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I'm the One That I Want, by Margaret Cho
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Comedian. Icon. TV star. Role model. Trash talker. Fag hag. Gypsy. Tramp. Thief. Margaret Cho displays her numerous sides in this funny, fierce, and honest memoir. As one of the country’s most visible Asian Americans, she has a unique perspective on identity and acceptance. As one of the country’s funniest and most quoted personalities, she takes no prisoners. And as a warm and wise woman who has seen the highs and lows of life, she has words of encouragement for anyone who has ever felt like an outsider. With I’m the One That I Want, Margaret Cho has written a book every bit as hilarious, shocking, and insightful as she is.
- Sales Rank: #901829 in Books
- Published on: 2002-04-30
- Released on: 2002-04-30
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .50" w x 5.50" l, .41 pounds
- Binding: Paperback
- 228 pages
- Humor
- essays
- Love, Sex & Marriage
Amazon.com Review
Don't come to this bitter, engrossing memoir for a quick and easy laugh. The material that Margaret Cho has turned to such riotous ends in her stand-up act has a very different flavor on the page. An unpopular child (okay, hated and reviled), Cho made friends with the drag queens who worked in her father's bookstore, soon becoming a fag hag, and finding this mutual attraction "both nurturing and powerful, sweet and sour, retail and wholesale." "Drag queens are strong because they have so much to fight against," writes Cho, "homophobia, sexism, pink eye." To support herself at the beginning of her comedy career, Cho worked at FAO Schwarz, sometimes moonlighting in phone sex. Occasionally the jobs would overlap, and she would find herself doing phone sex dressed as Raggedy Ann. There isn't much here about Cho's early success, but she does delve at length into her disastrous sitcom, and devotes many pages to her battles with her weight, with drugs, and with alcohol, and her hopeless relationships with men (none of the bisexual material from her stage act is included here). Cho's message is about self-esteem in the face of consistent opposition from her family, the network that aired a "Margaret Cho" sitcom but permitted her no creative control, and a society that rewards women for thinness, whiteness, meekness, and a shut mouth. --Regina Marler
From Publishers Weekly
Expanding on her one-woman show (and film) of the same title, comedian Cho mines her improbable life. The misfit daughter of Korean immigrants in San Francisco (who named her Moran, which she likens to naming a kid "Asshill"), she dropped out of high school, gaining success in stand-up even as she succumbed to self-loathing, substance abuse, bad boyfriends and the siren song of Hollywood. As star of the first Asian-American sitcom (All-American Girl), she was forced to diet herself into sickness even as the show strayed from her story and quickly foundered. This book runs into the inevitable challenge of converting performance into print; neither a script nor a fully fleshed-out memoir, it works episodically but ultimately fizzles. Descriptions of the endless lousy men in Cho's life, perhaps disarming onstage, become tedious on the page. Still, she finds humor in pathos. Working on a pilot with a sitcom writer, she held back the truth: "I was unemployed and trying to kick a sick crystal meth habit by smoking huge bags of paraquat-laced marijuana and watching Nick at Night for six hours at a time. Now, that's a sitcom." Cho knows how great comics tend toward self-destruction, finding it hard to come down from stage adulation. Still, her discovery of self-esteem and New Agey conclusions ("I discovered there was a goddess deep inside me") are something that an acerbic comedian like Cho shouldn't embrace without irony. (May)Forecast: Cho's five-city tour and radio satellite tour will bring her to the attention of her young, hip audience.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Cho, the talented and witty comedienne who starred in All American Girl, the first Asian American sitcom, here adds to the growing list of celebrity autobiographies in a self-indulgent effort boasting all of the elements that make such works popular. She discusses her problems as a child, troubled teen years, dangerous drug habits, weight battles, and feelings about her one-woman show, which is now being well received by Asian Americans. Unfortunately, the book, which is adapted from her show, feels more like an exercise a therapist might have suggested than a serious autobiography. It is sexually explicit, which may make it inappropriate for younger readers, and contains an overabundance of obscenities apparently used more for shock value than substance. Cho's comedic wit does not translate well to print, and it seems that she could not decide whether to write for laughs or sentiment, resulting in an uneven blend. While this may have limited appeal to her fans, it is a minimal purchase at best. Not recommended. Rosalind Dayen, Broward Cty. South Regional Lib., Pembroke Pines, FL
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Funny and poignant -
By htrager0122
I have always been a fan of Cho's comedy, and now I have immense respect for the battles she's fought.
3 of 7 people found the following review helpful.
Slow but sincere...
By Jezbel
I bought the book hoping to gain insight into the young and talented Margaret Cho. As a stand-up she has a quick wit and fantastic personal and political observations. But as an author she is not as clever, shocking or provocative as she thinks she is. She has a good story to tell. Suffering from low self-esteem, communications deficits with her family and a clear, uphill battle with prejudice, it's easy to see the obstacles she had to deal with and subsequently triumph over. But her story-telling abilities still need some work and polish. She should read more biographies and perhaps take some classes on story development. The first 2/3 of the book are a slow, predictable read. She tries to describe her history as though it was decades ago - with the cynical eye of time, age and perception. But, in fact, it's fairly recent history. Granted, she made it through, but hindsight is always 20/20. The story is not finished. The lesson may be yet to learn. I'm sure it was great therapy for her to pound out her lurid tale of a young life gone awry. But the constant self-loathing, self-pity, fast times, "sex-drugs-and-rock & roll" lifestyle is a tune we've all heard before. The deal is: she made it out the other side but that's the shortest part of the book! A quick fix at the end of the book tries to wrap it all up in a nice neat package - and we all know that's not the way life happens. I wish she'd spent more time on putting it all together, gathering up the pieces of herself and telling us how difficult (and in what ways) she re-connected the pieces of her life and her personality. How she mended fences, the relationship with her parents at present and what she wants from life. THAT would have been a book with a real ending, not just a pretty package.
6 of 10 people found the following review helpful.
Moving Autobiography
By Brett Benner
I think my biggest surprise with this book was how serious it was. I wasn't fortunate enough to be able to see the stage show on which the book is based, but much of her life although couched with some hilarious witticisms is painful and sad. Drugs, alcholism, abusive relationships, and a big old healthy dose of self loathing thrown in for good measure. Reading about "All American Girl" and the deconstruction of the show made me wince. As always I'm baffled at the far reaching stupidity of network and studio executives. I was really moved by the end of this book, and wanted to be seated next to her so I could give her a great big bear hug. Rock on Moran!
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