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Brimming with passion and adventure, Greg Keyes’s epic saga of a royal family’s fall from power through treachery and dark magic, set amid the return of ancient evils whose malevolence threatens to annihilate humanity, bids fair to become a classic of its kind. Now, in the eagerly awaited third installment, Keyes draws the threads of his tapestry ever tighter, illuminating old mysteries and introducing new ones as events build toward a shattering climax.
The legendary Briar King has awakened, spreading madness and destruction. Half-remembered, poorly understood prophecies seem to point to the young princess Anne Dare, rightful heir to the throne of Crotheny, as the world’s only hope. Yet Anne is hunted by the minions of the usurper Robert, whose return from the grave has opened a doorway through which sinister sorceries have poured into the world. Though Anne herself is the conduit of fearsome powers beyond her understanding and control, it is time for girl to become woman, princess to become queen. Anne must stop running and instead march at the head of an army to take back her kingdom . . . or die trying.
But a mysterious assassin stalks her, so skilled in the deadly fencing style of dessrata that even Anne’s friend and protector Cazio, a master of the form, cannot stand against him, nor can her sworn defender, the young knight Neil MeqVren.
As for Anne’s other companions–Aspar White, the royal holter who bears an enchanted arrow capable of felling the Briar King; and Stephen Darige, the monk who blew the horn that woke the Briar King from his slumber–they cannot help her, as their separate paths carry them ever deeper into a deadly maze of myth and magic from which return may be impossible.
Meanwhile, Queen Muriele is a prisoner of the false king. With no allies but a crippled musician, who is himself a prisoner, and a servingwoman who is both more and less than she seems, Muriele will find herself a pawn in Robert’s schemes for conquest–and a weapon to be used against her own daughter.
From the Hardcover edition.
- Sales Rank: #889483 in Books
- Brand: Del Rey
- Published on: 2007-05-01
- Released on: 2007-05-01
- Original language: English
- Number of items: 1
- Dimensions: 6.87" h x .94" w x 4.20" l, .60 pounds
- Binding: Mass Market Paperback
- 576 pages
- Great product!
From Publishers Weekly
At the start of the third book in Keyes's Kingdoms of Thorn and Bone series (The Briar King, etc.), princess Anne Dare's father, the king of Crotheny, is dead and her mother, Muriele, is the prisoner of her mad uncle, Robert Dare, who now rules the kingdom. Anne does her best to elude her uncle's clutches as she flees across a well-developed landscape reminiscent of Renaissance northern Italy (rugged terrain and priests who belong to an established church) and medieval Germany (thick forests and ogres). The scenes and viewpoints shift often enough to be somewhat confusing, but the occasional well-handled erotic episode or magic duel can startle with its originality. This volume closes with a climactic grand battle in which Anne's cohorts appear to be victorious. Readers curious about the fate of Robert Dare, who has vanished, must await the fourth and final volume in this sophisticated and intelligent high fantasy epic. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Praise for Greg Keyes and his novels of The Kingdoms of Thorn and Bone
The Charnel Prince
“There is adventure and intrigue, swordplay and dark sorcery aplenty.”
–Realms of Fantasy
“Keyes’s world is rich, detailed and always believable; the twisty plot is delightful and frightening in turns.”
–Locus
“Strong world building and superior storytelling.”
–Library Journal
The Briar King
“A wonderful tale . . . It crackles with suspense and excitement from start to finish.”
–Terry Brooks
“A graceful, artful tale from a master storyteller . . . [The novel] starts off with a bang, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up.”
–Elizabeth Haydon, bestselling author of Prophecy: Child of Earth
“Epic high fantasy . . . Keyes mixes cultures, religions, institutions, and languages with rare skill.”
–Publishers Weekly (starred review)
From the Hardcover edition.
About the Author
Greg Keyes was born in Meridian, Mississippi, to a large, diverse storytelling family. He is the author of The Briar King and The Charnel Prince (Books One and Two of The Kingdoms of Thorn and Bone), The Waterborn, The Blackgod, the Age of Unreason tetralogy, and the Star Wars New Jedi Order novels Edge of Victory I: Conquest, Edge of Victory II: Rebirth, and The Final Prophecy. He lives in Savannah, Georgia.
From the Hardcover edition.
Most helpful customer reviews
32 of 36 people found the following review helpful.
A Solid Third Book
By Scott Masterton
When I began "The Blood Knight" by Greg Keyes, I was under the false impression that this was the final chapter in a 3 book series. However, after reading the end of this one it became quite apparent that this is a four book series.
