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Explore fascinating, often chilling "what if" accounts of the world that could have existed–and still might yet . . .
Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including:
• "The Lucky Strike": When The Lucky Strike is chosen over The Enola Gay to drop the first atomic bomb, fate takes an unexpected turn in Kim Stanley Robinson’s gripping tale.
• "Bring the Jubilee": Ward Moore’s novella masterpiece offers a rebel victory at Gettysburg which changes the course of the Civil War . . . and all of American history.
• "Through Road No Wither": After Hitler’s victory in World War II, two Nazi officers confront their destiny in Greg Bear’s apocalyptic vision of the future.
• "All the Myriad Ways": Murder or suicide, Ambrose Harmon’s death leads the police down an infinite number of pathways in Larry Niven’s brilliant and defining tale of alternatives and consequences.
• "Mozart in Mirrorshades": Bruce Sterling and Lewis Shiner explore a terrifying era as the future crashes into the past–with disastrous results.
. . . as well as works by Poul Anderson • Gregory Benford • Jack L. Chalker • Nicholas A. DiChario • Brad Linaweaver • William Sanders • Susan Shwartz • Allen Steele • and Harry Turtledove himself!
The definitive collection: fourteen seminal alternate history tales drawing readers into a universe of dramatic possibility and endless wonder.
- Sales Rank: #563386 in Books
- Brand: Turtledove, Harry (EDT)/ Greenberg, Martin Harry (EDT)
- Published on: 2001-10-02
- Released on: 2001-10-02
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .90" w x 6.15" l, 1.02 pounds
- Binding: Paperback
- 415 pages
Amazon.com Review
What if? Harry Turtledove, renowned alt-historian and the editor of this anthology, calls that question "those two mournful little words." But little though they might be, they inspired some of the previous century's most brilliant speculative fiction, including the 14 short stories collected here.
And with contributors like Poul Anderson, Greg Bear, Gregory Benford, Larry Niven, Kim Stanley Robinson, Bruce Sterling, and Turtledove himself, there's truly not a clunker in the bunch. All of these stories revolve around Turtledove's central beard-tugging question, but they vary wildly in style, mood, and approach. Many toy with how the future might be altered had some particular event turned out differently (what if the Confederates had won at Gettysburg, or the Enola Gay had crashed before making its fateful flight?), while others follow dimension-hoppers traveling through tangled branches of our timeline (as in Sterling's "Mozart in Mirrorshades," Anderson's "Eutopia," and Jack L. Chalker's surreal ferry ride through "Dance Band on the Titanic").
All but four of these stories were written in the last two decades of the century--before then, Turtledove suggests in part, we weren't scientifically certain about whether Martians and "oceans on Venus full of reptilian monsters" might exist, so we were satisfied by more conventional, planet-faring SF. But the ideas that the contributors wrestle with here, and that irresistible human urge to speculate about the implications of our actions (and whether our decisions matter at all), prove timeless. --Paul Hughes
From Publishers Weekly
A ghostly ferry makes passages between coexisting "different Earths"; a 20th-century man describes his impact on the Civil War, brought about by time-machine tricks; and Mozart, Thomas Jefferson and Marie Antoinette end up as employees at an oil refinery in The Best Alternate History Stories of the 20th Century, edited by Harry Turtledove with Martin H. Greenberg. Contributors include Poul Anderson, Kim Stanley Robinson, Ward Moore and Susan Shwartz.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-Several of the subgenre's best-known writers are represented in this collection of 12 short stories and two novellas originally published between 1952 and 2000. Some pieces are concerned with time travel or alternate realities, while others are straightforward short stories set during historical times (including our own altered present). Selections range from Ward Moore's classic "Bring the Jubilee," a picaresque tale set in a defeated post-Civil War North, to Bruce Sterling and Lewis Shiner's "Mozart in Mirrorshades," a cheeky clashing of myriad futures. Themes often reflect a concern with ethics, individual responsibility, and the consequences of decisions-and, of course, the nature of history. Few readers are likely to enjoy all stories equally well, but most should discover something that is to their taste; for many libraries, Kim Stanley Robinson's stunning "The Lucky Strike," a soldier's story of the atom bomb and Hiroshima, would, on its own, justify the price of the book. Also notable are William Sanders's "The Undiscovered," a funny and touching tale of Shakespeare lost in the New World; Jack Chalker's "Dance Band on the Titanic," a ghost story about the ethics of suicide; and Turtledove's "Islands in the Sea," in which Islam wins a crucial eighth-century debate with Christianity. Other writers included are Poul Anderson, Greg Bear, Susan Shwartz, and more. For imaginative readers, these stories can open new vistas on the past and inspire a new sense of the possibilities of present and future.
