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The Forest, by Edward Rutherfurd
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“AS ENTERTAINING AS SARUM AND RUTHERFURD’S OTHER SWEEPING NOVEL OF BRITISH HISTORY, LONDON.”
–The Boston Globe
“Engaging . . . A sprawling tome that combines fact with fiction and covers 900 years in the history of New Forest, a 100,000-acre woodland in southern England . . . Rutherfurd sketches the histories of six fictional families, ranging from aristocrats to peasants, who have lived in the forest for generations. . . . But the real success is in how Rutherfurd paints his picture of the wooded enclave with images of treachery and violence, as well as magic and beauty.”
–The New York Post
“THE FOREST IS MICHENER TOLD WITH AN ENGLISH ACCENT.”
–St. Louis Post-Dispatch
“TALES OF LOVE AND HONOR, DECEIT AND VIOLENCE, INHERITANCE AND LOSS.”
–San Jose Mercury News
- Sales Rank: #447718 in Books
- Brand: Ballantine Books
- Published on: 2001-07-03
- Released on: 2001-07-03
- Original language: English
- Number of items: 1
- Dimensions: 6.89" h x 1.24" w x 4.14" l,
- Binding: Mass Market Paperback
- 784 pages
- Great product!
Amazon.com Review
With such novels as Sarum and Russka, Edward Rutherfurd has laid claim to James Michener's longtime turf: the immensely researched, meticulously detailed epic of place, in which the characters tend to play second fiddle to the setting. The Forest is the most ambitious example yet of Rutherfurd's art. This time the location is that bosky patch of English real estate known as the New Forest. Other writers have tackled the area before. But The Forest is surely the definitive chronicle, with all the local stories, legends, and apocrypha woven into an irresistible narrative--think of Thomas Hardy's power and drama filtered through a very modern sensibility.
Opening with the assassination of King William II in 1099, the book covers nearly a millennium's worth of history. Rutherfurd creates generation after generation of adroitly realized characters, the best of whom defy our generic expectations: the canny Brother Adam, for example, is that rarest of literary creatures, a virtuous man who doesn't end up being simply bland and anodyne. Rutherfurd may be at his best when dealing with big-canvas events like the bloody Monmouth Rebellion of 1685. But he's no slouch at detailing more microcosmic conflicts, like this head-butting contest between two buck deer: Her buck had hit firmer ground and his feet suddenly got a purchase on the grass. His hindquarters shivering, he dug in. She saw the shoulders rise and his neck bear down. And now the interloper was slipping on the wet leaves. Slowly, cautiously, their antlers locked, the two straining bucks began to turn. Now they were both on grass. Suddenly the interloper disengaged. He gave his head a twist. The jagged spike was aiming at the buck's eye. Bestial behavior? Perhaps. Yet the level of human folly and brutality scattered throughout The Forest makes the foregoing passage resemble an outtake from Bambi--and gives this sylvan saga a very memorable edge. --Barry Forshaw
From Library Journal
As he did most recently--and with greater success--in London (LJ 6/15/97), Rutherfurd offers a sweeping picture of an area of England by focusing on a few families who lived there. This time he concentrates on the New Forest, part of the southern coast of England bounded by the English Channel. Rutherfurd traces the lives of peasants, smugglers, churchmen, woodsmen, and upper-class families from the 11th to the 20th centuries. These assorted men and women take part in the events surrounding the death of King Rufus (William the Conqueror's son), the failure of the Spanish Armada, England's Civil War, and more. Rutherfurd has always used his characters more as placeholders in history than as living human beings, but those in The Forest are particularly one-dimensional. That, plus the annoyingly Michener-like didactic tone of the narrative, makes this a hard book to recommend, even for fans of Rutherfurd. Still, readers looking for a fictional overview of English history will find it here in spades. Think of it as a Cliffs Notes with much heft.
-Nancy Pearl, Washington Ctr. for the Book, Seattle
Copyright 2000 Reed Business Information, Inc.