Although "The Blood Knight" does tend to suffer a bit from the "mid-trilogy" (or quadrilogy in this case) curse, Keyes does a decent job of furthering the story. Middle books have a tendency to not go anywhere and this one does seem to go faster and faster on smaller and smaller wheels; having said that Keyes is masterful at carrying several storylines simultaneously without losing his readers. He also has the wonderfully saleable ability to end each chapter with a bit of a cliffhanger which entices readers to "just one more chapter before lights out". This makes for a fast read, but exciting never-the-less.
Although in my mind Blood Knight is not as satisfying (or as important to the over saga) as the first two novels in the "Kingdom of Thorn and Bone" series, it is definitely enjoyable and has most certainly hooked me into waiting for number four.
13 of 13 people found the following review helpful.
Very much a middle-of-the-series sort of book
By M. Jacobs
I really liked _The Briar King_, less so _The Charnel Prince_. This installment, unfortunately, continues the downward trend.
Our familiar heroes are back, doing pretty much the exact same things they were doing in the first two books. Character development has ground to a halt in favor of having them run all over the (small, illegible) map accomplishing This, That, and the Other. Aspar fights monsters in the woods. Stephen reads books. Anne experiences psychotic fugues. Austra frets. Cazio engages in painfully detailed swordfights, the outcomes of which never come as a surprise. Neil suffers nobly. Fend irritates. The good guys are all still likeable enough, in their one-note-wonder sort of way, but since none of them seem likely to die or even be seriously discommoded by anything for more than about three seconds, the suspense is somewhat lacking.
The Unkillable Bad Guys remain unkillable, which is just annoying. And--worst of all--characters occasionally do things that make no sense simply in order to advance the plot. Characterization? Consistency? Who cares! At the end of _Blood Knight_, for instance, Anne does something insane. Though I'm convinced that all will come out right in the end (because epic fantasy is Like That), the action she takes isn't one that would recommend her as a good future queen to her elders. Twenty pages earlier she'd been interested in proving herself capable of making good decisions, but that motivation goes right out the window when the plot demands it. Bah.
If you're already hooked on the series, you'll want to read this book, I suppose. It may put you to sleep, however, or cause you to rip at your hair in sheer frustration. It's a long novel (500+ pages), and it seems even longer than it is. You've been warned.
11 of 11 people found the following review helpful.
slow start, but Keyes delivers by the end
By Joe Sherry
The Blood Knight is the third volume in Keyes's A Kingdom of Thorn and Bone series. It took me longer to read the first hundred pages of this book than it did the remaining three hundred. I just could not get into the story despite being thrown into action and some battles and a bit of mystery. Keyes slowly reveals some of what came before, so if you are fuzzy on what happened in The Charnel Prince, I suggest that you take the time to go back and read it. What we do know is that Prince Robert has taken over the throne of Crotheny, having assassinated most of the royals except for Queen Muriele (now captive) and Anne Dare (on the run). Robert is also dead...yet somehow alive. Got that?
Good. Now, Anne Dare is seeking an army to take back her throne and the Briar King is still on the loose doing lord knows what but making brambles grow where he walks. Leoff, the composer, is in prison because a symphony he composed inflamed the peasants against Robert.
Now, Stephen, the former monk has been captured by slinders, creatures of the Briar King and he has a long journey in front him. Anne sends Aspar, her holter (forest ranger, let's say) to find Stephen. With Anne are Cazio, the hilarious foreign swordsman (think Inigo Montoya) and Neil, the knight. Still with me?
No? That's okay. After we get past the first hundred pages Keyes really draws the reader in and he hooked me with the richness of the world. I forgot my frustration and was enveloped in Crotheny and the magic and oddness of the world. Keyes is doing interesting things with the high fantasy genre and this series and it is worth reading to see how he develops it. That isn't much of a recommendation, but describing the story at this point is nearly impossible because Keyes has a shifting viewpoint (like that of George Martin) where the characters are barely interacting with each other and doing vastly different things that you can not quite figure out how they will intersect and form the core of the story to come. The most interesting thing is that he has taken a group of characters the reader has come to view as "good guys" and I have a very strong feeling that he is starting to turn one or two of them to "bad guys" even though the characters themselves haven't changed...but the situations have and it's an odd turn because you can see a couple of characters starting to line up on different sides without them realizing what is happening.
By the end of the book I was sold and am eagerly awaiting The Born Queen. It's worth the effort to get through the opening.
-Joe Sherry
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