Christine C. Menefee, Fairfax County Public Library, VA
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By David J Rogers
ok
31 of 33 people found the following review helpful.
An Enjoyable but Inaccurate Collection
By doomsdayer520
This is a mostly enjoyable collection of innovative stories, but the title of the anthology is far from accurate. Of course anyone can argue about what the "best" stories are in a certain category, but the bigger problem here is that this collection is not entirely Alternate History (AH). This is surprising for a collection compiled by Turtledove, who of course is one of the great practitioners of that genre. This appears to be an editorial challenge as the publisher may have requested a collection applied to the "category" of AH, only to reveal that this is a very difficult label to define. Some tales like Jack L. Chalker's "Dance Band on the Titanic," Bruce Sterling and Lewis Shiner's "Mozart in Mirrorshades," and others are merely time travel stories with the familiar don't-alter-the future theme. "The Death of Captain Future" by Allen Steele is a fun story but an inexplicable addition to this anthology, as it is straight sci-fi without the slightest hint of AH.
The stories that really are AH are high quality and make this collection mostly a success, but they only make up a distressingly small percentage of the book. In fact, the story of his own that Turtledove contributes to this book (perhaps suspiciously), "Islands in the Sea," is one of the best and actually sticks most closely to the supposed theme of AH. Kim Stanley Robinson's "The Lucky Strike" is surely a classic of straight-up AH, while the most enjoyable story here is William Sanders' "The Undiscovered," a comic tale of Shakespeare trying to put on a production of Hamlet with an adopted tribe of New World Indians. Rest assured that most of the stories here are good and even great, but the title of the anthology is not entirely accurate.
19 of 21 people found the following review helpful.
Some Representative Stories About History
By Arthur W Jordin
The Best Alternate History Stories of the 20th Century (2001) has fourteen stories and an introduction by Harry Turtledove. The introduction is an excellent review of the genre and the stories themselves are gems that have long been buried in moldy magazines or ancient -- to the younger fans -- anthologies. I have encountered several of the stories, but others were entirely new to me.
Robinson's The Lucky Strike has the Enola Gay crash on takeoff. DiChario's The Winterberry has JFK live through the shooting in Dallas. Turtledove's Islands in the Sea has Constantinople fall to the Muslims in the 8th century. Shwartz's Suppose They Gave a Peace has McGovern winning the presidency. Niven's All The Myriad Ways has humanity facing the realization of a probability multiverse where all uncertainities are resolved in each and every way.
Bear's Through Road No Whither has the Nazis winning World War II...temporarily. Benford's Manassas, Again isn't really alternate history so much as cyclic history, with robots instead of Negroes. Chalker's Dance Band On the Titantic has an intercontinual ferry boat. Moore's Bring the Jubilee has a historian accidently disrupting the timeline so that the Union wins the Civil War. Anderson's Eutopia has a universe in which Greece never declined.
Sanders' The Undiscovered has Shakespeare captured by American Indians. Sterling and Shiner's Mozart in Mirrorshades has 18th century Europe invaded by contemporary American culture. Steele's The Death of Captain Future is not so much an alternate history as the story of the birth of a folk myth. Linaweaver's Moon of Ice has another story of the Nazis winning WWII, but with a future much more different than they imagine.
Some prior reviewers have pointed out that not all of these stories are alternate history. I must agree with this in two cases (see above) but the time travel stories do impact subsequent events to produce an alternate history and the intercontinual travel stories are tours of other histories. These stories could be classified differently but history is a prominent theme in ALL of them.
This volume could have been titled "Some Representative Stories About History From a 20th Century Perspective", but you couldn't get all that on the spine in any reasonable size type. The publisher probably had something to do with the "Best" part of the title.
These stories are not history per se, but they demonstrate some truths about history. They make you think about the consequences of accident and error, suggest that we can't ever know all about the past, and question whether we are any good at predicting the future.
This volumes, and others like it, remind us that the past is unchangeable, but is also the source of today and tomorrow. Do we really know what our options are? Read and consider.
-Arthur W. Jordin
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