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“RICH AND SONOROUS PROSE . . . There’s plenty of reason to hope for the future of a fiction that welcomes writers with such a passionate sense of the past.”
–San Jose Mercury News
On New Year’s Day, 1959, Alejandra San José was born in Havana, entering the world through the heart of revolution. Fearing the turmoil brewing in Cuba, her parents took Ale and fled to the shores of North America–ending up in Chicago amid a close community of Cuban refugees. As an adult, Ale becomes an interpreter, which takes her back to her homeland for the first time. There, she makes her way back through San José history, uncovering new fragments of truth about the relatives who struggled with their own identities so long ago. For the San Josés, ostensibly Catholics, are actually Jews. They are conversos who converted to Christianity during the Spanish Inquisition. As Alejandra struggles to confront what it is to be Cuban and American, Catholic and Jewish, she translates her father’s troubling youthful experiences into the healing language of her own heart.
“Lyrically written, Days of Awe reflects the way Cuban Spanish is spoken with poetic rhythm and frankness.”
–Ms.
“An ambitious work . . . A deft talent whose approach to sex, religion, and ethnicity is keenly provocative.”
–Miami Herald
“With intelligent, intense writing, Obejas approaches . . . the heady climes of Cuban American stalwarts Oscar Hijuelos and Cristina Garcia.”
–Library Journal (starred review)
- Sales Rank: #521455 in Books
- Published on: 2002-07-30
- Released on: 2002-07-30
- Original language: English
- Number of items: 1
- Dimensions: 8.22" h x .80" w x 5.51" l, .72 pounds
- Binding: Paperback
- 402 pages
From Publishers Weekly
Born the day Castro came to power, the protagonist of this thoughtful novel comes with her mother and father to the United States when she is two, but cannot ignore her tangled Cuban roots. Alejandra San Jos‚ and her parents, Nena and Enrique, settle in Chicago, where Enrique works as a literary translator and Nena grows roses and sunflowers. Their neighborhood is predominantly Jewish, and as Ale grows up she picks up on small signs that her family has something in common with its neighbors. It is not until she is an adult, however, working as an interpreter, that she discovers that her father is Jewish, the grandson of a flamboyantly Jewish hero of the Cuban war of independence; her mother, though devoutly Catholic, has Jewish ancestors, too. On a series of trips to Cuba, Ale comes to know her father's oldest friend, Mois‚s Menach, and through him learns her family's history. In her stays with the Menachs, and her charged friendship with Mois‚s's son-in-law, Orlando, she learns about contemporary Cuba and gradually comes to terms with her own identity. The searching narrative digs deep into questions of faith, conversion, nationality and history, exploring philosophical issues in human terms. Though sharp, cleverly observed details bring Havana and Chicago to life, the novel is richer in ideas than in depictions of place. Obejas (Memory Mambo) is concerned most of all with relationships between Ale and her lovers, male and female; between Ale and her secretive father. If the near-plotless narrative drags in places, it is redeemed by Obejas's clear-eyed, remarkably fresh meditation on familiar but perennially vital themes. 3-city author tour.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Obejas's (Memory Mambo) second novel may be the first in the subgenre of both Jewish American and Cuban American fiction: the Jewish-Cuban-American novel. In this well-considered and heartfelt examination of exile and return, two-year-old Alejandra San Jos has left Cuba in 1959 with her parents. Her father is Jewish, though he hides it, even breaking a window in anger when his daughter and her friends spy him praying in his basement office in Chicago. Her mother is both Catholic and a sometime believer in the Santer!a gods. Ale's visits to Cuba in 1987 and 1997 lead her to extraordinary discoveries about herself, her cultures, and her family, as she slowly learns of her great-grandfather's and father's clinging to a religion whose Cuban adherents have become scarce over time. Her own sexual experiences, more vivid in Cuba than in the United States, help her recognize that Cuba, Judaism, and tropical eroticism make up a complex personality, which Ale bears on her back like a Bedouin. With intelligent, intense writing, Obejas approaches, in ambition, the heady climes of Cuban American stalwarts Oscar Hijuelos and Cristina Garcia. Highly recommended for collections strong in Latino and Jewish American literature.
- Harold Augenbraum, Mercantile Lib. of New York
Copyright 2001 Reed Business Information, Inc.