From Booklist
Rutherfurd follows the successful format he introduced and developed in his previous novels, Sarum (1987), Russka (1991), and London (1997). What he does is take a long sweep through the history of some location and personalize it by following the fortunes of certain families through the ages. His latest novel focuses on the New Forest, a region in southern England that has played a significant role in the country's history. The story opens in 1099, just before the death of King William II in the New Forest, shot in the eye by an arrow, either by accident or by design. Rutherfurd slowly builds the story up to the present day, charting, as has been his pattern in the previous books, the ups and downs of a few families as the epochs of English history wash over the sceptered isle and, in the process, documenting the political, social, economic, and ecological issues and the impact these issues have had on people's lives, common, noble, or royal. And since the author's focus is on the New Forest, even animals appear as characters! The trouble with Rutherfurd's storytelling is that he has obviously done copious research, and he tips in too many long paragraphs of undigested information. Still, readers learn a lot from him, and his latest is no exception; so expect demand for this detailed novel. Brad Hooper
Most helpful customer reviews
62 of 63 people found the following review helpful.
The Forest - Edward Rutherfurd
By Feneesna
A novel that spans a period of 1000 years in a small region of England? The premise sounded original and I was willing to rely on my love of history carrying me through. And you know what? I got more that I expected out of this book.
Having not read any other titles by Rutherfurd, I had no previous experience of his style and though curiosity led me at first, I was soon hooked.
Following the fortunes of six families through the years, most notably the Albions, Rutherfurd not only relates a series of great stories, he also tells the history and politics of England's New Forest, and the life of its deer and famous oaks.
The characterisation is strong, both heros and heroines are well drawn, from the Norman noblewoman Adela de la Roche to the mysterious Puckle and his many equally mysterious descendents.
All in all, a pretty damn good book. The chapter 'Albion Park' left me with a craving for Jane Austen again and as a whole leaving me with a strong inclination to read some more of Edward Rutherfurd's work some time soon.
76 of 80 people found the following review helpful.
History at it's most accessible...
By L. Alper
Edward Rutherfurd specialises in "Michener"-style books. Even tho he did not originate this type of novel, I personally feel he is the best at writing them for 2 reasons: 1) Instead of dealing with a very large area (Hawaii, South Africa, etc) as Michener does, Rutherfurd picks a small geographical area such as London or England's New Forest. This makes the focus of the story more manageable. 2) Rutherfurd is much better at characterisation & plot developement than Michener.
"The Forest" is Rutherfurd's latest 1000 year geographical epic, & altho not his best work, is eminently readable. Unlike his previous (& better) work, "London", "The Forest" deals with an area few people outside of the UK will be familiar with. This of course means the historical events he fictionalises will also be unfamiliar to the average American reader, thus adding some freshness to tales of Cavaliers vs. Roundheads, peasants relating to their feudal lords etc. In the chapter entitled "Albion Park" Rutherfurd even tries to adapt Jane Austen's "Pride & Prejudice" to his multi-generational narrative!
Does it work? For the most part, yes. Rutherfurd's novels are an excellent way for a reader to get a handle on history, & he makes large events personal to the reader. My main problem with his writings is his tendency to make family members thru the generations have the same appearance & mannerisms over hundreds of years. They never seem to inherit anything from their mothers; a Furzey is a Furzey whether in the 11th or the 19th century. This seems especially strange in "The Forest" as he has the same families marrying each other for the entire book without ever starting to share characteristics! I assume this is the author's way of making a protagonist instantly identifiable & not confusing the reader with too many different people to keep track of. The other fault I found with "The Forest" was starting the story at the end of the 11th century. Although the Roman period & Anglo-Saxon eras are mentioned, there is no narrative covering them as there was in "London". Personally, I would have welcomed the inclusion.
If not quite as good as "London", fans of Edward Rutherfurd will not be disappointed with "The Forest".
42 of 42 people found the following review helpful.
An Enjoyable History Lesson
By BME
Well, Edward Rutherfurd has done it again! Somehow, he is able to take an area of land and give us a history lesson about it--without boring us to death. He also has an incredible talent for covering a large span of time, yet he is still able to be detailed in his telling and make us care about his characters. "The Forest" is no exception. He teaches us English history while giving us stories that intertwine throughout the timeline. We learn the background of both obscure and well-known relics, and are shown ways that people earned their surnames. One of the things I really appreciate about this author is that he's realistic--sometimes the good guys don't win, and every once in a while, a bad guy gets away with an evil deed. Be sure though, that in Rutherfurd's books, the ancestors will pay! If you liked "Sarum" and "London," be sure that you won't be disappointed with this one. I don't often buy hardback books, but I was confident that Edward Rutherfurd wouldn't let me down, and he didn't.
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