery is mostly bleak, unforgiving terrain with a smell of destruction, and there's nothing pretty to imagine for the most part. Images of sickly worlds post-destruction. My sense of pity would been switched on better by seeing a "before" as well all the "after"s.
Flicking through the book again, I feel whole chapters might have been reduced to paragraphs without loss. Although their every word seemed crucial at the time, in the end they contained little of vital importance to the story. In other places the intent is clearly to be mysterious about how the characters are being taught lessons, but when the explanation of these learning eercises finally appears it seems too trivial to have been worth the effort of the extraordinarily time-expensive lessons. When the Gaijin finally explain their teaching method, the Humans slap foreheads and say "duuuh, now we understand what you were getting at.." I can't believe this trait in the aliens, would they really be deliberately obtuse and waste eons of time and precious resources when six words and a futuristic Powerpoint presentation finally sufficed? Only to extend the novel, surely!
I got to the end - but it was very hard to keep going at times because although the narrative was excellent, the futility was too much. Novels of destruction like this need at least a sprinkling of hope at intervals. Maybe I'll try Manifold:Time and see if I've misunderstood something... it isn't ever easy going into a series midway.
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