From Booklist
*Starred Review* Obejas has chosen the vocations of her protagonists with care: Enrique is a translator, and his daughter, Alejandra, is an interpreter. Their occupations take on a spiritual dimension as they find themselves dwelling on the threshold between two worlds as defined by Spanish and English. This linguistic duality is but one of many dichotomies that shape Alejandra's life. Born in Havana on New Year's 1959, the very day Fidel Castro comes to power, she is raised in Chicago after her parents' daring escape. She returns to Cuba in 1987, where she's ambushed by the island's material poverty and sensual wealth, all but adopted by the family of Enrique's boyhood friend, and galvanized by the complexities of her family history. It seems that their Catholicism is camouflage: her father's ancestors were conversos, Jews forced to convert during the Spanish Inquisition. As Alejandra, who comes to realize that she is not only bilingual and bicultural but also both the bounties and paradoxes of bireligious and bisexual, struggles to come to terms with her boundary-crossing existence, Obejas relates the compelling and disquieting history of Judaism and anti-Semitism in Cuba amidst evocative musings on exile, oppression, inheritance, the unexpected consequences of actions both weak and heroic, and the unruliness of desire and love. A journalist as well as a novelist, Obejas is also concerned with the biases and selectivity of history, politics, and the news. Richly imagined and deeply humanitarian, Obejas' arresting second novel keenly dramatizes the anguish of concealed identities, severed ties, and sorely tested faiths, be they religious, political, or romantic. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 1 people found the following review helpful.
A big NO....
By John Paul Sassone
Boring, truly boring, and this from someone who feels compelled to finish a book once I start it. Was not so compelled this time....
4 of 4 people found the following review helpful.
an "encanto" of a book!
By toni
"Revolutions happen, I'm convinced, because intuition tells us we're meant for a greater world (a better life) ... I've got my own revolution," -- so begins Alejandra San Jose, the novel's narrator, and Achy Obejas in the opening lines of this literary feast, as writer and storyteller bring their stories to life.
Obejas, at one point in her paragraphs, enlightens her uninformed readers with the awareness that the "Days of Awe" (the title of her book) refer(s) to the calendar span of time between the Jewish Holy Days of Rosh Hashanah (New Year) and Yom Kippur (Day of Atonement); and, although the novel is filled with religious and Cuban Revolutionary references, I have had NO CHOICE in my interpretation of the title as, more importantly, giving reference to Alejandra's life - the span of days from her timely and important, significant birth (New Year's Day - January 1st) to her own present-day "atonement" for her sin of having turned her back on her other/Cuban self and life. A betrayal which has led to an ongoing internal struggle and exhausting search for an identity -- "an overwhelming feeling produced by that which is grand, sublime."
As an adult, Alejandra comes to realize that her ex(iting)-lovers are not the only ones who see a stranger when they look into her eyes; and she learns that she must first "find herself" if she is ever to "be found" (loved) by another. Thus, she goes off in search of a recognizable reflection -- an encounter with an "unmasked, vulnerable self" who dwells deeply submerged in the waters of a past that has been "echado en el olvido" of another time.
We hear Ale ask herself: "Who am I ...?" -- then answer her own question, "I'm a stranger ... when I stand alone before the mirror ... who will see my naked beauty, who will love me now?"
"Not an expert swimmer (water = emotion?), when (Ale is) submerged completely, (she recognizes) a longing to belong" -- to Cuba/to a past/to someone/to anyone!? --- to Celina(?), "the extraordinary, stunning, beautiful girl with caramel-kissed skin" -- (who teases Obejas's readers as much as she does Alejandra!) -- Perhaps Celina represents that which is unattainable/elusive/out of Ale's pre-reconciled reach --- perhaps she represents (the promise and fulfillment of) love (?) -- At the very least, she is Ale's "fantasy" .... maybe even Ale herself ... (after all, she muses loudly and clearly to an "awakening" Ale near the novel's end: "I was wondering when you'd show up.")
For Celina/Ale, once the past has been explored and a better understanding reached ..... "esta escampando" -- the gray skies are clearing up!
--------------
A thoroughly engrossing and engaging narrative -- filled with historical and religious references, and sprinkled with playful verbal (untranslatable) ponderings -- a true "encanto" of a book!
10 of 11 people found the following review helpful.
Interesting
By HeyJudy
DAYS OF AWE is written beautifully, the work of a skilled author. An enormous amount of research had to have gone into this novel, and it shows. There are multiple sets of historical detail, any one set of which would have been sufficient for a compelling manuscript.
First, there is the background of life in Cuba before Fidel Castro came to power. There is the conflict of those who made their escape from Fidel's Cuba and the report of life in Cuba today. And there is the story of the life of the Cuban immigrant to the United States. All of these subplots are revealed skillfully by the author.
Additionally, there is the far lesser known history of the "Marranos," the Jews of Medieval Spain who pretended to become Christians to escape the Inquisition. Five centuries later, some of these Marranos yet have descendants who are practicing, still in hiding, their version of the Jewish religion. Some of those persecuted in 1492 made their ways to Cuba--even on the ships of Columbus--and the father of the heroine of this novel is descended from one of these very refugees.
So this is a book that comes close to greatness. The main characters never succeed in engaging the reader, however. And, ultimately, the story arc itself seems pointless. Still, the virtue of DAYS OF AWE is in the details.
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